Statement | Akagi Bottled Child
Combine "elements" such as groups of girls, a city voyage plan, a "pristine" Live House stage... After three days, you'll double your creative energy and experience a special live experience.
This is the content presented in the new issue of the music competition reality show "Black Afraid Girl". The girls were dragged to the members' hometowns, and in Shanghai, Guangzhou, Chongqing, Changsha, Xi'an and other cities with distinct regional characteristics and a certain cultural soil of black fear, they exported what they saw and felt to the audience in the form of black fear.
For girls who have almost no live performance experience in Live House, this three-day long voyage experience and creative presentation is not only a test-filled "pulling exercise", but also an adventure about "going home".
Under the setting of warmth and urgency intertwined, and full of many challenges, the girls have experienced long voyages, creation and growth together, and while exporting more yuan black fear culture, the girls' fiery souls and exuberant vitality are also blooming freely.
<h1 class="pgc-h-arrow-right" data-track="6" > return to your hometown and sail with your "family"</h1>
Xi'an is one of the most active cities in China's rap culture at this stage, and it is also the place where the juice flame label and the party "sailed" - the home of member Arlene Arlene.
Under the tremendous creative pressure, the family has become an important driving force. The next day will be performed, and the song has not yet been made out of the juice flame label, has not been able to eat and sleep, member Arlene Arlene is facing the pressure of "can't go home to see her parents if you can't finish", and finally, with the concerted efforts of her partners, Arlene Arlene also completed the creation before the limited time and successfully returned to her family.
The girls walk into the hometown of the label members, enter each other's lives, and refresh their understanding and cognition of each other. Under the gradual integration of personality, responsibility and group consciousness, they have gradually become "family" who have traveled together from partners who struggle side by side.
The girls from the "Different Spicy" label came to Shanghai, where Cassien Cacien lives. The narrow alley is drizzling with rain and the local style of Shanghai, and the three girls are in this picture, dragging their huge suitcases to the second floor in the light rain and arriving at Cassien Cacien's solitary home.
"Garlic Princess" Cassian Cacien took the two members to the second-hand market to select clothes, for a warm-up catwalk, and used his "affordable concept" and "dragon slaying knife bargaining" to make Huang Weifan, known as the "King of Chunxi Road Bargaining", sigh to himself.
The warm-up catwalk allowed Xi Yuan, who could not let go on the stage, to finally "open himself" a little, and also let Huang Weifan be infected by Cassian Cacien's confidence, "The whole atmosphere is very pleasant and efficient." Through the common experience and perception of their hometown, the girls collide and deal with under high pressure, and gradually deepen the "big family" atmosphere of the label.
The warmth and tolerance, understanding and help between the girls have become a touching presence in this episode. The captain of the Crab King Castle label, Bambi Bambii, did not tell the members that he did not have experience in special performances, because "I hope everyone can be more confident", and has always been like a parent, according to the creative style of the members, to give creative help, known as "universal elf ball".
On the one hand, if parents are a warm harbor for girls to go home and shelter anytime and anywhere, giving girls the most solid backing and dependence, then girls are more like beings who can accompany each other to break and grow up with each other, and are the people who lead everyone back to the route together during every trek. The audience can not only see them perform, but also be able to watch the girls' creative process, and feel that in this process, the girls gradually become the family that accompanies each other.
On the other hand, "going home" does not only mean returning to the hometown where they live, returning to the parents of the members, but also working with their partners to return to the original musician's home, Live House.
<h1 class="pgc-h-arrow-right" data-track="16" > back to "starting point", a three-day test on the Live House stage</h1>
Live House is the "starting point" of original music, and it is also the scene where musicians are most likely to "intimately contact" with the audience, and for girls, it is even more able to "directly" the black fear attitude to the audience's expression venue.
But before entering Live House, girls first need to go through a three-day "life-and-death speed." On the one hand, the labels that can perform at Live House offline need to face "cold start" - terms such as lighting visual effects, stage decoration, and emergency handling, which for the first time become a figurative problem, surrounding the girls from all sides.
In "How is the first person on stage going to play?" "Music comes first or people start first?" "Where do people go and put on music?" Behind the series of questions, there is a huge gap in the scheduling of live performances for most girls. K.A. the initiator of the PlaneA label, even called out, "In the past, it was arranged by others to be clear, and this time it was myself who wanted to arrange others clearly." ”
For Xi Yuan, who has no Experience in Live House, all this is "completely without concept", producer Ma Siwei said, "You have to squeeze her, just like squeezing toothpaste, she knows." ”
On the other hand, labels that are forced to broadcast online must also face the same complex and difficult problems such as communication technology and scene scheduling, and online live broadcasting is also limited by equipment, and it is impossible to restore the scene 100%.
Whether it is online or offline performance, girls are facing different degrees of "problems". But in the end, the girls digested all this, and in the cheers of the audience, under the limited venue, the girls did their best to present the stage and got positive feedback.
On the stage, the girls did their best to present a unique combination stage and a single performance. PlaneA label K.A Click, Mu Qin, Wang Ao Nan E.V.E, Dai Xin Monroe, jointly interpreted the love theme of "Pink Prejudice", "I wear colored glasses, only have a pink prejudice against you", "At least from my twenty-year-old love to you eighty-eight" and other wonderful and intuitive lyrics, interpreting the brave and warm attitude of the black girl in the face of love.
The three members of the "Different Spicy" label, Cassien Cacien, Huang Weifan and Xi Yuan, combined their experience in "I wear beautiful clothes to white (Shanghai dialect: to play)", integrating fresh elements such as fashion, watermelon, barbecue, seafood, beach and seaside into the creation and stage presentation of works, presenting a stage full of diversified summer atmosphere of "Play Beautifully".
After experiencing the surprise of selling out for two minutes, the Crab King Fort label was temporarily told to "empty performance" after completing the preparation of the creation, and the huge psychological gap did not exchange for the girls' slack. The five girls of Bambi Bambii, Xigga Wan Wenyan, Li Dongqin Oysocean, Zhao Daxi and Crayon Careful of the Crab Emperor Fort brand finally presented a wonderful stage performance of "Nursery Car". "Nursery car, wild play, reckless drive, to get", the authentic Chongqing dialect, the chemistry of five people, to make up for the regret of not having an audience present.
The other three groups of juice flame labels, sunrise club labels, and Xiyiren labels, which were temporarily urged back and dragged back to the small rehearsal room in Wuxi, also presented what the team saw and heard in Xi'an, Changsha and Chengdu respectively in the "Klima Rub, Go!" which is full of jianghu feelings. ", the warm and warm "Tired to Go Home", the dashing and wild "All Over the World" works.
Behind these hard-won stage presentations is the "speed of life and death" they experienced in just three days, and it is also an interesting journey homecoming.
<h1 class="pgc-h-arrow-right" data-track="28" > from the first stage to Live House, one step closer to black fear</h1>
As a rap variety show with expression as the core, the program is stimulating more narrative expression about the whole and the individual through various settings, and in the continuous growth of the girls, the audience has also harvested more vivid and authentic original works.
From the first stage, a public, a small exam, a roadshow, and now live house, the girls are experiencing different black fear creation experiences, and they have also gained more growth.
On the first stage of the first issue of "Black Afraid Girl", Wang Aonan E.V.E was the first to stand on the stage, and it was difficult to hide his nervousness. Xi Yuan, who appeared later, also left a deep impression on the audience with his sincere and slightly childish creation. More than three months of recording, let them grow from the youth of the first stage, to the advanced black afraid girls who can fight side by side with the label members and take over a Live House performance.
At the same time, with the double escalation of experience and test, the girls also went from playing partners to family members who fought side by side, their friendship became stronger, their common experience was richer, and their creation became more vivid and profound.
It can be seen that in the continuous growth and advancement of girls, black fear girls lead the audience to constantly approach black fear, from the creative process to life realization, just as "Black Afraid Girl" is not a program that screens out the "mainstream aesthetics", the format of the program, the cruelty of elimination and the results of the game are not the first in the hearts of girls.
From the cooperative stage to the solo solo, the girls crammed everything they wanted to say into the music, and each musical form had to be with their partners, have fun, and have a good time. The girls' experiences, perceptions and self-expression, playing beautifully with their partners, and sailing with their families are the meaning of everything.