Group photo of some of the poets participating in the seminar
On October 3rd, the "Personal Writing in the Hustle Era" Poetry Seminar and the Sharing Meeting of JuYi's new book "Enlightenment Collection" sponsored by Guizhou Yishou Poetry Culture was held at the Guiyang "Lotus Pond Moonlight" Music Center, and more than 40 poets from Shenzhen, Changsha, Guiyang, Bijie, Zunyi and other places participated in the activities.
What a poet is is a topic that poets of any era can never escape. In this era of the abdication of the Holy Spirit, poetic snubs, and material supremacy, the rapid development of the Internet and information has intensified the internal and external tension of the huge Vanity Fair, the manifestation of materialism, the scum of the mediocre culture promoted by commerce, the rice, oil and salt of the market and the rapid pace of life have forced the poetry of the intellect to a dead end, and the pursuit and adherence to beauty and truth have become the world's most luxurious "heart-saving pills" and pilgrimages.
How can poets discover and discover poetry in the hustle and bustle of the times, maintain and uphold the dignity of poets, and write excellent poems that belong to their own individual lives and the times?
Seminar site
Hustle and bustle is a symptom of multiculturalism in our time
In the noisy era, everyone is a voice, everyone is the center, everyone takes the value they set as the core, and it is difficult to form the same value of the covenant. But the times embrace all this, so they become noisy, and this is the great side of our time, and its essential core should be what can finally be precipitated, spiritual, human culture, great poetry, music, painting, film, art, architecture, and so on, which are the things that eventually tend to be pure, aesthetic, metaphysical, and related to the awakening of the human spirit or soul.
"If pure sound finds a rhythm, it's music, and if pure language finds an order, it's poetry." Liu Jian, a professor at Guizhou University and a doctoral supervisor, believes that poetry is different from everyday language because it exists in a certain order. The original meaning of hustle and bustle comes from a certain sound, and when this sound has no certain rhythm or order, it becomes a noise. The hustle and bustle is divided into the noise of hearing and the noise of the visual, and the hustle and bustle of the times in which we live is also the time when some order is needed.
"It's the best of times and the worst of times." Guizhou's top ten influential poets quoted Dickens as saying, "The hustle and bustle of the times is not unique to the present, in the eyes of real poets, any era is noisy." The hustle and bustle is divided into audible hustle and bustle and silent and hustle, but the silent hustle is more frightening, more oppressive, and more torturous than the audible hustle and bustle." He believes that a poet with an authentic faith, in the hustle and bustle of the times, wants to be alone, out of the mud without staining, very valuable, if you want to stick to yourself, and fight against the hustle and bustle, it is bound to be scaled all over the body, and even crushed to pieces. If you want to compromise and retreat, or even give up, you are bound to fall into the quagmire of life and cannot extricate yourself. He took Ju Yi's poetry collection "The Collection of Enlightenment" as an example, he believes, "We are in the hustle and bustle of the world, we must see life openly and far, in order to continue life, we must see through life, we must see lightly, we can continue life, this is a kind of survival wisdom in the face of hustle and bustle."
The poetry scene of our time is noisy
As a special literary carrier, poetry has gradually become niche and marginalized with the progress of the times, the development of literature and the diversification of aesthetics, especially the current flood of pan-culture. The poet's circle, the shallowness of his works, excessive packaging and hype, sensational writing art, plagiarism scandals, publication style, safe writing, and other issues all disgrace the poetry world that should be holy.
Kasi, deputy secretary of the party committee and poet of Guizhou University, believes that since poetry began to enter "personalized writing" in the 1990s, the personal emotional catharsis of entertainment, fragmentation, coarseness and privacy has become more and more intense, poets lack self-discipline, such as the horse that is out of control, poetry and texts are allowed to flow to the crazy situation of oblivion, some poets have been branded with gimmicks such as "famous" and "master", and good poetry that can really impress the heart is difficult to appear.
Against the backdrop of the hustle and bustle of the times, Ju Yi believes that poetry is powerless, but the spirit of the poet is strong. He said: You can kill a poet with one punch and destroy him, but his poetry and spirit not only cannot be defeated, but the more you fight, the stronger you become! "There is no one who is not living in the huge Vanity Fair, so some people are eager to make a quick profit, vulgarize, and even hang up the sheep's head to sell dog meat, as long as they can become famous, can satisfy the small selfish desires, sell dog meat and then sell pork can also do it, unworthy of the name, lost morality and conscience." 」
The poets of our time are also noisy
Xie Kai, an associate professor at Guizhou Light Industry Vocational and Technical College, believes that hustle and silence are a pair of paradoxes. "What people know is also loud, and people do not know, and they are also arrogant." People know this truth and shout in their throats, and people who don't know this truth also shout in their throats. In response to Ju Yi's poetry collection "The Collection of Enlightenment", he believes that "enlightenment is a process, people are always in the process of enlightenment, always in the process of enlightenment, one realization and one realization, always a process of pursuit, the ultimate goal stops at the supreme good, and the supreme good is too high, and it is difficult for people to pursue it with a lifetime."
The avant-garde poet Hai believes that "no one can retreat from the hustle and bustle of the times", and contemplation in meditation is an expression of intellect, and the content of Juyi's poetry is widely involved, and the mundane affairs of life, major national affairs, humanistic issues, and final problems are all included in poetry. But if through religion, through zen enlightenment, through philosophical enlightenment, true enlightenment is not poetry, true enlightenment, the author becomes a philosopher or a Zen master, not a poet.
Thus, "From the first book of poems to the present third book of poems, he has been writing order, which shows that his heart is strong, he is a powerful person, and at the same time a noisy poet." The poet Wang Yuxiao believes that the poetry collection "The Collection of Enlightenment" has no proof and no enlightenment, and the author Juyi tries to achieve self-breakthrough between philosophy, earthly world, and Zen. At present, there are many poets who like to "lean on big money", mix circles, and wear "hats" to each other. She admits that since she delivered her speech "Guizhou Poetry Calls for the Four Winds" at the seminar "Gengzi Dialogue: Self-consciousness of Poetry and Self-Sufficiency of Texts- Reflections on the Current Situation of Guizhou Poetry" in August 2020, many poets have tried to implement some of the ideas in the articles to specific poets by knocking on the side, which she believes is a boring behavior.
Poets should be effectively integrated with the hustle and bustle of our time
The poet also shared 15 poems related to Shenzhen Phoenix Mountain in the "Collection of Enlightenment" by telling the story of his life resume, put forward the "writing scene", the discovery and search of the "hometown" in the poem, and expounded his poetry writing practice; the poet Chen Runsheng extended the topic through his own understanding of good poetry, "Poetry should be combined with the present, ideologically it should face life, the form should face reality, the language should be fluent, the position should be impartial, and the positioning should be integrated between China and foreign countries, ancient and modern.".
The poet He Jianfei reflected on the current poetry, poets and poetry through some cultural phenomena around him. He believes that "some friends around us who are keen on traditional Chinese studies, traditional calligraphy and painting, and traditional liturgical music will rigidly apply the tradition, make no trade-offs, and behave indiscriminately at an inopportune time, which is undoubtedly a cultural sadness." They don't go back to tradition, they're just a trick to disguise themselves."
The poet Anoabu believes that the so-called "great hidden in the city", if the real writer leaves the intervention of the current real life, the intervention of reality, his works are to be questioned. He prefers the ancient method of writing poetry, after the poem is written, more in the communication between friends, because everyone is very familiar, so can not write fake poems, unlike the Internet developed today, a cat and a dog can write, once written will be sent to the Internet, because everyone is not familiar, so it has become unscrupulous.
"How can man be full of labor and poetically dwell on this land"? Poetry is life, and poetry is "from life, from the heart, to the smallness, nothingness, morality, compassion and sentimentality of the world." "Poetry is everything around us, the mirror image of our hearts and everything on earth.
Share and communicate, a comfortable spiritual journey and dialogue. The event was co-hosted by Liu Jian and Ano Abu, and the poets who attended the event were: Cheng Yun, Wang Qiang, Wang Guiwu, Zhan Guixiang, Peng Tianlang, Pengzi, Li Hou'an, Li Baori, Chen Changrong, Chen Xiaojun, Liu Feng, Rao Jiachang, Li Jing, Song Xiaozhu, Hu Yongzhi, Chang Jin, Dong Xin, Du Chunxiang, Zhou Jin, Zhou Wenwen, etc.
(Jiang Neng)
Picture of the event
On the sea, avant-garde poets, freelance writers, "folk thinkers", "cultural goblins", spanning the fields and practices of Chinese characters, rock paintings, calligraphy, painting, etc., he has engaged in artistic creation in the Yuanmingyuan Painters Village, Songzhuang and other places. He has published a variety of poetry collections and cultural works such as "The Culture of the Chinese", "Free Manuscript", "Returning the Soul Bird", and "Sea of People".
No, whose real name is Huang Gang, a native of Chenxi, Hunan, has published a collection of poems "Crabs from Mars" and "Sample Collection".
Cheng Yun, a native of Nayong, Guizhou, is of the Yi ethnic group. There is a narrative poetry collection "Yi Family Happy Events", which won the first Guizhou Provincial Government Literary and Art Creation Award. He has published more than 2 million words of works in domestic newspapers and periodicals. He is a member of the 7th, 8th and 9th CPPCC Huaxi District CPPCC Committee, and deputy director of the 8th and 9th CPPCC Cultural and Historical Committees. He has successively served as the vice chairman of the Huaxi Literary Association and the chairman of the Huaxi Writers Association. Retired.
Kaxi, real name Guo Longxiang, Guizhou Zhenfeng people, graduated from the University Of Mathematics, live in Guiyang. He is the author of the poetry collection "Cassie's Starry Sky", "The Wind Is Blowing Softly", "If Time Comes One Step Closer", and the reportage "Dam Daxing", etc., and his poems have been scattered in newspapers and periodicals throughout the country and various anthologies.
Hu Yongzhi, Nayongren, works published in "Mountain Flower", "Poetry Monthly" and so on.
Wang Guiwu, born in 1965 in Guizhou Zhijin, now lives in Guiyang, Guizhou. There are personal poetry collections such as "Wine Gua" and "Concave River Moon".
Wang Qiang, a poet, settled in the Yuanmingyuan Artists' Village in Beijing in October 1991, established the "Poetry Hall", and founded the poetry folk magazine "The Great Commotion". He is the author of the poetry collection "Crazy Face" and so on.
Zhan Guixiang, former vice chairman of zhijin county literary association, chairman of the original writers association, executive editor of zhijin literature and art. Literary criticism and essays have been published in newspapers and periodicals at different levels and have won awards.
Zhou Jin is the host of Guiyang Radio and Television Station.
Peng Tianlang
Song Xiaozhu is a member of the Guizhou Writers Association, the deputy secretary-general of the Guizhou Poets Association, and a student of the second national writer class of Lu Xun Literature College.
Li Jing, a young man, is a director of the Guizhou Provincial Poets Association. His works have been scattered in Selected Poems, Guizhou Writers, etc.
Rao Jiachang is a teacher at Guizhou Kangyang Vocational University.
Liu Feng is an associate professor at Guizhou Police College.
Liu Jian, a native of Hezhangren, Guizhou, graduated from the School of Art of Southeast University in 2011 with a doctorate in literature, and is now a professor at the Academy of Fine Arts of Guizhou University, a master tutor, and the executive editor of the Journal of Guizhou University (Art Edition).
In 1982, he began to publish more than 600 poems and essays in newspapers and periodicals such as "Poetry Journal", "National Literature", "Green Wind", "Mountain Flower" and other newspapers and periodicals, won more than 30 domestic poetry awards, and authored the poetry collection "Face and Petals", "The Plateau of Man", "The Book of Confusion", the prose essay collection "Reflection of the Desolation in the Wine Glass", and in December 2008, Kongkong won the title of "Guizhou Top Ten Influential Poets".
Wang Yuxiao, pen name Jian Jian and Chao Junjin. His works have been scattered in Prose Poetry, Stars, Poetry Journal, etc.
He Jianfei, a native of Fuquan City, Guizhou Province, currently lives in Fuquan and Guiyang. He has published three collections of poems, "Reading is Fateful", "Solution" (bilingual in Chinese and English), and "Eggs and Stones".
Li Baori published hundreds of poems in newspapers and periodicals such as "Stars" and "Prose Poems". He graduated from Bijie Normal School and Guizhou Provincial College of Education.
Chen Xiaojun, whose writings can be found in "Selected Small Novels", "Mountain Flowers", "Huaxi", "Chinese and Foreign Culture and Literary Theory", has won the first prize of the Guizhou Provincial Special Literature Award.
Pengzi was born in April 1966 in Shou County, Anhui Province. He has published more than 200 poems, novels, essays and reviews in Poetry Journal, Stars, Poetry Monthly, etc.
Chen Runsheng, of the Mulam ethnic group, was born in 1977 in Daozhen, Guizhou. There are poems distributed in various publications.
Xie Kai, associate professor of Guizhou Light Industry Technical Vocational College, painter.
Chen Changrong, a native of Sinan, Guizhou Province, has works scattered in "Writer" and "Wujiang Literature".
Ano Abu, who used the name last night. He has successively edited magazines such as "Youth Era", "Pen and Ink Paper", "Great Southwest Monthly" and so on.
First Instance: Yan Li
Second instance: Li Zhujiang
Source: A poem
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