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In the Chinese film and television industry, few characters can leave such a deep impression on the hearts of the audience like Mama Rong in "Huanzhu Gege". However, Li Mingqi, a national first-class actor who played this role, fell into an unexpected predicament.
The 83-year-old veteran artist has had unbelievable experiences: being attacked with eggs by angry spectators in front of his home, being denied a ride by a driver when taking a taxi, and even being verbally abused when buying groceries at a wet market.
This troubled lasted for 22 years.
What kind of characters can make it so difficult for the audience to distinguish between inside and outside the play? How did Li Mingqi get through this difficult period? Let's unravel this mystery and explore another side of Lee Myung-kai that he doesn't know much about.
In 1936, in a poor family in Liaoning Province, Li Mingqi fell to the ground. As the eldest daughter in the family, she has had unusual responsibilities since she was a child. However, fate always seems to like to test this strong girl, and when she was 11 years old, the death of her father made the already poor family even worse.
In the face of sudden changes, the young Li Mingqi made a distressing and admirable decision: to give up his studies and join society. Her childhood has been filled with hard work ever since.
Chopping wood, herding sheep, no matter how hard the work, she gritted her teeth and persevered. On cold winter nights, she often curled up in the sheepfold to keep warm, with tears in her eyes and hope for the future burning in her heart.
The god of fate seems to be impressed by Li Mingqi's tenacity. By chance, she participated in the Northeast Railway's art show. When her clear voice sounded on the stage, everyone was attracted to this unpretentious girl.
Not only did she win the first prize in the competition, but more importantly, she found her direction in life.
Since then, Li Mingqi has devoted himself to art without hesitation. She joined the art troupe and began to systematically study vocal music. Under the tutelage of a Soviet teacher, she eagerly absorbed professional knowledge and worked hard to improve her artistic accomplishments.
Subsequently, Li Mingqi joined the drama club of the Central Orchestra. From the very beginning, she worked every role, no matter how trivial the lines, she tried to do her best.
Gradually, she began to play the leading role and shine on the stage.
Over the years, Li Mingqi has created more than 100 stage images, and every role has poured her heart and soul into it. Her efforts have been recognized by the industry and she has become one of the representatives of the Chinese theater industry.
Even though she is over half a hundred years old, she still maintains her passion for art and begins to set foot in the field of film and television, using her rich acting experience to create many roles that are loved by the audience.
The story of Li Mingqi is an inspirational legend about dreams and perseverance. From a poor girl to a national first-class actor, she used her life to interpret what is the true spirit of an artist.
Her experience tells us that as long as we have dreams in our hearts and keep pursuing them under our feet, we can carve out a path of our own in the face of adversity.
Today, Li Mingqi still maintains his love and dedication to art. She often says, "Art is my whole life, and as long as it brings joy to the audience, I will continue to perform."
This spirit is a true portrayal of a generation of artists.
At first, Lee Myung-kai was skeptical about the role. As a drama actor who has been performing on stage for a long time, she has very little experience in filming TV dramas. Moreover, she is over the age of six, and she is worried about whether she will be able to handle this role.
However, years of stage experience gave her courage, and she decided to take on the challenge.
In order to perfectly interpret the role of Mama Rong, Li Mingqi put a lot of effort into it. She repeatedly studied the script, figuring out the psychological state of the characters, and even imagined that she lived in the court of that era.
She often practices Mama Rong's expressions and movements in front of the mirror, striving to show every detail of this role vividly.
During the filming process, Li Mingqi showed admirable professionalism. In one scene, Er Kang wanted to kick Mama Rong away. In order to ensure the authenticity of the lens effect, Li Mingqi insisted on going into battle in person and did not need a stand-in.
However, during the filming, she was accidentally kicked in the head, hit the backdrop, and fell unconscious on the spot. When she woke up, she endured the pain and persevered to complete the shooting. This professionalism not only won the respect of the crew, but also added a sense of realism to the characters.
Li Mingqi's efforts have been handsomely rewarded. As soon as "Huanzhu Gege" was broadcast, it immediately became a phenomenal TV series. Young actors such as Ruby Lin, Su Youpeng, and Zhao Wei became popular because of this, and Mama Rong played by Li Mingqi has also become an indispensable classic role in this drama.
The audience was deeply attracted by the image of Mama Yung. The hideous face she had when she inflicted "acupuncture" on Ziwei is still fresh in people's memories. Lee Myung-kai's acting skills have been widely praised, however, this role has also made her a representative of the "bad guy" in the minds of many viewers.
Many years later, Li Mingqi recalled the details of the filming and said: "In fact, in the scene of beating Little Swallow, I didn't really do it at all. And in the scene where I pierce crape myrtle, the tip of the needle is always against my own palm, and I am afraid that I will hurt the young actor.
It is this kind of nuanced performance that resonates so strongly with the audience that it confuses the characters in the play with the real-life Lee Myung-kai.
The success of "Huanzhu Gege" made Li Mingqi usher in the peak of his career again in his later years. However, instead of being complacent, she became more humble.
She often said: "The success of this role is not only my personal credit, but also the result of the joint efforts of the entire crew."
The role of Mama Rong has not only become a milestone in Li Mingqi's acting career, but also a classic image in the history of Chinese TV dramas. It shows how a good actor can portray a supporting role vividly through superb acting skills and become an indelible memory in the hearts of the audience.
At the same time, it also brought unexpected troubles to Li Mingqi, allowing her to experience a special life journey in the next 22 years.
The broadcast of "Huanzhu Gege" made Li Mingqi usher in a peak again in the late stage of his career, but at the same time, it also brought her unexpected troubles. The audience's hatred for Mama Yung is so strong that they extend this emotion to Li Mingqi in real life, thus starting a 22-year journey of misunderstanding.
Once, Li Mingqi stopped a car on the street, but encountered a ridiculous situation. A driver recognized her as Mama Rong on TV, and said bluntly: "Don't take you, you are too bad on TV!" Faced with such an encounter, Li Mingqi couldn't cry or laugh.
She wanted to explain that she was just acting, but she didn't know where to start. Such scenes happened from time to time in the following days, which made Li Mingqi feel both confused and helpless.
What shocked Li Mingqi even more was that one day she came home and found eggs thrown on the ground in front of her house. Obviously, this is the revenge of some extreme "fans" against "Mama Yung".
Faced with this situation, Li Mingqi felt both heartache and some crying and laughing.
Even in daily life, Li Mingqi often encounters white eyes and cynicism. When she went to the vegetable market to buy vegetables, she sometimes heard the whispers of the vendors: "Look, that bad-hearted Mama Rong is here."
In order to avoid unnecessary trouble, she had to wear a mask and a hat to hide her identity. This situation lasted for a long time, and it brought a lot of trouble to Li Mingqi's life.
Faced with this misunderstanding, Li Mingqi's heart was full of mixed emotions. On the one hand, she is proud that her acting skills can move the audience so much; On the other hand, she felt helpless because she couldn't get rid of the negative impact of the role.
Despite this, Lee Myung-kai did not resent the character or the audience because of this. Instead, she delved harder into the performing arts, hoping to show her versatility through other roles.
She believes that as long as she persists, one day the audience will understand her.
This misunderstanding lasted for 22 years. In the past 22 years, Li Mingqi has experienced a mental journey from confusion to helplessness and then to relief. She has learned to face this misunderstanding with humor and to cherish those who can understand her more.
Lee Myung-kai often said: "The mission of an actor is to make the audience believe in the character you are portraying. From that point of view, I seem to be doing too well. This sentence is not only an affirmation of his acting skills, but also a ridicule of this special experience.
After 22 years of "scam", Li Mingqi not only did not be defeated, but strengthened his love for performing arts. "These experiences have given me a deeper understanding of the responsibilities of actors," she said.
Not only do we have to play the role well, but we also have to make the audience understand the difference between acting and reality. That's what we're all about.
In stark contrast to Mama Yung's caustic image, the real-life Lee Myung-kai is a kind, humble and low-key veteran artist. Even at the age of 83, she still maintains her love for life and care for others, showing the demeanor of a true artist.
Li Mingqi's daily life is simple and uneventful. Although she is a national first-class actor, she never puts on a show. She can often be seen taking a bus to the vegetable market to buy vegetables.
Once, she saw an elementary school student carrying a heavy schoolbag on the bus and immediately got up to give up her seat. When the primary school students were surprised to recognize her as "Mama Rong", Li Mingqi smiled gently: "I am Mama Rong on TV, but in life, I am just an ordinary old lady."
This unpretentious attitude is the true portrayal of Li Mingqi.
Li Mingqi's kindness is not only reflected in daily life, but also extends to social welfare undertakings. Whenever natural disasters such as earthquakes occur, she is always the first to lend a helping hand and give generously.
She believes that as a public figure, it is a responsibility to make your own contribution to society. This selfless dedication is in strong contrast to the "villain" image she created on the screen.
In the art world, Lee has earned the respect of his peers for his humble attitude. She never flaunts her accomplishments, but often encourages young actors. Once, a newcomer was frustrated because of poor acting skills, and Li Mingqi comforted: "Acting skills take time to polish, and the important thing is to maintain your love and dedication to acting."
Such words not only reflect her experience, but also show her love for her younger generations.
Li Mingqi's low-key is also reflected in her attitude towards fame and fortune. She has repeatedly declined commercial endorsements, believing that artists should focus on artistic creation. "We should use our work to speak, not to make money with fame.
This sentence shows Li Mingqi's persistent pursuit of art.
These bits and pieces show a Li Mingqi who is completely different from Mama Rong. Her kindness, humility and dedication to art are who she really is. It is this kind of character that allows her to maintain her love for life and art while encountering 22 years of misunderstanding.
Li Ming's actions illustrate what a true artist is. She has not only portrayed countless classic roles on stage and screen, but also demonstrated the character of an artist in real life.
This may be the real reason why Lee Myung-kai has been able to persist in his artistic path to this day and win widespread respect.
Li Mingqi's artistic career is like a splendid picture, spanning many fields of singing, drama and film and television. In each field, she has left a strong mark with her unique talent and profound skills.
However, what really makes Li Mingqi an artist of a generation is not only her superb performance on stage, but also her understanding and pursuit of art, as well as the noble character she shows.
In Lee's philosophy, art is not only a profession, but also a responsibility. She often said: "As an actor, we must not only play a good role, but also transmit positive energy and influence the audience."
This sense of responsibility has permeated her entire artistic career and is the source of motivation for her to persist in her artistic path to this day.
Li Mingqi's success stems not only from her talent, but also from her character. In today's impetuous entertainment industry, she has always maintained a low-key and calm attitude, silently dedicated, and never pursued fame.
This character is especially precious in today's society and serves as a role model for the younger generation of artists.
For the new generation of actors, Li Mingqi is undoubtedly a mirror. She uses her own experience to tell us that a true artist must not only have excellent professional skills, but also have noble character and persistent pursuit of art.
She often tells young people: "Art is a long road that we need to pursue and explore all our lives."
Even at the age of 83, Li Mingqi still maintains his love for art. "As long as it can bring joy to the audience, I will continue to perform," she said. This spirit is a true portrayal of a generation of artists.
Li Mingqi's story tells us that a true artist is not only a role player, but also a practitioner of character. She spent 22 years "deceiving" the audience with her actions, allowing us to see what an artist should look like.
In the perfect combination of talent and character, Li Mingqi showed the demeanor of a generation of artists and left a valuable spiritual wealth for China's performing arts.
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