The poverty alleviation drama "So Many Petite Rivers and Mountains" is being broadcast on Hunan Satellite TV.
The investment in the mulberry silkworm breeding base has finally been implemented, and the villagers' enthusiasm for learning needs to be further enhanced; Xiang Ximei (Shen Mengchen) married Shi Yaojin (Wu Lipeng) in a beautiful way, but the ups and downs of life continue; the spirit of "Yugong moving mountains" encourages the public, but the cause of poverty alleviation still has to "step forward from scratch".
When watching this drama, there is always an impulse to "go to poverty alleviation together". The main theme of the work is not unusual to shoot interesting, and it is the most rare to shoot empathy. It can be said that the appeal of literary and artistic works has surged in this drama.
In this drama, there is an important proposition of poverty alleviation, and there is also the mission of party members in the new era. It is the standard answer sheet for the youthfulness of the main theme works, and it is also a different exhibition of rural group portraits. It excavates the difficulties in poverty alleviation and has the courage to face reality. It has a romantic song, but also a realistic bone.
"So Many Petite In Jiangshan" is directed by An Jian, written by Wang Chenggang, and starring Luo Jin and Yuan Shanshan. The drama tells the story of Pu Quansheng (played by Luo Jin), the "second generation of poverty alleviation", and Sha Ou (played by Yuan Shanshan), a female journalist in the city, who overcame difficulties in Bowl Mixi Village, spilled their blood, and led the villagers to get rid of poverty and become rich.
Three kinds of conflict create an epic of poverty alleviation
Poverty alleviation drama is not easy to shoot. First, "propositional composition" is always an invisible constraint, there are fewer places to play freely, and the requirements for creators are more stringent. Second, in the past two years, there are not a few film and television works about the national poverty alleviation policy, and the homogenization is serious, and the audience is a bit of aesthetic fatigue. The most rare thing about this drama is that it writes through the three conflicts on the road to poverty alleviation with a small view. It is based on xiangxi and has strong characteristics of xiangxi, but the core embodied is the practical problem that the whole of China urgently solves.
First of all, there is the conflict between urban education and local culture.
At the beginning of the story, Pu Quansheng catches up with a big problem. Heavy rain is coming, the town has issued an emergency flood prevention notice, but the villagers of Bowl Mixi Village are still fighting bulls. Once a flash flood breaks out, it is bound to be a tragedy of either death or injury. But the people in the mountains didn't think so. My family has lived here for most of his life, how can the rain scare himself off? Not to mention, bullfighting is a traditional custom of Bowl Rice Creek, if it is never won or lost, who will be in charge of the mountain next year?
Pu Quansheng persuaded again and again, but the villagers could not listen. Long Youmin (Zhang Xiqian), the town party secretary who is well versed in customs, rushes to persuade everyone to return home with the words "do it again on another day and pay for all losses". In front of the villagers, Pu Quansheng, the deputy mayor of the town, was the superior leader. But in Bowl Mi Xi Village, it is not who is the official who has the final say. The simple villagers follow a priori thinking, and their past experiences are their guide to action. With absolute dignity in the village is the elderly "Grandpa Ya", who opened his mouth before everyone was willing to listen. This is what Fei Xiaotong put it, "Culture is a common social experience that relies on symbolic systems and individual memories." Pu Quansheng did not understand this mystery, so he was frustrated. But he learned his lesson and soon made a comeback.
Second, there is the conflict between poverty alleviation policies and grass-roots realities.
As the saying goes, there are countermeasures under the policy. This sentence is used on the road to poverty alleviation, although it is inappropriate, it also has some truth. Grassroots cadres came with some kindness, but the villagers did not necessarily appreciate it. You see, the poverty alleviation pig has just been sent to the villagers, and the delicious and lazy Ma Changshun (Mao Bao) roasted it and ate it with wine.
It is said that "poverty alleviation precedes aspirations", but in the face of such a person, it is impossible to just talk about slogans. Sometimes, the "side door left way" is also a good idea. Since you have hunger and laziness, then simply throw you in the water tank and take a good bath. As soon as the big brush of the electric horn (Fan Xiangxiang) was brushed, Ma Changshun no longer dared to be confused.
Third, it is a conflict between a passion and a real dilemma.
Poverty alleviation is not easy, and it is not easy to solve the problem by relying on a single blood. Tang Monk alone could not take the Western Scriptures, and no matter how firm his conviction was, he had to have the means to lower the demon. The same is true for grassroots cadres, who must be high-spirited and exemplary, and even more must understand the means and methods of poverty alleviation. The villagers of Bowl MiXi have also worked hard in the past, but they are afraid of failure. Therefore, when the plan to plant mulberry silkworms was proposed, everyone applauded guigui, but it was a little reluctant to abandon their work to listen to expert lectures. You have to admit that it makes sense on both ends. Pu Quansheng was kind enough to find experts, but the villagers could also be regarded as eating a long and wise one. You have to be clever to do good things.
Xi Mei's live broadcast is ingenious. Villagers sell bacon in the town, and they can only sell for 40 yuan a pound. Live broadcast can sell for 60 yuan, and all of a sudden it sells 80 pounds. For a time, XiMei became an Internet celebrity, and the agricultural products in Bowl Mixi Village have since sold more. Pu Quansheng, who initially did not think much of the public account, also bowed his head and apologized to Sha Ou. The steps should be taken step by step, and the bones should be gnawed little by little. The road out of poverty in Bowl Mixi Village has just been put on the agenda.
Fortunately, Sha Ou gave up the position of deputy director of the Rong Media Center and chose to stay in Bowl MiXi Village to overcome difficulties with Pu Quansheng. Fortunately, the plan to plant mulberry silkworms has been completely implemented. The view is just right on this side.
A rural poverty alleviation group portrait album
Again, the poverty alleviation drama is not easy to shoot. "So Many Petite Rivers and Mountains" made the real thing.
Screenwriter Wang Chenggang touched the bottom of the countryside, entered the soul of poverty alleviation, and passed through the economics of agriculture. Director An Jian is properly pinched between the main drama and the comedy, and the slogans and preaching in the play are not seen, but life is seen.
The word "life" here includes the atmosphere of rural life: the two factions on the mountain and down the mountain, the highest status of the grandfather, the reluctance of migrant workers to return to their hometowns, and the fact that a coffin is more important than life, all of which belong to the typical rural climate. This drama also wrote about the poor households in Bowl Mixi Village. Ma Changshun contracted the laughter in the play. As soon as he appears, laughter will ring out on and off the screen. This "maxiang squire", delicious and lazy, does not say, must have two drinks a day. It is impossible to cultivate the land, but he is professional in rubbing the banquet. As long as he can drink, he will join in the fun, regardless of big things and small things.
When I first saw this character, I hadn't recognized Mao Bao yet. In the hearts of many people, he is estimated to be the little hair in "The Story of the Cooking Class".
From cooks to poor households, his acting skills have become increasingly sophisticated. Corresponding to this is the "electric horn" played by Fan Xiangxiang. She is a "super-resident" in the village, a "never hired" who has been fined money. There should not have been her home in the file card household, but Pu Quansheng did not play the cards according to the rules. Knowing that mistakes can be corrected is a good comrade, not to mention that the state has never said that super-born households cannot establish a file and set up a card.
The grace of dripping water gushed into the spring newspaper, and she became a powerful helper on the road of poverty alleviation in Puquansheng. Find the big sister for the difficult things, and the big sister will definitely be able to do it for you. The villagers have the wisdom of the villagers. This is most evident in Xiang Youliang (Luo Eryang) and Shi Paishan (Liu Jiaoxin). In the scene where Pu Quansheng was running for village director, one of them sang red face and one sang white face, and "forced" Pu Quansheng to drink blood wine. This is the philosophy of Bowl Mixi Village, and Xiang and Shi are typical village politicians. You must not underestimate them, and if you are not careful, you will fall into the trap.
Fortunately, Pu Quansheng is not an ordinary grassroots cadre. He is a highly educated talent who graduated from graduate school and is also a rare second-generation poverty alleviation. His father gave his life for poverty alleviation. Bowl Rice Creek's poverty alleviation was his ultimate goal. Compared with the old image of the wind and dust servants, Pu Quansheng, a poverty alleviation cadre, is a little different. There are many leaders in Yongcheng County, but he is the only one who rides a motorcycle to and from work. Not only is the car fashionable, but even the hairstyle is very fashionable. The new shape also reflects the new wind direction. He had a reckless spirit, like a "reckless person" on the Yang Bridge. Long Youmin sacrificed himself to protect The Coffin of Grandpa Ya, and in a fit of rage, he deposed the secretary and director of Bowl Mixi Village. In order to set up a card for the electric trumpet family, he "pushed the bull" to the county magistrate, even if he was punished with his back, he was not afraid. He is a practitioner of practicing true knowledge, a true Communist Party member, and a typical example among grassroots cadres.
The wind and fire of sand gulls have also added a lot of color to the road out of poverty in Bowl Rice Creek. If you only write Pu Quansheng, it is a conventional poverty alleviation drama. With his stinky temper, he categorically could not think of a wonderful way to "live stream with goods". It is necessary to have a media person who is immersed in "finding topics, finding hot spots, and digging up explosive models" day and night to discover such a "Li Ziqi" type figure as XiMei. Only such a warm-hearted and kind character is willing to give up the treatment of the deputy director and return to Bowl Rice Creek Village. To get rid of poverty for the simple and lovely villagers, dedicate their own strength.
Countless details reflect the difficulty of poverty alleviation
Finally, I would like to talk about many interesting details in "So Many Delicate Mountains".
Poverty alleviation funds. Pu Quansheng's embezzlement of public funds to repair classrooms with street lamps is definitely the most moving chapter in the first half of this drama. This can be difficult for the average audience to understand. After all, it is the poverty alleviation fund, and the repair of classrooms is still more urgent, why can't we prioritize them? In the organ unit, a code is a code. Even with good intentions, embezzlement of public funds is a mistake. Rules and regulations are rigid, and that's the dilemma of doing things.
Chairman of the village committee. In The village of BowlMixi, Pu Quansheng holds two responsibilities: the secretary of the party branch and the director of the village committee. This is also known as the village party secretary and village chief. The former is a party post and can be appointed by a higher-level party organization. The latter must be elected by the villagers. Therefore, if Pu Quansheng wanted to be the village director, he had to drop his household registration to Bowl Mixi Village. This is equivalent to being "one's own person".
Live streaming and influencers. With the help of Sha Ou, Xi Mei became an Internet celebrity. Although I don't know which platform it is, but the clicks that break through 100,000 and break millions of hits are also considered to be a head Internet celebrity. With traffic, there is capital with goods, and there are people who follow the benefits. Who to sign and what kind of contract to sign, for a time the crowd of demons danced and chaos. Even the brother, who did not understand the internet celebrity economy at all, also had the absurd idea of "I am my sister's agent".
Bride price and campaign. Xi Mei wants to marry Shi Yaojin, and opens her mouth to the family for a dowry of 50,000. For poor villages, the 50,000 bride price is not a minority. By farming in the village, the Year of the Monkey and the Moon can only scrape together this money. Interestingly, Xiang Jia didn't really want the money. As long as Shi Yaojin quit the village director campaign, Xi Mei would not marry into the Shi family. The Shi family is also unwilling, money can be given, and it is absolutely impossible not to run for the village director. It's so much fun.
Long table feast. Pu Quansheng returned to the village after being wronged, and the villagers set up a long table for a banquet. Every family brings dishes, full of delicacies that are reluctant to eat on weekdays. In their words, "When the family comes back, they always have to eat a hot meal." It was only here that the mouthful of blood wine that Pu Quansheng drank into his stomach really fell into his stomach. From being rejected and ostracized to being accepted and recognized, Pu Quansheng's experience is the true portrayal of grassroots cadres.
There are also unfortunate arranged marriages, cold clan family law... It is all cut to the point, straight to the middle palace. These hand-picked details vividly show the road out of poverty in Bowl Mixi Village. It's hard, but it's fun. "So Many Delicacies in Jiangshan" is guided by the Propaganda Department of the Hunan Provincial Party Committee, and jointly produced by the Hunan Provincial Radio and Television Bureau and Hunan Satellite TV, Mango Super Media, Mango TV, and Tianyu Media. This drama is the finale of Hunan Satellite TV's "poverty alleviation trilogy", and it is also a generous gift dedicated by the "TV Xiangjun" to the magnificent cause of poverty alleviation. At present, the broadcast of this drama is in the middle of the game, and we will continue to watch the play.