Wang Hongyi, a native of Weinan, Shaanxi, is currently working at the Qin Cavity Theater (Yi Folk Society) in Xi'an. He has successively starred in the Rongluo traditional drama "Three Drops of Blood", "You Guishan", "Four Advances", "The Great Revenge", "Dragon Wind Sample", "Chu Tang Yi", "Breaking Ningguo", and won the second prize of the "Yifa Cup" Opera Competition in Shaanxi Province in 1995; the first prize of the Xi'an Traditional Repertoire Exhibition in 1996; the first prize of the Xi'an Young Actors " Pomegranate Flower" Competition in 1998, and participated in the performance of the five northwest provinces (cities) in 1995 In 2000, he won the first prize for the performance of the Shaanxi Provincial Young Actors Folding Zi Opera Competition; in 2000, he won the performance prize of the First Qin Cavity Art Festival in China: in 2003, he participated in the performance of the qin cavity masters in the five northwest provinces (cities) and won the first prize in the performance: in 2004, he won the performance award in the celebration of the 55th anniversary of the founding of the People's Republic of China and the 20th anniversary of the revitalization of the Qin cavity; in 2007, he won the second prize of the Shaanxi Hongmei Competition performance; in 2008, he won the first prize of the individual special performance of young and middle-aged actors.
The "Liu Pai" has its own successors
——Guan Wang Hongyi's performance of "Two Qi Arrow" has a feeling
(Text/Dialect)
The theater friends invited them to go to the Yi Folk Society Theater of Xi'an Qinxiang Theater to watch the special performance of young actor Wang Hongyi in disaster relief. In the special performance, Wang Hongyi dedicated his three-fold play of "Hitting the Town Platform", "Erqi Arrow" and "Killing Yi" to the audience. His high-pitched and agitated, loud and rounded singing voice, and his free and capable, delicate and expressive action skills won the applause of the audience. In these three-fold plays, especially the fold of "Two Arrows" has a deep impression embedded in my soul. This is because Wang Hongyi inherits the performance style of Mr. Liu Yuzhong in the performance of the play, "Mr. Liu Yuzhong's one-heavy ingenuity, two-fold love, and rich vocal sentiment, whether it is the high, low and weak singing voice, the performance program of raising his hands and feet looks like Liu Lao. Therefore, the artistic image of Liu Bei on the stage lingered back in the audience's heart, and there was really a feeling of "the sky shaking the bottom of the Qingjiang River, floating and sinking in the rapid waves at night".
As we all know, "Two Arrows" is a fold in the play "The Great Revenge" (also known as Vadong Wu). See the Biography of Ren Guozhi and Shu Zhi of the Western Jin Dynasty and the Eighty-second to Eighty-fifth Ren Guozhi of the Late Yuan and Early Ming Dynasties by Luo Guanzhong. The plot synopsis is: The Shu general Guan Yu was killed by the Wu general Pan Zhang, Zhang Fei was assassinated by the last general, and Liu Bei led more than 700,000 troops to attack Eastern Wu despite his advice. One day, in Huang Luobao's tent with Guan Xing and Zhang Bao'er, the sword slashed Tan Xiong and captured Xue Ding HeGong, Liu Bei's gaffe angered the veteran general Huang Zhong. The old general did not understand the will, and secretly committed suicide to run to the Wu camp, hoping to find the head of the eight generals of Eastern Wu, but unfortunately, he was shot by Wu with a dark arrow, and xing and bao er would help him back to the camp. Liu Bei'ai was very affectionate, could not bear to ignore Huang Zhong's pain, and decided to turn off the poisonous arrow for the old general, so that he was not saved in the end. Liu Bei lost three members of the Five Tiger Generals in a row, and his grief was born from the Five Inners, and his anger burned in his chest, and he vowed to "fight a big battle with Sun Wu" to "overturn the river and overturn the sea."
"Two Arrows" is a folding play that sings and does at the same time. It requires the actor to fully display the protagonist's sad and angry and revenge mentality from the performance action of the body. Acting this scene well lies entirely in the artistic skills of the actors. Young actor Wang Hongyi tenaciously and diligently honed, humbly absorbed the essence of the previous generation of artists, and enriched his artistic heritage, so the artistic image of Liu Bei that he created was "drunk in autumn and was shared by the sun, hand in hand with the day", which was vivid and vivid, refreshing. Hear its voice, look at its shape, as if it were its people.
Curtain opening, with the sound of "hammering", Liu Bei, wearing a soft king hat, le bai filial piety stripe, and white pompom tassels, ran on the field, and the white handkerchief worn by the ring finger of his right hand was violently thrown back and held in the palm of his hand; the back of his hands, with the seven hammers with the plate, the music melody passed through the door, the music movement forward, the tassels on his head and the beard on his face swung back and forth, and sang: Mouth casting lotus flowers, how to break the silk and not collect? If you want to withdraw your hand lightly, the horse stepped on the Eastern Wu with a stroke of the hook", four sentences and seven hammers with plates". Here, Wang Hongyi is in the third sentence when he is talking, and the first three words of the fourth sentence are full of words spewing out of his mouth; the front of the sentence is preceded, the left hand is wrapped around the whiskers, and the fore finger of the right hand is used to mark the sentence with Chen Wu's stroke. In this way, Liu Bei's hatred of Eastern Wu is portrayed in a meticulous and seamless manner, reaching the realm of "extreme beauty and writing".
"Drinking" is the main component of this play, and it is also the color point of Wang Hongyi's singing and watching. Each "drinking scene" is not the same in the use of sound and emotion, and in the choice of performance actions and details, which fully reveals the spiritual world of the characters. When Huang Zhong convulsed after being fired and slowly fell back on the chair and died, Liu Bei rushed to Huang Zhong's side, Oh, my old general! Oh..." An extremely sad cry showed Liu Bei's general's mood. When Guan Xing and Zhang Bao were crying for their father and king, Liu Bei was hurt and heartbroken, but Wang Hongyi adopted two different performance techniques in the performance of these two sentences. The first is to start the medium step, crying while walking in a semi-arc shape, with the palms of both hands facing the upper end of the whiskers; the first is that when the steps are up and dragging Zhang Bao, he constantly pulls his left finger with his right hand, and swings his whiskers, beats his chest, and pauses his feet, which further greatly renders Liu Bei's trance-like and pain-stricken demeanor. Such a changeable treatment method plays the role of equality and moderation, decoration without slander", giving the audience a real sense of truth, goodness and beauty. When his eyes were sluggish and he sat down, calling Huang Hansheng and Huang Laojun," he turned around and walked forward, facing Guan Xing and Zhang Bao, "one hammer in each of you"; shouting that Yue is that you are all dead"; in the sound of "Mo Hammer", duanshu slowly sat down, tears in his eyes, appearing excessively sad, exhausted, delirious, and heavy-hearted.
Of course, the artistic image of Liu Bei created by Wang Hongyi is so true and beautiful, in addition to his own artistic accomplishment and performance skills, the tacit cooperation of the band teachers cannot be ignored.
Mr. Liu Yuzhong, the founder of Wang Hongyi and Liu Pai, is not a contemporary and cannot personally receive the teachings of Liu Lao, but he benefits from the true biography of Liu Lao's disciples Ma Shizhong, Wang Baoyi, and Sang Zi, plus his own natural artistic understanding, bit by bit to capture the highlights of Liu Pai's art, inherit and carry them forward in practice. Therefore, he played Zhou Renrui in "Three Drops of Blood", Tian Yunshan in "You Guishan Ertang Xian Cup", Wu Chengen in "Killing Yi", Liu Bei in "The Great Revenge", Song Shijie in "Four Soldiers", Wu Yuan in "Out of Tangyi", and Liu Bei in "Dragon and Phoenix Chengxiang" all showed Mr. Liu Lao's performance style.
Stanislavsky said that an actor can only be an outstanding actor if he draws nourishment from all good things widely. The creation of art is endless, and the achievements are always favored by the enterprising who work hard and never be satisfied. As Wang Hongyi said: Only by studying the essence of the artists of the previous generations can we achieve achievements. "Yes, greed for more, small and not donated", only in this way can we create a magnificent and moving artistic image.
"The string song is touching, and the four seats are happy." May Wang Hongyi continue to enrich and improve traditional arts in inheriting the essence of the Qin Cavity tradition, eliminating the dross, and revitalizing the Qin Cavity, make unremitting efforts for the cultural undertakings in the prosperous new period, climb the peak of art, and be a good actor loved by the people.
Wang Hongyi starred in "Two Arrows"
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