She is a well-known peking opera world titan, she and her husband Geng Qichang have been active on the Peking opera stage for many years, the two were born in the same year, admitted to the Chinese Opera School in the same year, graduated in the same year, both are actors of the Beijing Opera House in China, once they have lived their lives, they are li weikang, a national first-class actor.
Li Weikang, born in Beijing in 1947, was admitted to the Chinese Opera School at the age of 11, and was trained by Cheng Cheng Yujing, Zhang Junqiu, Li Yuru and many other famous artists, she began to perform on stage at the age of 12, and successfully played Yang Kaihui in the new drama "Butterfly Love Flower" at the age of 30 and achieved great success. Li Weikang served as the head of the second troupe of the Peking Opera House in China in the 1980s, and she was not only very famous in the Peking Opera circle, she also won the Golden Eagle Award for Best Actress in Popular Television for her wonderful performance in the TV series "Four Generations Together".
In 1997, Li Weikang was first promoted as the "Star of the Century" by The Literary Association, while her career was brilliant, what was more enviable was her marriage, she and her husband Geng Qichang had many similarities, the two were not only born in the same year, but also began to perform on stage at the age of 12.
Geng Qichang is the main actor of the Peking Opera House of China and a national first-class actor. He also performed on stage at the age of 12, and has performed dozens of excellent traditional plays, newly written historical dramas, modern Peking Opera, and played major roles. He has performed in Western Europe and North America and contributed to cultural exchanges.
At the beginning, the two began to fall in love through the ancient way of passing notes, the two have been cooperating since they were admitted to the Chinese opera school at the age of 11, not only "husband singing with women", but also have always been in love, and now both are inheritors of national intangible cultural heritage.
Li Weikang and her husband have been married for decades and have been suffering together. When it comes to the way husband and wife get along, it is said that the two still practice a relatively avant-garde AA system, with salaries put together for daily use, and performance fees are fairly distributed, half of each person. Everyone has their own small vault, and if they want to buy something, they pay half of the cost.
Perhaps it is this fair way of getting along between husband and wife that makes the relationship between the two people always be the same, and now many women feel that everything is taken for granted once they marry the man, which leads to contradictions, perhaps they should learn from these two old artists.
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