A few days ago, Piao Gang talked to everyone about the different (juvenile) (childish) charm of the brothers in the Greater Bay Area.
In the back, there was a dispute between Lin Zhixuan and Li Xiangming, which rushed to the hot search,
As a dancer, Li Xiang hopes to achieve a new breakthrough on the stage of "Brother Phi" (brother who cut through thorns).
You can sing on stage,
But the old predecessor Lin Zhixuan believes that the overall stage effect is the most important,
I hope Li Xiang can dance.
The dispute between the two sides is itself only the difference in their respective positions,
Later, I also communicated.
But when it comes to Li Xiang and Liu Jia, Piao has to tell you amway dancers who are excellent but not often active on the screen.
The first time I met the two of them was in another variety show "Dance Storm" on Hunan Satellite TV.
At that time, their performance was like a flowing stream, full of fairy spirit and seductive, which made The Drifting Great shocked!
I still remember that in the first episode of the show, Li Xiangyi's dance was terminated.
In the thunderous applause of the audience, the judge Shen Peiyi shouted emotionally: "Li Xiang, you are the storm!" ”
After just a few minutes of performance, I watched it fluttering.
This kind of beauty, beauty flows in the lightness of the soft body.
Even more beautiful, even this lightness is years of body shaping and skill grinding.
When it bursts out, the dusty and melodious temperament is still too light to seem to have had the weight of suffering.
Extremely beautiful, but not painful for the viewer.
It is not an exaggeration to say "immortal".
Corresponding to the "immortal" with oriental charm, the "elegance" in western classical romance is also a temperament of its own.
Among them, the ballet dancing on the tip of the toe is undoubtedly the king of temperament shaping.
To say that the impressive ballet dancers in "Dance Storm", the first thing piao thinks of is Tan Yuanyuan.
Just standing there is enough to attract everyone's attention.
But many viewers may not know that before becoming well known to the public through "Dance Storm", as early as the Spring Festival Gala in 2006, Tan Yuanyuan left a glimpse of a high-level ballet.
In the dance "Three Friends of the Cold Years - Song Mei Zhu", Tan Yuanyuan created a role of Dong Song in it.
The dignified and elegant ballet not only perfectly fits the temperament of Song Gaojie.
The graceful dance posture also gives a light and romantic interpretation of loose, in addition to the traditional impression.
This different kind of pine tree has also become a new dance classic under this allusion.
Unlike what many people imagine, participating in "Dance Storm" is not a choice that needs to be deliberately made or even deliberated by Tan Yuanyuan.
It is nothing more than another way to show the beauty of ballet.
Tan Yuanyuan has also been thinking about such a question recently: If there are 10 performances a year, how many audiences in the theater can see it? But on the TV show, everyone can see the dance she presents. If there are successful works that can also bring the audience closer to ballet, why not?
New Weekly | "Dancer Tan Yuanyuan": I chose ballet, and ballet also chose me
There are more stages to dance on and a closer look to show the beauty of ballet to the audience.
Why not?
The first stage "Return", adapted from the classic ballet "The Death of the Swan".
When re-interpreted, it is no longer portrayed in the desperate poignancy of the swan dying, but the desire and hope of life shown in the painful struggle.
This swan is also just like Tan Yuanyuan himself.
"A day is a dancer, always a dancer."
Even if there will be pain and twilight, flapping wings and fluttering are instincts that swans cannot give up.
Just like in "The Legend of Ah Fei", the bird that has been flying all its life is destined to choose the sky as soon as it is born.
Ballet yu Yuanyuan is also a mission-like choice.
After "Return", Tan Yuanyuan performed a completely different style of "Carmen" in the show.
Passionate and flamboyant.
Give the audience another aesthetic experience.
In addition to the program, Tan Yuanyuan also continues to cultivate for the beauty of this ballet.
She set up her own studio dedicated to ballet promotion activities such as ballet art entering the campus, guided tours of works, seminars, and choreography master classes.
It is intended to bring the international ballet concept back to China and infect more ballet lovers.
During the epidemic, in order to give more dancers the opportunity to learn, Tan Yuanyuan held a lecture online.
The audience of the course is all over the world, not to mention, the content is also full of dry goods.
While strengthening dance skills, it also helps everyone to open their horizons and provide suggestions for career direction.
Offline, she returned to her alma mater, the Dance School affiliated to the Shanghai Theater Academy.
Interact with young dancers and personally guide and demonstrate dance moves.
The artist Xu is arrogant and lonely, but art is absolutely inclusive.
Embrace more diverse forms, expand the audience's aesthetic vision, and give beauty a breadth.
Perhaps it is ballet, the true universal value of art.
The implementation of the value of spreading ballet to individuals is the transmission of beauty and warmth.
Tan Yuanyuan likens it to sunshine -
The effort I make every day is to live in the sun a little more time, and to be able to bring my own positive energy, my own dance posture, to bring you more warmth, to bring everyone more beauty, to bring more sunshine.
——Interview with Hunan Satellite TV
The people of Yimeidu are precisely the inner strength that supports a beautiful exterior, firm and warm.
And this beauty, at the same time, is unrestricted.
Not limited by age and body, not limited by the opinions of others.
Tan Yuanyuan said that his idol was Audrey Hepburn.
Not only because of her beauty, but also because of the freedom and great love embodied in He herself.
Tan Yuanyuan believes that the limit of achieving his own scope is perfection. Whether it is getting older or getting older, Tan Yuanyuan feels that you should not be bound by these frameworks, you are you. Tan Yuanyuan said that his idol is Audrey Hepburn, Hepburn became an immortal beauty because of great love, and for Tan Yuanyuan himself, he can pass on her artistic concept to everyone and let everyone feel the beauty, "This is my mission." ”
——New Weekly | "Dancer Tan Yuanyuan": I chose ballet, and ballet also chose me
And this kind of freedom and great love, for Tan Yuanyuan, is no matter how the years change.
He always has the ultimate love for ballet; he has always had a sense of mission for beauty and art.
In addition to the international level dancer Tan Yuanyuan, revisiting "Dance Storm", floating down is particularly fond of a small bead-like dancer -
Wang Jiabao.
In "Dance Storm", she did not leave much shadow, but the only one in "Fang Nian Hua Yue" has a heartwarming chic.
The double dance with the piano version of "My Motherland" is really a bit of a dream back to the scene of the performance of the Chinese troupe of "Fanghua".
In this double dance, Jiabao is undoubtedly the eye of the play, whether in terms of technology or artistic expression, it is outstanding.
Look at this flat turn is stable and smooth, and the end of the dance is also graceful, and it is easy to retract.
In terms of technique, it is very ornamental.
The musical expressiveness is also not bad.
Interpreted to "the wind blows rice and flowers on both sides of the strait", an action of covering the face with the hand expresses the artistic conception of the hidden lyrics accurately and gracefully.
After a quick glance at the show, it is almost impossible to find other information about this beautiful person on the Internet.
A check, found that the original person is a serious low-key bully.
After receiving a full scholarship at the YAGP International Ballet Competition, he went to the United States for further study, and then interned and served at the Washington Ballet for four years.
Later, due to injury and illness, he returned to China and was easily admitted to the National Ballet of China and the Beijing Contemporary Ballet.
In addition to being on dance variety shows, in private, almost all of them are on the stage and between dance troupes.
I also want to enjoy her dancing posture, so I can only look for her private video account, but what I find is also some sporadic shadows that she took out of her spare time after work.
Piao was intrigued by the low-key ballet dancer, found her contact details, and did a simple interview.
Only then did she know that due to her injury, although she was still insisting on her ballet career, she had quit her profession as a dancer who needed high-intensity training.
Regrets? Flutter asked her.
Jiabao's tone is brisk, meaning, did not skip the ballet, that is a real regret.
In her pain, she also imagined in frustration —
"If you don't learn to dance, won't you be so tired?" The body is also intact, without the 'defect' of injury, could it be a brainless happy little fairy? ”
Fluttershy, probably not.
For a person who has a pursuit of life, happiness is difficult to come from brainlessness.
Jiabao and Piao talked about her experience after the injury, and Piao felt even more like this.
She said that she recovered very quickly, "many people are very concerned about me, a dancer who has not given up his dreams, even doctors feel that it is a miracle, every time I go to review normal people who seem to have not had surgery, when I send some dance videos, there will be former patients to leave messages, envy and admiration ..."
This confidence in life, tenacious vitality and control over the state of the body are definitely brought to her by systematic ballet training.
The long and arduous profession of a ballet dancer has almost become the most important factor in shaping Jiabao's confident, self-disciplined, optimistic and positive character.
All people who are healthy and have strong faith can show this kind of appearance.
The temperament of people lies in the external cultivation and internal adjustment.
After interviewing Jiabao, Piao felt that the ballet dancers envied by the world were confident, calm and structured.
It didn't come from the high head and the taut toes.
The vast majority of this belief in beauty, which is closely integrated with self-worth.