The charm of marriage is that both parties must cheat on each other for a lifetime.
Looking at the plot of "Flower of Evil", this sentence is really remarkable.
Screenwriter Yoo Jing-hee once said that the inspiration for creating "The Flower of Evil" came from the poetry collection "The Flower of Evil" by "Charles Pierre Baudelaire", and the social concept should have been black and white, but it has become blurred.
In a desperate life, people will also find beauty, just like in an environment full of malice, there will be flowers blooming.
Although the script of "Flower of Evil" is not flawless, it is a superior work in terms of Korean drama in terms of its overall fluency.
Lee Joon Ki's acting skills are really full of surprises, and the outbreak of his inner drama is dazzling, thinking that his performance in episode 11 has been very shocking, but he did not expect that episode 15 would go to a higher level, but in the finale, he still broke to a new height.
In addition to the old drama in the play, other actors and even child stars are very good at acting, and I believe that many viewers are also fascinated by the cute egg tart princess "Bai Yinyang" (played by Ding Ruiyan).
<h1 class="pgc-h-arrow-right" data-track="42" > Flower of Evil is a brutal version of Beauty and the Beast</h1>
I. Birth of Beasts: Beasts and their origins
Baek Hee Sung, Du Hyun Soo and Du Hae Soo
II.. Beauty Debut: Zhiyuan's unconditional love
When we know each other, we heal each other
III. Death of the Beast: The Love of The Rebirth of Hyun-soo and Ji-won
The significance of amnesia to Hyun-soo and his wife
Amnesia is a reasonable science time
Arrangements for finding witnesses are also important
Love is letting go, not possessing
Hyun-soo echoes Ji-won and Yin-yeon's head-to-tail
<h1 class="pgc-h-arrow-right" data-track="118" > ✔ I. Beasts are born, beasts with their origins</h1>
Everyone is born pure, probably no one is born as a beast, will become a beast, most of them are caused by the day after tomorrow.
Baek Hee Sung (played by Kim Ji Hoon) When he was a child, he may have been a very well-behaved and cute child, and in the memory of his mother Kong Mei Ci (played by Nam Ki Ai), he was a child like an angel;
In his father Bai Manyou's "Played by Sun Zhonghe" escaped from reality, and faded Bai Xicheng's childhood memories to give him candy, the audience can guess that he has always felt that Bai Xicheng is a very well-behaved child.
However, how did the good boy who was once dubbed a "mathematical genius" by the media embark on the road to becoming a demon?
Probably because of academic pressure, Bai Xicheng's mind is becoming more and more distorted, but his parents not only did not correct his behavior, but also connived, and even helped him to do evil for fear of revealing the matter, and finally Bai Manyou put all the responsibility on Du Min Xi (played by Cui Bingmo); in fact, Du Min Xi was at most a catalyst, in the final analysis, the responsibility is still on his parents.
In the collection of poems "Flowers of Evil", the phrase "Don't seek my heart, it ate the monster" reminds me of Du Hyun-so (played by Lee Joon-ki).
Ru Hyun Soo said to Yin Yun that the evaluation of others is very important, and the audience can see how much he has suffered because of "evaluation" along the way.
Perhaps because Hyun-soo has a narrative disorder and/or anti-social personality, everyone has a label for him; the ignorance and preconceptions of the villagers, the extremism of society and the pressure of public opinion have all shaped him into the image of a monster.
After Hyun-soo's mother disappears, Hyun-soo's psychiatrist probably misdiagnoses him because of his preconceptions, and when his father dies, among the villagers who are pregnant with ghost babies, Hyun-soo is bullied and used by them as the object of wealth, fear and anger.
In the memory clip of episode 12, it can also be seen that the young Hyun-so (played by Park Hyun-joon) said that he saw his father's ghost and believed the words of the mayor saying that he was possessed by a ghost.
Du Haixiu (played by Jang Hee-so) feels very sad in retrospect, and said to Kim Moo-jin (played by Seo Hyun-woo) that everyone turned into monsters that year, and only Hyun-soo was still a human.
Everyone, presumably herself, because whatever the motive, she killed. For example, Che Zhiyuan (played by Wen Caiyuan) said in episode 15 that killing is killing.
Saddled with his sister's murder charges, Hyun-soo has lived a life of upheaval and displacement since then, and because he is separated from his sister, no one around him can hurt him anymore, and he can only rely on the tape left by his mother to heal his wounds until he meets Cha Jiyuan.
<h1 class="pgc-h-arrow-right" data-track="119" > ✔ II. Beauty debuts, Che Zhiyuan unconditional love</h1>
Just like belle, the heroine of the novel "Beauty and the Beast", at first did not know that the beast was originally a prince, jiyuan did not know that "Baek Hee Sung" was Hyun-soo, and without understanding their true identity, they simply found each other's good in the process of getting along and fell in love with each other.
Hyun-soo had worried and doubted that his "love" for Ji-won was calculated rather than sincere, but Ji-won and the audience could see that in the winter of 2006, when Ji-won's supermarket was blackouted, Hyun-soo quietly guarded her outside, which obviously did not ask for returns, nor did it calculate, it was simply Hyun-so's gentleness.
Later, Zhiyuan also revealed that when her father died, she survived with Hyun-soo's love and warmth. When they know each other in a small way, they support each other, and the love between the two is simple and pure. In the past, Hyun-soo unconsciously healed Ji-won, and now Ji-won does not abandon it to irrigate Hyun-soo's wounded heart with love.
<h1 class="pgc-h-arrow-right" data-track="120" > ✔ III. Death of the Beast, Love of the Rebirth of Hyun-so and Ji-won</h1>
After seeing Hyun-soo shot in episode 15, he was a little worried that there would be amnesia, which is a Korean drama, but after watching the finale, he felt that Hyun-so's amnesia may be the most complete arrangement.
The author of the collection of poems "The Flower of Evil" once said: "Deep memory is really just a kind of suffering."
Just like when Hae-soo decides to go to a foreign country, When Take-soo tells Hyun-soo that he hopes to lose his memory, probably everyone has memories that they want to forget, but we can't choose.
Rings, rainy days, egg tarts, etc., all make the audience think that Hyun Soo has not forgotten his love for Ji Yuan and Yin Yun, but his cold and frosty attitude towards Zhi Yuan and Yin Yun makes people want to be angry with him but are powerless, want to have confidence in him but do not dare to hope, so they have to be abused with Ji Yuan; seeing Yin Yun mention that he changed his surname to car and shed tears, it is even more heart-wrenching.
For Hyun-soo to lose his memory and regain some of his memories, it seems to be a more controversial part. First of all, Hyun-so's situation is probably post-injury amnesia, which is caused by brain trauma, loss of consciousness or coma, and generally speaking, this amnesia is temporary.
It may also be that the psychological mechanism is self-protective and causes the loss of part of his memory, which probably also applies to the situation of Bai Manyou; and when Hyun-so wakes up, the picture shows that his memory is in retrogression: the collapse thinks that Ji-won is dead, and the painful confession of love and apology for Ji-won on the overpass, etc., which causes great psychological pressure to Hyun-so.
Why do I like and be satisfied with this sadistic ending: "Send me back to hell and back to earth"?
Because Hyun Soo's feeling of love for Ji Won after the amnesia is pure and uncalculated, not because he wants to avoid his father's ghost (the fact that the afterimage should be Hyun Soo's heart demon), not because he wants to make the fake identity look more real, but because he is attracted by Ji Yuan's smile that simply loves to see the rain, and is moved by the daily life of the past.
Because of the amnesia, I can affirm my sincerity, no calculation, no falsehood.
"The most beautiful thing is not a rainy day, but the eaves that have escaped the rain with you."
Hyun-soo, who woke up after the coma, is just an injured child, and only has the memories of the turbulent and displaced days in his brain, and the memories of Zhiyuan and Yin Yan who have loved and been loved have become sporadic: in addition to his only remaining physical memories, probably only some information is learned from Wu Zhen's mouth, and the rest is only described by some media as "psychopaths who forge identities to deceive women".
Losing his memory as Bai Hee-sung, losing the warm memory of having a family, and fading to Hyun-soo, who has been discriminated against, such Hyun-soo is actually very uneasy and suspicious of himself, so he does not even have confidence when he is a witness to Hae-soo, and even tells Ji-won in the car that he is not confident that he can always love people.
The most painful thing in a relationship is probably not that they can't continue because they find that they don't love each other, but that they know that both parties still care about each other, but they still can't live together anymore.
The plot of Hyun-so and his wife looking for witnesses together is relatively long, but I think the length is reasonable, because this whole scene is very important:
1. Zhiyuan's perseverance and indomitability wash away the stigma of Haixiu's sisters and brothers, and the two can be "reborn".
2. Hyun-soo, who rarely has an expression, naturally smiles when he sees the happy Zhiyuan; not learning emotions or pretending to be in a mood, but simply smiling because Zhiyuan is happy.
3. Let Ji Won perceive that Hyun Soo has the idea of "living for herself".
4. Show hyun-soo's calculating side, laying out the love and pain that Hyun-soo and his wife erupted in the car.
<h1 class="pgc-h-arrow-right" data-track="112" > let go is to have</h1>
Perhaps, love is not possessive, but can be let go.
When The real accomplice of Du Min Seok is revealed, when the truth about the murderer of Li Chang is revealed, Hyun Soo can finally no longer live in the shadow of his father and sister, plus lose the memory of when he was "Baek Hee Sung", and can live as Du Hyun Soo himself, which is an opportunity to be "reborn".
Ji Yuan, who loves Hyun Soo too much, finally decides to let go, as long as Hyun Soo can live for himself and get happiness, Ji Won chooses to let him be free.
In fact, Zhiyuan's choice is also very much in line with her brave and strong personality in the pursuit and defense of love. Letting go of Xianxiu is actually letting go of himself, and then starting over with Yin Yun.
"If you are happy, it is no longer for me; will you let go, in fact, you have it?" 」
Fortunately, in the end, Hyun-soo wakes up and reunites with Ji-won and Yin-yeon, so that the audience will not hold on to regret and bid farewell to the play.
The ending also has a part that echoes the previous plot, except for the two's final affectionate kiss in the workshop, echoing the kiss at the beginning of the first episode, Hyun-soo wants to see Yin Yuqian, worried that she will not like herself, just like Yin Yun when he was born.
Maybe he was afraid because he wasn't confident enough, maybe he was afraid because he wanted to cherish it too much, but of course, the result was that Hyun-soo was worried, and his father was probably Yin Yun's favorite person.
As for Hai Xiu and Wu Zhen, rather than pairing the two with a pair, they still like the current arrangement, after all, Hai Xiu lives for his dreams, and life is not only love.