【Celebrity Profile】
Su Yayi, male, born in 1951, is a person with a near ink name. He is a member of the Communist Party of China and a former professional teacher. He is currently a national first-class calligrapher, a member of the China Yuelian Society, a researcher of the Beijing Zhongxuan Shengshi International Calligraphy and Painting Institute, a member of the Ink Danqing Calligraphy and Painting Institute of China Education Television, a member of the Guangxi Science and Technology Calligraphy and Painting Research Institute, a member of the Guangxi Folk Writers Association, an academician of the Yongzhou Calligraphy and Painting Academy of the Nanning Municipal CPPCC, a member of the Nanning Calligraphy Association, an art consultant of the Nanning Municipal People's Congress Calligraphy and Painting Institute, and a former vice chairman of the Nanning Xingning District Book Association.
Mr. Su always adheres to the purpose of art for the people, and adheres to the road of carrying the road with literature, art with virtue, and advocating virtue and art. His works have won the praise of the broad masses of the people, the party, the government and the military organs, and he has donated calligraphy works to public welfare activities such as poverty alleviation and charity for many times, and is a loving calligrapher who is enthusiastic about public welfare.
Side into the middle of the line of calligraphy Heavenly nature attacks the Jin wind
—Remember the famous calligrapher Su Ya on
Calligraphy is written freely, if the pen is stiff, writing is not calligraphy, the craftsman is also! Looking back at the brilliant stars in the history of calligraphy, including Erwang, Ouyan Liuzhao, Su Huangmicai, etc., without exception, they are all models of writing freely and can be written freely. Watching the calligraphy works of Mr. Su Yayan, a famous contemporary calligrapher, there is always a free expression of freehand and clear air, favorable wind and smoothness. Heart-to-hand mutual strength! In the process of calligraphy creation, you can use both hands and ease. This calligraphic gesture is not only a free laying that is similar to the wonders of nature and cannot be achieved by luck, but also the ancient and modern continuity of the dragon vein of traditional literati calligraphy!
Mr. Su's calligraphy cultivation is extremely wide, all five bodies are complete, and he is knowledgeable and excellent. You can study the seal poorly, and the Qin wind iron seal can knock on the mountains and rivers. Be able to deeply master the Ten Tablets of Han Li and write the Li li in a rich and multi-divine way. Take the Tang Fa to write the yan muscles and willow bones, which can show the positive atmosphere! On the basis of the cultivation breadth, there is also the depth of the refined grass! He integrated the penmanship of seal, li and kai into the creation of xingcao, and all kinds of books were integrated into one furnace, becoming an innovative classic with a self-reliant face. Sure enough, it is a person who takes the law as the top, not for the law, and lets the calligraphy borrow the ancient and the present!
His line of grass has the mysterious mysteries of the various bodies, and he has managed the true meaning of calligraphy as the art of line! The pen is calm, you can intend to write first, the first volley to kill paper, like an autumn eagle chasing a rabbit! In the operation of this kind of gesture Lingli, I have a very accurate grasp of the essence of the brushwork of "side into the middle line"! Side entry can make the attributes of pen and ink paper coincide in an instant, such as thunder and lightning, and the starting pen is the quality of the golden book.
BOC lets the pen and ink run on the paper surface where there are house leak marks, cone scratching sand force through the back of the paper, forming a calm, stable, full and round pen and ink characteristics, infinitely enhancing the line tension, looking up to see the Hongfei beast horror, but also writing Luan Feng wandering! Zhao Ziang looked at lanting seven hundred years ago and said that "it is not easy to use a pen for eternity.". Now look at Su Ya's grass creation, let the hard-won method be like the old view! Therefore, looking at his calligraphy works one by one, you can constantly feel the inheritance of Jin Yun, and the writing is uneven and painful! If you master the essence of the brushwork of the side into the middle line, you can reproduce the natural nature of the Orchid Pavilion Sequence, and you can also write a self-narration of the whiskers to sweep away a thousand sheets, and it is true and true, and the achievements are outstanding!
There is a saying in gesture theory that boneless and succulent is a disease, and micro-flesh and bone is sacred. Now looking at Su Yayan's calligraphy works, there are great steles and bones, and the spirit of the thesis of the gods is cultivated. Three points of flesh and seven points of bone, when the pen and ink fly, the writing is as rigid as iron casting, and the soft is like a wire! This kind of calligraphic imagery of rigidity and softness, with grace and bone, is precisely the impact of "holy"! Each stroke is like a cloth array of clouds, each writing is a long live dry vine, twisting like a steel hook! You can write about the image of all kinds. Through the dual control of speed and strength, the eight sides of the attack are full of pain! Left and right are like shocks, like Chu and Han fighting!
The side into the middle of the line is familiar with the book, and the nature naturally attacks the Jin wind. His calligraphy comes from tradition, standing with the times in pen and ink, with a distinct Sushu style! The fine study of calligraphy culture traces back to the source, and the unremitting efforts of pen and ink innovation, which is the great rejuvenation of contemporary literati calligraphy! Lyrically according to the book, aiming to produce new and uncertain; the heart traces reflect the handwriting, let go of the handwriting of the heart book authentic! Looking up at his calligraphy, you can always see the lonely canopy vibrating itself, and the sand is flying! There will be a sigh: Han Mo is wonderful, and there are endless generations!
Text/Lin Zhixian (popular science writer, first-class calligraphy and painting critic)