Artist Ma Liang
《Introduction to Famous Artists》
Ma Liang, Awen Name, Muhan Bade, Dao Wude, Zi Zai Dao, Xingkong, Ren Send Ya Number, Painting Hero, Zhai Number, Ling Feng Tang, Tiandi Lu, born in 1941, Hui, Xi'an People.
President of Chang'an Chinese Painting Research Institute of Shaanxi Province, Librarian of Literature and History of Shaanxi Provincial People's Government, former member of the 7th and 8th CPPCC Committee of Shaanxi Province, honorary dean and professor of Xi'an Electronic Science and Technology Institute, chief consultant of Chinese Traditional Culture and Art Expert Committee, and other positions.
Since 2007, the Organizing Committee of China Century Collection has awarded: "China's Most Influential Master of Calligraphy and Painting Gold Award", China Association for the Promotion of International Economic and Technological Cooperation and other departments awarded: "Meritorious Figure in the Construction of the Republic on the 60th Anniversary of the Founding of the People's Republic of China", and the China Federation of Literary and Art Circles and The Chinese and Foreign Celebrity Culture Research Association has been specially hired as a first-class calligrapher and painter. And awarded: "Outstanding Representative of Chinese Cultural Rejuvenation".
Awarded by the China Industry Development Research Center: "Top Ten Meritorious Figures of Chinese Traditional Culture and Art", awarded by the Organizing Committee of the 60th Anniversary of the Founding of New China in Shaanxi Province: "The Most Influential Figures in the Cultural and Artistic Circles" and "Times News" Figures, the 10th China Century Gathering Style Award: "China's Top Ten Most Influential Figures", the China Times Style Organizing Committee awarded: "China's Most Influential Contemporary Calligraphy and Painting Masters Special Gold Award" and other honors.
In 1978, Mr. Ma Liang broke through the remnants of the "Gang of Four" and held a "Zhao Xue Rehabilitation" painting exhibition for his mentor and friend in Xi'an, led by Shi Lu, who had been devastated and persecuted by the "Cultural Revolution", such as Yuan Baitao, Zhao Wangyun, He Haixia, Ye Wanqiao, Cai Gongting, Cai Hezhou, chen Yaosheng, etc., which was highly affirmed and praised by the China Artists Association, and called on the provincial artists associations across the country to study and popularize, winning wide praise from the society.
In 1990, he was invited by the Taipei Guanlin Art Center to hold it in Taipei: "Ma Liang Landscape Painting Exhibition" was widely praised by Hai Neihao.
At the beginning of 1992, at the invitation of the Shenzhen Special Administrative Region Museum, in February of the same year, it was hosted in the hall on the first floor of Shenbo: "Painting Hero Ma Liang Chinese Landscape Painting Exhibition", which aroused high praise at home and abroad. At the same time, at the invitation of the Shenzhen Municipal Special Administrative Region Government, Mr. Ma Liang painted a large green "Map of Huashan" for the Guiyuan Garden where Deng Xiaoping stayed at the State Guest House and the conference hall where foreign heads of state were received.
In 1993, sponsored by the Fourth Department of the Shaanxi Provincial Government and the Party Committee at the Provincial Art Association Art Museum: "Painting Hero Ma Liang Chinese Landscape Painting Exhibition", which won an unprecedented sensation in the cultural and artistic circles of Chang'an.
In 1996, invited by the Shaanxi Provincial Committee of the Chinese People's Political Consultative Conference, the Ministry of Culture, the Ethnic and Religious Committee of the Chinese People's Political Consultative Conference, the State Administration of Cultural Heritage, the Chinese People's Political Consultative Conference Art Exchange Promotion Association and other departments, sponsored by the China Art Museum in Beijing: "Ma Liang Chinese Landscape Painting Exhibition" expert commented: Since the reform and opening up, this is a personal exhibition with the finest exhibits, the highest standards, the largest number of media at home and abroad, and the best social influence, which has won high praise at home and abroad.
In the spring of 1997, at the invitation of the Royal Malaysians, at the Isislimu Museum in the Kuala Lumpur Centre, Mr. Ma Liang hosted the highest specification in Malaysia: "Chinese Ma Liang Landscape Painting Exhibition" The red carpet plunged from the bottom of the hill to the exhibition hall of the museum on the mountain, and The Emperor of Duangu and Furong was accompanied by Ma Liang and dozens of Tan Sri, Dadu and national dignitaries to visit the exhibition hall to cut the ribbon. Later, He arranged for Mr. Ma to tour other continents. The following year, Emperor Duangu and Rahman of Malaysia led Malay dignitaries to China to restore diplomatic relations and made a special trip to Xi'an for a visit; during a visit to the University Xixiang Mosque, Mr. Ma Liang, at the invitation of some citizens of Xishi City, wrote an eight-foot giant green "Map of Huashan Mountain" that he had published in the Malaysian National Newspaper, which accounted for half of the board, and wrote: "Hua Yue shows a heroic bone, and the Yellow River spits out a red and arrogant talent." Gifted to Duangu and Rahman Yellow Emperors as a souvenir of shaanxi travel!
Appreciation of Works
"The Mainstay of Chinese Painting - Ma Liang" says that Mr. Ma Liang has been in the art for more than 60 years and is a well-known Danqing hermit in the literary world. Mr. Lao, who has always regarded himself as a "love mountain man", asked him why he loved landscape creation so much, and replied: "Ancient painting on the clouds: "Landscape painting is the mainstream of Chinese painting, also known as literati painting"; The ancients had clouds: the benevolent love the mountain, the wise man enjoyed the water" Landscape painting is like the pearl in the crown of Chinese painting, and it is the highest creative subject of Chinese painting art. Song Ren Fan Kuan's "Journey map of Xishan Mountain" or Wang Ximeng's "Map of a Thousand Miles of Rivers and Mountains" and Li Cheng's "Map of Xiaoshan Qingluan" are all the author's own use of the spirit of materialization and self-transformation to solidify the subconscious of the heart into a series of mountain peaks, integrating the "sincere qi, yin and yang qi, vitality and vitality" of their respective levels of consciousness, and finally achieving their own immortal works of eternal flow.
"Revisiting the Taibai Zheng Frost Day" is five feet, shallow descending landscape
"Hua Yan QingQiu Map" Six feet green landscape 2021
"Spring Linwei Water Nourishing Biyuan" four feet in the past years, You Longshan sketched
"Spring Moving Qin Ridge Fresh Air" five feet, shallow landscape, written two thousand years later
Looking at Mr. Zaidao's landscape creations, you can see the traces of his fagu everywhere. After watching Mr. Wang's paintings, it is always fascinating and fascinating. There is a wonderful feeling of "feasible and promising, not as good as being able to live and travel", in the flourishing years, the Tang Dynasty "Jinghao", the originator of the Chinese Shanshui North School, and the essence of the painting art of the Famous Northern Song Dynasty Landscape Masters "Li Cheng" and "Fan Kuan" who inherited and developed Jinghao, attaches great importance to the observation and experience of natural mountain and river scenery, so he has long been traversed in Shaanxi Huayin, Zhongnan Mountain and other places, watching the subtle changes of the clouds and smoke, the wind and the moon, and the scenery. The majestic and imposing scenery of the mountains and mountains and the cold and desolate scenery of the dense forests of old trees are vividly presented in the pen.
"Clouds Across the Qinling Mountains" is a four-foot, green landscape, written two thousand years later
"Nine Autumn Winds and Dew Dyeing Cangji" five feet, green landscape, in the past three years of Taibai, written after 2000
"Spring Dyeing Qin Ridge Phi Goose Yellow" five feet, shallow descending landscape, written in 2017
"Qin Ba Xiu Shui Mu Spring Wind" five feet shallow descending landscape, in the 1990s by southern Shaanxi sketching
"After the Rain in Qinling Mountains" Five Feet of Landscape written in 2020
"The First Snow of the End of the South" Five Feet of Landscape written in 2002 The beginning of winter in the South Mountain
The landscape painted by Mr. Zaidao can always make people feel magnificent and vivid, the heavy cliffs, the first line of waterfalls become the painting eyes, carrying up and down, so that the peaks are full of aura, and the floating mountains cross the picture, resulting in a sense of space before and after. "Only four inches near the mountain, Vientiane is a mustard", the depiction of tree vegetation pays great attention to the forms and characteristics of different types, and the vegetation treatment is vivid and realistic, and the changes are moderate. This is also one of the reasons why Song painting is superior to the history of painting in previous dynasties, which shows that Mr. Li has long been familiar with the exquisite use of "six to four potentials" in order to enhance landscape painting. His paintings show the natural beauty of mountain springs and forests, broaden and enhance the innovative way of traditional Chinese painting in the use of brush and ink, mountain stone forest springs, heavy mountains and mountains, wonderful with pens, shen yun province, wind and bone, and deep willingness. Wherever the brush goes, it is like an axe splitting a knife, a thousand walls standing on the wall, a school of masculinity, righteousness and awe-inspiring, praising the truth, goodness and beauty of traditional Chinese excellent culture and art, and expressing the true feelings of Chinese scholars and literati paintings.
"On the Jing River Road" Sketch Loess Landscape Painting written in 1993
"Blue Field White Deer Plain" four-foot loess landscape Sketch in the early 1980s
"Lake And Mountain Sail Shadow" four-foot landscape In the early 1990s, he traveled to Jiangnan to sketch
"Qin Ling Ma Steps" Four feet Splash ink splash color landscape Sketch in 1993
"Good Mountains Are Often Covered by Clouds" was written in 1992
"After the Rain in Huangshan Mountain" was written by You Huang in 1990
The landscapes and rivers made by Mr. Pingyuan are high and far-reaching, and the changes are rich, all because of Mr. Bona's erudition and learning, and the reason for Bona's strengths. In Mr. Danqing's life, his landscape paintings are more common in folding belts, unsoiling ropes, philing, axe chiseling, and plucking in mud, and he also has his own skills and evolution in the physical strain of the wrinkle method. In his paintings, everywhere the brush and ink goes, it is innovated on the basis of the traditional techniques of Chinese painting, taking advantage of the vividness of the real scenes in the natural world and the wonder of the natural creation of the teaching method. The Creator created man, and for the multiplication of mankind, he created the heavens and the earth, the oceans and the mountains, the rivers, the grasses, the birds, and the various animals, trees, plants, plants, insects, for people to enjoy and use. From the precision of the universe Senluo, the transformation of time and seasons, the drop of mountains and rivers, the flow of water at the peak of the forest valley, the flow of smoke and clouds, the alternating changes of mountains and forests, etc., everything in the material world is so harmonious and perfect, in the face of all the beautiful sentient beings, he sighed: "People are too small in the world, if you paint more than the real water, light, mountains, grass, fish, and trees, the posture of the meteorological spectacle, I am ashamed to learn shallow!" The painter can only paint, write its form, seek its charm, and divide its yin and yang in the change of pen and ink."
"Autumn Mountain Waterfall Map" was sketched by southern Shaanxi in 2010
"The Color of the Mountains After the Rain" Four Feet Splashed Ink Splash Color Landscape written in early 1991
"Spring Color of Bajiang" is a five-foot, shallow landscape, written in the 1990s
"Yellow Bird Across the Clouds and Rain" three feet, l973 Ma Liang wrote the Cuishi Flower Bird and Shi Lu poetry book cooperation
"Huangshui Riverside" four-foot landscape, written in 1991 through Qinghai Bapan Ridge
Since ancient times, China has been saying: "poetry and painting", and when we read Mr. Zaidao's works, it is full of the connotation of this good story. The heart is lucky, and the image is not confused. It is Jing Hao's accurate expression of qi rhyme. The arrogance of the real landscape painting in the momentum is the soul of the immortal works of the Song and Yuan Dynasties. Mr. Zaidao is now integrated in his paintings, and the law is ancient but not ancient. Rather than creating landscapes between inches, he is using his soul to correct all the unnatural details of nature, and using a paintbrush to express his higher spiritual inspiration and ignorance. Whoever attains this Tao, his painting will be high, straight to the Song and Yuan! Art comes from life and is higher than life, depending entirely on the moral consciousness of the author himself. When we pray in our hearts for the Creator to come to the world more beautifully, we can express more prominent forms of truth, goodness and beauty in our works!
"Spring Moving Weishui Zhuang Busy Crops" four feet of wild landscape written in the 1980s
"After the Rain, the Sunset Illuminates the Distant Mountains" Four Feet Mountain 1991 Revisit shaohua mountain wrote
"People in the Depths of Bashan Mountain" Four feet ink landscape written in 1991
"Hua Yue Autumn High Map" Six feet green landscape
Don't be afraid of the floating clouds to cover your eyes, just because you are at the highest level. The ancestors of the older generation of the Chang'an School, who created a large number of heirloom works that reflect reality, are far away from us. Among them were Shi Lu, who had a neck-to-neck friendship with Mr. Zaidao, Zhao Wangyun, who had a gentleman's friendship, and He Haixia, who had a friendship with a yearless friend, and their friendship was incomparably deep. Many people know that in those cruel and tragic years, Master Shi Lu was persecuted by the "Gang of Four" and was in an extremely dangerous situation, many people were afraid to avoid it, and even more so, they fell into the well, and Mr. Ma Liang resolutely and resolutely hid Shi Lu in his home during the 1974 campaign to criticize the bourgeoisie's "literary and artistic black line", so that Shi Lu escaped a disaster. The true character is: The soldier dies for the confidant. Therefore, Master Shi Lu specially inscribed for Mr. Zaidao: "Hui Hui True Book, Han Zhi Conscience." "To express the high praise for the character of Mr. Mr. Cai Hezhou specially wrote a poem for Ma Liang: "When the literary style is halal, Ma Liang is higher than the wind and dust." Warm fellow believers see their confidants, and no one in the world knows the king. He also praised him as a "contemporary Meng Taster". Therefore, after the catastrophe of the "Cultural Revolution", people mentioned him and called him "Qinzhong Painting Hero" and "Generation Painting Hero". Therefore, on the gentleman's deeds, it is difficult for people without chivalry to do it.
"A Thousand Autumn Winds and Clouds" was written in 1982
"Three autumns and common colors, a glimpse of the long sky" Four-foot flowers and birds
Shi Lu threw off the ink stone at the lower end, and Ma Liang wrote Ju Li Ze stone,
Zhang Fanfu supplemented the bird, in the late autumn of 1974
"The Rising Sun Reflects the Blue Peak" Six Feet of Landscape, written in 1996
Nowadays, the "Chang'an School of Painting" has long been famous at home and abroad, Mr. Zaidao painstakingly adheres to the ideals and pursuits of the older generation of masters, still keeps in mind the teachings of the deceased, although the artistic realm has been perfected, however, never arrogant, mentioning Shi Lu, He Haixia and other masters, he is still worshipping! Therefore, some people sighed: "Xi Ma Liang saw the old man, and the old man did not see Ma Liang." "The masters of that year had high hopes for Mr. Ma Liang, and now Mr. Ma Liang can give them a satisfactory answer. This is mr. Ambition. However, whenever he mentioned his paintings, he always said modestly: "Master Shi Lu said to me before he died: He (Shi) has regrets, his (Shi)s paintings are not complete, and I hope that I can break out of my own style." "Now, Mr. Ma Liang's landscape paintings are second to none in today's painting world and outstanding. But he still explored in the humble studio, pioneering a higher field of art. This should be Mr. Zaidao's return to the masters of the "Chang'an School". However, it is precisely because Mr. Ma Liang has long adhered to the spirit and cultivation of traditional Chinese painting, persevered, did not seek fame and fortune, and transcended the world, for many years, Mr. Zaidao has no quarrel with the world, according to his iron bones, and his magnificent and upright giant landscape paintings have been praised by his peers and the media as the mainstay of the "Chang'an School" founded by the older generation of painters such as Shi Lu; Decades of dedication to creation, immersed in research and understanding, he will eventually become a generation of masters who have influenced the Chinese painting world in the past and the future, his landscape paintings inherit the Song and Yuan Dynasties, and become their own family in the contemporary era, forming a unique style of Chinese landscape painting style.