As a program where the stars of the Chinese music scene gather, "The Voice of Heavenly Gift" can be described as another peak after "Singer", not only inviting Zhang Shaohan, Tao Zhe, Hu Yanbin, Hu Haiquan and many other top singers to sit in the seat, but also a huge number of flying guests.
If you only look at the guest lineup, "The Voice of Heaven" can be regarded as the most exaggerated program in the music industry in recent years, and the consumption of artists is not smaller than that of "Singer".
However, it is such a show with unlimited potential that in the end, its reputation plummeted because of the dispute between the guests and the judges.
Since the first season of "The Voice of Heaven", several music critics led by Ding Taisheng have repeatedly made amazing remarks, most of the wonderful stages are worthless in their mouths, and the contradictions and confrontations on and off the stage are very serious.
Although it has to be admitted that Ding Taisheng does have a lot of comments to the point, but the habit of over-subjectivization and liking to rise to personal attacks has also been criticized by countless people, which can be said to be a character with mixed reputations.
In the recently popular second season, Ding Taisheng also made a comeback to exert his "poisonous tongue" skills to the extreme, coupled with Hao Lei's incitement on the side, successfully taking the atmosphere of the show astray.
What was originally a good music program has gradually evolved into a quarrel.
Up to now, several guests have had disputes with Ding Taisheng, including female singers such as VAVA, He Jie, and Wanida.
However, clear-eyed people should have found a problem, that is, Ding Taisheng seems to have a certain prejudice against rappers, and in his eyes, the starting point of this type of music is relatively low, and it is even more difficult to successfully integrate into the performance and gain recognition.
In addition to the intensification of the contradiction between Ding Taisheng and the rapper in the show, there are also various frictions outside the field.
From the "Ding Taisheng VS Chinese Rap 1·0" caused by the initial questioning of Kung Fu Fat Lyrics Ability, to the 2.0 caused by the anger VAVA later, Ding Taisheng successfully angered a large number of rappers.
Even for this ar Liu Fuyang and VOB have also sent DISS responses, and the contradictions between the two sides have reached the point where they cannot be run in.
Unexpectedly, this time, The appearance of Piket not only did not provoke Ding Taisheng's criticism, but even gave a rare praise.
It is reported that the "Forget" sung by Pikett and Hu Haiquan in the show is actually the work of October 2018, and now it is still full of impact after several years.
Compared with the explosion stage effect of the whole song, Pikett and Hu Haiquan will pay more attention to the stacking of artistic conceptions, coupled with Li Zixuan's dance, which directly renders the live atmosphere to the extreme.
There is no doubt that this is a successful combination of pop and rap, not just to stay on the surface, there will be a lot of deeper thinking.
And Hu Haiquan and Piket are indeed very stable, whether it is the vocal part or the rap part, they have played to the extreme, and the whole stage looks almost flawless.
In the face of such a complete performance, even Ding Taisheng and Hao Lei could not pick out the faults.
The most interesting thing is that Ding Taisheng also highlighted that Piket's lyrics are well written, and friends who have watched the previous show should know that he really likes to make articles on the lyrics, and VAVA has been criticized for this.
But in the face of rap circle OG Packert, Ding Taisheng still failed to find a suitable point of criticism after all.
Although this result is a bit sudden, it is actually completely expected, because as early as after VAVA was questioned, Pikett had sent a dynamic, calling Ding Taisheng waiting.
And Pict also threatened to let Ding Taisheng understand what is a good rap lyrics and flow, and now it seems that he has successfully fulfilled his bold words and received a round of applause with his excellent performance.
This time, Pikett played "back" beautifully and perfectly Chinese rap, and he was indeed more mature than several other rappers on stage, which was a face for the whole circle.
In fact, as Pikett said, rap does not have to be fried to burn, it is already 2021 Rap music can have a lot of forms of expression, in terms of narrative is also malleable, I hope you can be more tolerant and try to understand it.