"Although death and life are honored and humiliated, and they have fought in the front, they have not been in the chest, then how can the wind and snow and the moon pass by the eyes at four o'clock."
--Song Shaoyong, "Yichuan Kik Collection"
Dali in Yunnan is very beautiful, people say that there are four scenes, called: Shangguan Wind, Xiaguan Flower, Cangshan Snow, Erhai Moon. If you stay here in the spring, you can enjoy the beauty of the wind and snow in one day, although you will hold the regret of "spring breeze passerby", you can also enjoy the blessing of "Autumn Water Galaxy".
Wind and snow and snow in ancient times are the business of literati and inkers, to have money, but also to have leisure, but also to have a little feeling, otherwise it will not be elegant. The toiling masses do not have such feelings, and they have a rough and cloth-like career.
In the twenty-third time of "Dream of the Red Chamber", Jia Baoyu wrote four poems, which were inspired by his feelings about the life of the rich and idle people after moving to the Grand View Garden, and he seemed to be satisfied with his wishes and finally fulfilled his wishes. In the words of the text, it is called "very happy." These four poems respectively record the events of the four seasons and nights in spring, summer, autumn and winter, and vividly write that "spring has a hundred flowers and autumn has a moon, and summer has a cool breeze and winter has snow." If there is no idle thing to worry about, it is a good scenery in the world" Zen conception.
"Spring Night is a Thing" said: On the spring night, the drizzle is slightly cold. In the far alley, the distant sound of the sound tapped into the ear; indoors, the red candles on the dressing table were full of tears. There are waiters laying Chen Jin quilts, there are waiters who are slightly complaining and scorning (attacking people), there are waiters who are lazily fighting tongues (Qingwen), it is really a piece of peace and warmth, "I" am contented in this hilarity and gradually fade into a dream, who knows whether these are real or dreamy in front of us?
This one writes about Baoyu and the ladies before going to bed. In the poem, "spring color" is used to praise the beauty of the women, and the material of the enemy spring cold is steep, and the reading has its own meaning. He also wrote a "anger" word to assassinate the sage, and the sentence "A little bit of flower sorrow for me" is in line with the twenty-first time "the sage attacks the person's delicate anger and treasure jade". He also wrote Qingwen's courage with a "lazy" word, and the sentence "Since he is a little beard and lazy, he is impatient to laugh and talk frequently", which is similar to the "Yong Qingwen disease to supplement the peacock qiu" in the fifty-second time.
"Summer Night is a Thing" said that on a summer night, the bright moon outside the window is like a mirror, the indoor sandalwood is like a mist, and there is a beautiful person who is sleeping soundly. "I" woke up and called for her to prepare tea soup, but only the caged parrot learned to tongue. Some of them (amber) brought the refreshing lotus dew tea, and some of them pushed away to meet the cool breeze of the refreshing willow wind. The water under the pavilion is rippling, who is cooling off on the pavilion? It was late at night, they were gradually dispersing, above the Zhu Lou, who was removing the evening makeup?
This poem, which writes about the scene of Baoyu waking up from the dream and seeing the daughters in his eyes, is very vivid and lively. It was already from the interior of the spring night, looking out the window, from focusing on the word "color", to writing "sound, incense, taste, touch, law", the eyes, ears, nose, tongue and body, all the senses were mobilized and put into it. Therefore, this poem, through the multiplicity of people and the richness of feelings, bursts out a thriving force.
In the poem, five people are secretly written: First, "tired embroidery beauty" means to attack people and praise their labor, and the "beautiful person" mentioned in the poem "Crab Leaf" refers to people with high moral character. Second, "window bright musk moon open palace mirror" is to say musk moon, praise its ming. Third, "room mist sandalwood cloud product royal incense" is to say sandalwood cloud, praise its incense. Fourth, "amber cup pouring lotus slippery" is to say amber, praise its essence. Fifth, "glass sills na willow cool" is to say glass, praise its thoroughness. The five acts of these five people, the five qualities, set off this summer night with affection. The word "willow wind" really writes the wind in a divine form, and it is just as wonderful as "spring wind and the south bank of the Green River".
"Autumn Night is a Thing" said that on the autumn night, Daiyun Xuan was lonely and silent, and the moonlight sprinkled like water into the silk on the window. Moss covered the stone steps, cranes slept on them, and water mist rose in the well, condensing into the leaves of the tung trees to form dew, wetting the crows that perched on them. In the Xiaoxiang Pavilion, the maid took the quilt and lowered the golden hook of the bed curtain, and the person who was alone with the fence had returned, and the Cuizhu curtain behind him had also fallen. In the Yihong Courtyard, on this autumn night, because I was drunk and thirsty, "I" could not sleep alone, and the waiter turned on the fire again and cooked soup and tea for me.
In this poem, the author uses the technique of twin peaks confrontation, with a downward perspective, shaking the camera, from the Dai Yun Xuan and Bi Sha Kitchen outside the Grand View Garden, to the Xiaoxiang Hall and Yihong Courtyard in the Grand View Garden, through the transformation of time and space, writing the former's past like smoke, but also writing the latter's vitality. Although it was autumn, there was already a killing spirit in the Grand View Garden, but it could not suppress the power of youth growth.
This poem writes "polar movement" in "extreme quietness", which is the meaning of Baoyu's juvenile lovesickness. When Dai Yu first entered the Rong Mansion, Dai Yun Xuan and Bi Sha Cabinet were two places in the same room, so they spent time and night, their ears were grinding, they were happy and sad, they were close at hand, and there was no lovesickness. And now, although the two are in one garden, they are divided into two places, although they are close at hand, but they are a kind of lovesickness, two places of idleness, so such a force is incomparable.
"Winter Night is a Thing" said that on the winter night, at three o'clock, the snow drifted quietly, the plums of Yihong Courtyard bloomed quietly, and the bamboo poles in Xiaoxiang Hall stood tall. On such a night, but unable to sleep, clad in splendid embroidery, out of the courtyard, the moonlight reflects the snow, like pear blossoms on the ground, pine shadows cover the courtyard, cranes and pines stand next to each other. On this snowy night, drinking and poetry with the daughters, and cooking tea in the new snow, it is really a happy life. Here, plum and bamboo are a pair, pine and crane are a pair, the former has a noble nature, the latter has a long-term wish. At this point, the wind and snow moon poetry wine tea, life is proud of the seven things to write.
The "Vertical and Horizontal Classic" says: Spring birth, summer long, autumn harvest, winter Tibet. Don't do it. This is the law of the development of all things. Reading these four poems, you can indeed feel this law.
Reading "Spring Night is a Thing", you can feel the breath of hair, "Yingying" and "dots", "crying" and "anger", "light cold" and "spring color", all of which are gratifying.
Reading "Summer Night is a Thing", you can feel the power of growth, the atmosphere of "opening the treasure mirror" and "tasting the royal incense", the elegant amount of "pouring" and "Na", the grandeur of "Qi Ling" and "hitting the evening makeup", all of which make you happy.
Reading "Autumn Night is a Matter", you can feel the power of convergence, the movement of "absolute noise" and "immersion yarn", the movement of "lock stone pattern" and "fluttering dew", the movement of "to" and "return", "Shu" and "falling" from the movement and stillness, all of which are invigorating.
Reading "Winter Night is a Thing", you can feel the hidden power, snow and moon reflect each other, plum and bamboo glow, pine and crane Wuli, daughter and son accompanied, poetry and wine and tea blend, all of which make people feel calm in indifference.
These four poems are a Zen life, an appreciation for beauty, and a tribute to growth. But at the end of the poem, there is always a sense of "restlessness." The Book of Verses says, "Sleep and meditate, and turn to the opposite." As the saying goes, it's "can't sleep." From the "dream man" of "Spring Night is a Thing", the "Dream Long" of "Summer Night Is a Thing", to the "Sleepless Night" of "Autumn Night Is a Thing", the "Sleep Has Not Succeeded" of "Winter Night Is a Thing", from the call of tea in spring and summer to the drinking and cooking of tea in autumn and winter, Baoyu has gradually become troubled. After these four poems, Cao Gong used the method of white painting to outline such troubles in one stroke. The text says:
"Suddenly I don't feel comfortable, this is not good, that is not good, it is just stuffy to come out and go in."
That's great. Why? Cao Gong unveiled the mystery again, it was because of love, a copy of "Hui Zhen Ji", a bao dai dialogue, and also tasted Bao Yu's thoughts.
These four poems, let people in the wind and snow moon poetry wine tea, taste the power of love budding, Baoyu thus had a gender awakening, from then on, the word "love" suddenly appeared, became the theme of "Dream of the Red Chamber", twenty-six times Daiyu's "love", twenty-eight times Jiang Yuhan's "love gift", twenty-nine times the amorous woman's "more and more love", thirty times "love death Jin Jun", thirty-four times "love in love", forty-three times "can not love", to seventy-eight times "cut love", just like this, Bao Yu felt because of love, Finally escaping into the empty door, all this begins with the uneasiness of the four poems, from the beginning of Baoyu's "uncomfortable", and it is uncontrollable.
The Lotus Slope Poetry says:
"Calligraphy and painting, piano, chess, poetry, hops, in those years, one piece after another, but now the seven things have changed, chai rice oil smoke sauce vinegar tea."
In the growth of people, the wind and snow moon will eventually become a chicken feather. Just like Baoyu, pearls will eventually become dead fish eyes. Therefore, life requires poetry and distance. The Six Notes of Floating Life says:
"In your spare time, stand with you at dusk, and smile in front of the stove and ask if the porridge is warm."
In the fireworks, some bookish qi is integrated into the fireworks, and the party is really interesting. precisely:
Spring flowers and autumn moons are shining brightly, and the sunset is looking for chicken feathers.
Drinking and chanting and cooking tea, the cool breeze of the snowy night is at ease.
A kind of idleness and bitterness, the two courtyards are quiet.
If you are free, you must have no self, and you want to get rid of your troubles.