Recently, CCTV angrily criticized the "small fresh meat" actors who are "high salaries and low energy". Now some so-called "small fresh meat", not only have no acting skills, but also very squeamish, can not move to play big cards, and even do not memorize lines to do "Mr. Number" and "Miss Number". These small fresh meats should really be studied with those old drama bones. The common feature of the old drama bones is that no matter how long they appear on camera, they can give people a feeling of what it looks like to act, and in order to act, they disregard their personal image and dedicate themselves to the role. This introduction is one of the old drama bones, he often cooperates with "Grandma Rong" Li Mingqi, he is the actor Ma Enran.
Ma Enran's representative works, in addition to "Empty Mirror" and "Breaking into Kanto", there is also one that impresses me the most: the TV series "Double Sided Tape" cooperated with Haiqing Li Mingqi. In the double-sided tape, he is not the main actor, and he does not even have a few lines, but the audience who watched "Double-sided Tape" scolded Ma Enran's father-in-law like Ma Ma ma who watched "Huan Zhu Ge Ge".
"Double Sided Tape" tells the marriage story of a "phoenix man" and Hu Lijuan, the daughter of a small shanghai citizen. The two originally lived a sweet little life in Shanghai, but after the mother-in-law (Li Mingqi) and the father-in-law (Ma Enran) came to Shanghai, they mixed up the lives of the young couple and the two people, and finally the story ended in tragedy.
Ma Enran and Li Mingqi played the old two in the play. The in-laws played by Li Mingqi and Ma Enran are not accustomed to The Shanghai daughter-in-law Hu Lijuan, so they oppose the daughter-in-law everywhere. Li Mingqi is on the outside, in words and actions. The father-in-law played by Ma Enran is more in the details. For example, when the mother-in-law replaced the bowl at home with a large bowl, the daughter-in-law was dissatisfied, and the father-in-law dropped the bowl and said a sentence of "one more night". Although there is no blatant opposition to the daughter-in-law, the effect is more obvious.
In the play, the father-in-law played by Ma Enran is a typical old man in the old society of northeast China, macho, serving bowls of rice and pouring bowls of water to be served by his wife, and he is very patriarchal. Ma Enran portrayed the character very vividly.
In other plays, he often partnered with power clowns, such as co-starring with Fan Ming in "Father-in-law is Also a Father", and collaborating with Lin Yongjian in "The Contract of Love".
Whether it is a farmer, a eunuch, a landlord or a father, Ma Enran really plays what it looks like, and he once won the Golden Rooster Award for film, which is indeed deserved.