Wen | Liu Huo
Liu Huo said "Golden Plum Bottle"
<h1 class= "pgc-h-arrow-right" > to say the text of the two versions of "Golden Plum Words" and "New Engraved Embroidery Like Criticism of Golden Plum"</h1>
In addition to the author's name is a suspense case, the version of "Jin Ping Mei" referred to as "Jin") is not as complicated as the version of "Dream of the Red Chamber", but it is not without topics.
As far as the general understanding is concerned, "Gold" is mainly written in parallel by two versions. The first is the "Golden Plum Bottle Words" discovered in Shanxi in 1932; the second is the "New Carved Embroidery Statue Criticism of the Golden Plum Bottle" circulated in the early Qing Dynasty. The former is said to have been first inscribed in the late Ming Wanli period, while the latter was first inscribed in the late Ming Chongzhen period. If the time is true, then the version of "Jin" can be referred to simply as the "Wanli Ben" and "Chongzhen Ben" of "Jin".
However, the problem is that the two versions of the two versions were preceded by each other, and after the 1930s (that is, when the "Golden Plum Words" were first discovered), it was determined that the "Golden Plum Words" predates the "New Engraved Embroidery Statue Criticism of the Golden Plum Bottle", and no unified opinion was formed.
Especially in the late 20th century and the 21st century, this understanding has encountered great challenges. One faction continues to affirm that the former precedes the latter, such as Dai Hongsen and Wang Rumei, who believe that the relationship between the former and the latter is a mother-son relationship; the other faction opposes this statement, and Ye Guitong overturns the determination of Lu Xun, Zheng Zhenduo, and others, arguing that not only is the relationship between mother and child, but also that the former is later than the latter. The third view is more moderate, believing that the two are brothers.
This article does not discuss the relationship between the two versions, but mainly discusses the textual euphoria of the two versions.
Therefore, the former does not mark the "Wanli Ben" but the "Word and Phrase Book", in the same way, the latter does not mark the "Chongzhen Ben" but the "Embroidery Book".
For a considerable period, at least after its discovery and throughout the 20th century, the "Dictionary of Words" was regarded as a relatively complete and mature version. The People's Literature Publishing House's 1985 edition of "Words and Sayings in a Golden Bottle" that was first printed in 1992 and edited by Dai Hongsen is an expression of this cognition.
DaiBen is the most complete version printed on the mainland since 1950 (except for the deletion of nearly 20,000 words of related descriptions), and it is also the most standardized version with general knowledge. This version uses the original version of the Wanli Ding Wei Nian (1617) book, supplemented by the Chongzhen version. Taipei's Liren Book Company published Mei Jie's annotated edition of The Words of plum in a golden bottle in 2007 also falls into this system.
In 1994, Jilin University Press published Wang Rumei's "Golden Plum Bottle", which belonged to the "embroidery book" system. This system, with the suppression of the "word book" yang "embroidery book" trend of thought, especially Tian Xiaofei's "Qiu Shui Tang on the Golden Plum Bottle" (referred to as "Autumn"), the calm of the two versions of the system was broken. That is, it is believed that the "embroidery book" is superior to the "word book". The first edition of the Nanyang Publishing House in 2003 and the second edition of "Jin Ping Mei" in 2006 also believes that the "embroidery book" is better than the "word book".
"Autumn" believes that there are two main articles that the "embroidery book" is better than the "word book", one is that the "word book" is too heavy and excessively ethical preaching hinders the complex narrative of the human nature of the novel characters ("Autumn", pages 5, 63, etc.), and the other is that the narrative and description of the "embroidery book" are cleaner than the "word book" ("Autumn", pages 7, 160, etc.). The former is about the main interest of the novel, and the latter is about the text itself.
In the preface of the Nanyang Ben, Dong Yuzhen repeatedly mentioned that the "embroidery book" was smarter than the "word book". Moreover, just looking back, Dong said, "On the fifty-fourth look, Chongzhen Ben is also smarter than the word book."
This article is about the fifty-fourth episode.
"Jin Ping Mei" embroidery like this hand-drawn / Liu Huo
< h1 class= "pgc-h-arrow-right" > word script may be closer to the reason and process of the book "Jin Ping Mei"</h1>
In the fifty-fourth retrospective, the words and phrases are "Ying Earl's Suburb Garden Club Friends Ren Medical Officer Haojia To See Illness", "Embroidery Portrait Book" as "Ying Earl's Flower Drama Jin Ju Ren Medical Officer Hanging Account Diagnosis Bottle" (the text of "Jin" quoted in this article, "Words and Phrases" quoted by the People's Literature Publishing House in 1992 Dai Ben, "Embroidery Book" cites the Collection of Waseda University in Japan, that is, the Kangxi Thirty-Four Years (1695) Shadow Song Xuan Collection PDF Scan). Zhang Zhupo of the Qing Dynasty commented on this return: "This time the shadow bottle is dead, and the shadow lotus destroys Mei Xie."
The base of The Jin, which Zhang Zhupo commented, is the "Embroidery Book" (it is estimated that Zhang Zhupo in the early Qing Dynasty did not see the "Dictionary of Words" discovered in 1932). Therefore, Zhang's comments are entirely based on the embroidery book.
In the 100 times of "Jin", there are two times when there are two times when there is the biggest difference in text, narrative and theme: the first time and the fifty-fourth time. The first time, the "Dictionary of Words" ("Jingyang Gang Wusong Fighting Tiger Pan Jinlian Suspect Husband Selling Wind Moon") relied on the civic base and social influence of "Water Margin" at that time, from the twenty-second time of "Water Margin" ("Henghai County Chai Jin Liu Bin Jingyang Gang WuSong Fighting Tiger") to the twenty-fifth time ("Stealing Bone Breeding He Jiu to Send Funeral Sacrifice for Human Head Wu Er To Set Sacrifice"), directly cut into or imported into "Jin".
The "embroidery portrait book" completely breaks this wedge and directly enters the narrative of Ximen Qing (the embroidery portrait book "Ximen Qing Rejie Ten Brothers Wu Erlang Coldly Meets His Brother").
The length of the text of the "Word book" is greater than that of the "embroidery book" (the length of the text of the fifty-fourth time is close), and the "word" Yang "embroidery" believes that the "word book" is much more redundant than the "embroidery book" and makes the writing unclean.
Judging from the writing process of "Jin", that is, this kind of text that unfolds in the form of storytelling, the "word book" may be closer to the reason and process of the writing of "Jin Ping Mei".
It is impossible to say that the "embroidery book" does not start from the roots of "Water Margin" of Wu Song fighting the tiger, recognizing his brother, and tangling with Pan Jinlian.
Although the "embroidery book" seems to enter the Ximen Qing narrative more directly than the "word book" in the first time, the "Fu Pulse Qianli" of the "Word book" was first used in the first time, and continued to receive responses in the later text.
If there is no explanation of the relationship between Wu Song and Pan Jinlian and the relationship between Wu Song and Wu Dalang, we would be inexplicable about wu Song's large-scale killing of both the queen mother-in-law and The slaughter of Pan Jinlian in the eighty-seven times (the "Book of Words and Phrases" is recounted as "The Prince's Mother-in-Law's Greed for Money is Rewarded by Wu Dutou's Murder of His Sister-in-Law's Brother-in-Law"; the "Embroidery Book" is "The Prince's Mother-in-Law's Greed for Money and Forgets Misfortune, and Wu Du's Death of His Sister-in-Law's Brother-in-Law"). Because there is no such cushion and "volt vein" in the "embroidery book".
Now for the fifty-fourth time.
Fifty-four times, the first half of the section writes that Ximen Qing's first fox friend was invited by the earl to a gathering of friends, and the second half of the paragraph is written that the doctor treats the bottle.
Whether in terms of the length of the text or the way of narrative, there is a big difference between the "embroidery book" and the "word book".
In the "Dictionary of Words", this gathering of Count Ying is described and described in detail. It is almost certain that in this chapter, Count Ying is the protagonist.
This chapter writes a rogue and a city servant attached to Ximen Qing in a vivid and vivid way, with extreme sound and color, and extreme human sophistication.
On this day, Ying Shi invited all his friends to gather and spend the day and wine in the city first, but when he was not happy, he took two prostitutes with him, bought a boat with his friends, and went to the garden of a Liu eunuch to eat again.
The "dictionary of words" writes about these two places and about the various characters who are placed in the two places, changing scenery step by step, relaxing and orderly, not moving, and hiding the "killing machine". This gang of abusive friends who are attached to Ximen Qing seem to be warm, but in fact they have their own ideas.
For example, before eating wine, Count Ying said to his friends, "Of course I am the master, but you also come to the host to make it together." ”
This means that I should be the Earl alone, and I want everyone to come together, which is today's AA system. Count Ying's stinginess and shrewdness appear in casual remarks. So there was a funny thing that Bai Lai created the use of fans against silver two, and the common season ("embroidery book" as "Changzhi Festival") used velvet embroidery sweat towels to make up parts.
Count Ying was originally a super bastard, and the "Dictionary of Words" was clearly written: "It turned out that Count Ying was eating and turning around in various homes." The "Dictionary of Words and Phrases" also added that it was precisely this kind of "eating and turning around" that Count Ying achieved "fine color and color". This laid the groundwork for the later death of Ximen Qing, when the dog friends were scattered as birds and beasts.
The eightieth time "Chen Economic Stealing Jade and Stealing Incense, Li Jiao'er Stealing Wealth and Returning to the Hospital" wrote: "But all the children who help idle children in the world are extremely snobs... When Ximen Qing treated the Earl like a glue, and raced through his brothers, he did not eat him, wear him, or use him that day? Before he died, his flesh and bones were still hot, and he did many unrighteous things!"
The eightieth time "Embroidery Book" "Pan Jinlian Sold Colors to the East Bed, Li Jiao'er Stole Money and Returned to the Courtyard" also has this description (although the "Embroidery Book" is simpler than the "Word Book").
If we don't do our best to correspond to the Earl in the fifty-fourth time, how can we see the behavior and face of Count Ying after the death of Ximen Qing in the eightieth time, so filthy! In the same way, I also saw that the behavior of people like Ximen Qing was so unbearable but also so sad! The description and narrative of the "embroidery book" is much simpler.
<h1 class= "pgc-h-arrow-right" > a "Golden Plum Bottle" is not preached, then the book "Jin" must be a lot less colorful</h1>
It is true that this description and narrative corresponding to the Earl of the Eightieth Time is like the excessive "preaching" in the "Dictionary of Words" that "Autumn" does not agree with. However, when we read this "preaching" of the eightieth time with the detailed scene description of the fifty-fourth time, then the preaching of the "word book" is not a castle in the air, but "there is a reason for the incident.".
Moreover, if a "Golden Plum Bottle" is not preached, then the book "Jin" must have lost a lot of color.
It would be inconceivable for literature to have only a direct narrative of society and humanity and not to indoctrinate it. And it is safe to say that without "preaching", the dissemination of "Kim" will also have problems.
This example of the fifty-fourth wedge poem can also be seen.
The wedge poem of "Embroidery Portrait Book" is a small order "Wave Taosha": "Wine bucket ten thousand, more on the flower front." Yoshitoshi ken let go? Dancing rewards flowers are silent, as if empathetic. Don't get drunk, please look at the branches. There has been a piece of minus Chan Juan. The flowers fall next year, but it is a pity for Zhu Yan. ”
The wedge poem of the "Dictionary of Words" is a seven-law poem: "The coming day is cloudy and sunny, and it is often said that happiness and sorrow arise." Wandering young and red strangers, thin life Jiao'e complained about the green window. The charen apricot village sells fine wine, and also asks for a strange party from the orange well. How many sorrows and joys in life, a few degrees of spring wind and a few degrees of frost. ”
Although Xiao Lingli's "flowers fall next year is still good, it is a pity that Zhu Yan" has the role of prophecy, that is, Zhang Zhupo's general comment on this time is "this time the shadow bottle is dead, and the shadow lotus destroys Mei Xie". However, the whole word has little to do with the fifty-fourth time, but this "seven laws" of the "Word Book" is almost entirely related to the narrative of the fifty-fourth time of this book. That is, to advise such people as Ximen Qing and Count Ying, the end of their actions: when they are in bliss, they begin to be extremely sad.
Although this teaching stems from the cause and effect of Buddhism, the second stems from the Confucian persuasion. Whether it is cause and effect or exhortation, these seven laws are used in this fifty-fourth time scene and narrative, which is very consistent with the narrative. The small order of "embroidery book" seems to be possible or not.
Regarding wedge poetry, the "Word Book" is very different from the "Embroidery Book".
Most of the "words and phrases" are poems, and the "embroidery book" is mostly lyrics. From the perspective of the relationship and sequence of poetry and words, words are the "poetry remainder" of poetry, and words may be more emotional than poetry, such as the positive vein of words "gentle" and the precursor and origin of words - "Flower Collection".
Interestingly, the wedge poems of the "Embroidered Image Book" are mostly words, but in the first time they use poetry; the wedge poems of the "Word Book" are mostly poetry, but the first time they use words.
"Words and Phrases" lyrics: "The husband only holds the Wu hook with one hand, and wants to behead thousands of people, how to iron and stone, fight into the heart, but for the flower soft?" Please look at Xiang Zhi and Liu Ji, which seem to make people sad. Only because of the collision, Yu Ji Qi Clan, Hao Jie are hugh. "Embroidery like Ben" poem: "Erbajia's human body is like a crisp, and the sword at the waist beheads the fool." Although he did not see the head fall, he secretly taught the king to wither his bone marrow. The two poems have similar meanings, and it is obvious that the words of the "word book" are more emotional.
In addition, compared with the concept of "embroidery book" women's misfortune, the "word book" also has more historical thickness.