"Talk Show 4," which swept through the season, came to an end last week.
Zhou Qimo passed the customs with blood and became the new king.
The old sister chased all the way over, seeing that Yang Meng'en's marriage proposal was worse than Yang Kasa and Pang Bo's crying, and he did not forget to go to the CP article "Hiroshima Zhilian" written by Mengchuan.
Does it look good? It looks good.
However, gathering and dispersing sometimes.
This season has laughed and cried and cried, and it can only be like this.
Next, we have to chase points that can be seamlessly connected -
Looking at Ma Dong, the old girl's first reaction is that the probability of the show will not be bad.
After all, whether it is "Strange Story" or "Le Xia", the content they present is original in the field of domestic variety shows.
The attitude of others beating gongs and drums, these programs disdain to say more.
Some anti-routine gameplay is quite fresh, including many new ideas that collide with popular ideas, which can be called a broad version of cyberpunk.
This time, Ma Dong stopped engaging in debate and banding, and began to move toward comedy.
What comedy? Sketch contest?
Traditional cognition makes us convinced that the form of the program that can be presented on the stage and can make people laugh is mostly the same thing as the skits we watched at the Spring Festival Gala.
In the early years, CCTV also did several cross-talk and sketch contests.
The story of Jia Ling pressing Guo Degang to win the cross-talk championship is occasionally ridiculed.
But today, the comedy format pursued by the Annual Comedy Contest will be updated and more comprehensive.
The guests invited by the program group have a certain say in comedy, such as Huang Bo and Xu Zheng.
Their masterpieces "Tai 囧", "Heart Flower Road Release", "Crazy Stone", or hilarious or absurd, can be included in the big category of comedy.
As for the audience, the shallow requirement for comedy is to be funny.
Dig deeper, pick up the structure and intention, and dare to ironical texts always attract more fun.
The first comedy to be put on the field was "Internet Physical Examination".
It uses the physical examination as a carrier to spit out the network drawbacks of "everyone has experienced and everyone has something to say".
Ads are lengthy, login verification chicken ribs, downloading apps to guide strong buying and strong selling, pop-up ads can not be turned off, and so on.
Each slot point accurately stepped on the pain points of the audience, and even the "advanced on-demand service" of its own platform iQiyi was included.
It has to be said that this kind of "self-ridicule" is to entertain the public in the way of entertaining the self, and to some extent, it also means the broadening of the pattern.
From the perspective of content form, the jokes of "Internet Physical Examination" are consistent.
The performers grasped the "troubling ills of the Internet" and proceeded along the way, while the audience already knew the general direction, just to see if every detail it studied could repeatedly make a splash.
Although this kind of topic is not the first, but because of its empathy ability, the audience is very willing to buy it.
Looking at the first work, the form of sketch (sketch comedy) has been figuratively represented on the stage.
It does not rely on too much upfront preparation to lead out the baggage, but to find a basic setting that the audience has reached a consensus or is easy to understand quickly" as the focus point, and then repeatedly hit and superimpose and upgrade.
The second part, "One Heart, No Two Uses", the same reason.
The work grabs the audience's attention with a novel character setting that "sound and painting are not synchronized", and then nested in different story scenes to refresh the laughter.
Looking closer, the key to triggering the comedy switch every time is the focus of the characters.
Just like in theatrical works, the personality characteristics such as the protagonist's axis, twisting, and honesty may become the subject matter throughout the work.
Although, the presentation here is not as deep as similar film and television works, deepening the character image, sublimating the main theme of the content, and full of dramatic tension.
However, it is a good interpretation of the definition of comedy sketching -
In a faster and more streamlined way, let the audience feel the charm of comedy.
In addition to the simple sketch, there are also contestants who integrate music into it, and the effect is not satisfactory.
Including the "three dogs live broadcast room" that Li Shi repeatedly cue to, a relatively low-end alternative niche form, the evaluation of the harvest is also mixed.
The latter has almost no comedic structure, and the performers amuse the audience by desperately playing treasures.
Indeed, not advanced.
However, considering that this is a competition stage, diversified works can stimulate creators to think more, and the uneven content is also the inevitable result of the existence of the competition.
Therefore, it is unfair to criticize some works in a partial and comprehensive manner only because they expose their shortcomings.
We can still see high-level players like Zong Juntao who starred in Lai Shengchuan's screenwriting works and sang and danced well.
The highest number of votes in the whole game.
Their team's work "Sanmao Defense War" is based on the most preferred hair loss topic of the Internet strip.
For example, baldness, baldness, and hair are so precious that each root has a name.
This time, they really performed this daily trouble as three hairs, with a strong sense of faith echoing the play.
It is this highly complete work that allows the audience to easily enter a hypothetical virtual world and listen to the inner voice of three hairs.
As a result, professional and non-professional people no longer compete with each other, and there is a consensus on the fact that "there is no threshold for good comedy works".
Solid script is the foundation of success, and the actor's proper expression can build a bridge between practitioners and audiences.
There are 80 spectators + 5 celebrity guests, one vote per person.
The program team does not provide privileges to anyone and does not advertise the qualifications of practitioners with quantifiable voting rights.
They respect why everyone in the audience laughs, and the right to use voting machines.
In this process, everyone is equal, and the celebrity guest speech only provides the audience with a new perspective and new thinking, accepting the right in each individual, in you.
As Ma Dong said at the beginning, if a show is defined as a comedy competition, it will inevitably raise the audience's expectations.
The Internet age is developing rapidly, what have we not seen, what have not heard?
The clichéd content is at a glance, and it is difficult for comedians to play new tricks.
In 2015, the first season of "Happy Comedians" pushed Shen Teng and Jia Ling to a larger audience.
The following year, "Comedy Story" was still a gang of people, and Jia Ling's stage comedy "Hello, Li Huanying" came into being.
The actors have changed stubble after stubble, but the competitive shows are getting worse and worse.
The most well-known to the audience is still the two camps of happy twist and big bowl entertainment (the traditional cross-talk Deyun Society is not counted).
Go back many more years.
The well-deserved "king of comedy" Zhou Xingchi once made a nonsensical movie of its own lineage, laughing and crying at the same time.
The British comedy "Mr. Bean" can deconstruct the loneliness of a person who is out of place with the world from multiple angles in addition to laughter.
The content they explain is strongly related to each living person, allowing the audience to communicate with the people in the play in a moment.
Yes, tragedy, the core of comedy is tragedy.
So you are willing to admit that it is a masterpiece that can glimpse a corner of life and magnify the world.
People often lament, why is it that the fine products produced in a certain year and month are no longer available today?
The old girl thought that it was because most people were impetuous.
Short and fast things are easy to accept, save time and effort, and are destined to become an important channel for connecting creators and audiences.
But high-level, profound, and repetitively polished works are still being done, and they don't constitute a reason for us to avoid the new comedy model.
Sketch, comics, object dramas, monologues, etc., may also find a grip like a talk show, find a world of their own fists.
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At present, the show has just aired one episode.
Unappetizing friends don't have to rush to sing down.
It is in the process of fumbling and probing, flawed, immature, or it can be seen again.
Everything has a process.
Pang Bo said in "Talk Show Conference 4" that he was grateful to have such a job, otherwise he would only tell a few jokes, and he would definitely not even ask for food, because he was too optimistic.
Today, stand-up comedy is waiting for an opportunity.
The old girl is also happy to see comedy collide with more possibilities in the moment.
Even trial and error have the meaning of trial and error.
Isn't it a good thing that this kind of art discipline can feed a bunch of excellent practitioners while bringing happiness to you and me?