Zhu Shoudao, originally from Quanzhou, Fujian Province, graduated from the Department of Chinese of Xiamen University. He has worked in the Ministry of Education of the People's Republic of China and the Propaganda Department of the CPC Central Committee, and is currently serving in the National People's Congress. He is also the vice chairman of the Calligraphers Association of central state organs, the fourth, fifth and sixth directors of the Chinese Calligraphers Association, the researcher of the Calligraphy and Painting Institute of the Central Museum of Culture and History, the representative of the Ninth National Literary Congress, the executive vice chairman of the Calligraphers Association of the National People's Congress Organs, the member of the Chinese Prose Literature Society, the vice president of the Beijing Century Celebrity International Calligraphy and Painting Institute, and the editor-in-chief of the Celebrity Famous Artists Calligraphy and Painting Newspaper.
He has won many awards such as gold and silver in the national calligraphy competition. His calligraphy works are collected by the Great Hall of the People, Zhongnanhai, the National Art Museum of China, the Diaoyutai State Guesthouse, the Forest of Steles Museum in Xi'an, and the National Olympic Stadium (Bird's Nest); he is the author of "History of Chinese Calligraphy", "Zhu Shoudao Calligraphy Works Collection", "Zhu Shoudao Calligraphy Art" and so on. In 1998, he was named one of the first batch of "Virtue and Art Shuangxin" calligraphers in China, and was awarded the title of "Advanced Individual" by the China Book Association for many times.
In September 2008, Zhu Shoudao's calligraphy works returned after a space flight aboard the "Shenzhou 7" manned spacecraft, and the works are in the national collection.
CCTV, Beijing Television, CCTV Calligraphy and Painting Channel, People's Daily, Guangming Daily, China Art Daily, China Culture Daily, China Painting and Calligraphy Daily and other mainstream media and professional newspapers and periodicals introduced his calligraphy art.
Zhu Shoudao calligraphy dade xingye
Eclectic and eclectic
——A brief analysis of Zhu Shoudao's calligraphy art
Zhang Kunshan (Director of China Book Association, Famous Critic)
It is not easy for calligraphers to take root in tradition, infiltrate the classics, absorb the laws of the ancients and show their style arbitrarily, but on this basis, they can be eclectic, integrated, and self-reliant style. Zhu Shoudao's calligraphy belongs to this list, and he has an important influence on contemporary book circles and has been widely praised.
The art of calligraphy is soaked with the philosophical ideas of Chinese classicism and the long-standing lineage of inheritance, and all kinds of bodies are full of genres, or majestic, or fresh and leisurely, or open and broad, or wonderfully created nature, and there are quite a few calligraphers in the contemporary Chinese book world who pursue a peaceful and calm atmosphere. Zhu Shoudao has unique thinking, in-depth insights, and another way to find self-positioning and direction in the literati style and sense of the times. With Han Li as the foundation, Wei and Jin as the source, and the Ming and Qing dynasties as the manifestation, he created a set of his own artistic language and artistic styles that were widely circulated.
Zhu Shoudao's calligraphy is flourishing
Zhu Shoudao takes a photo in front of his personal calligraphy work
Zhu Shoudao wrote the inscription Jing Loyal to the Country
Zhu Shoudao's calligraphy and pottery have melted the past and the present, which are deeply rooted in the essence of the ancients and have profound cultivation skills. Its pen is thick, warm and natural, the lines are plump and round, the center is transported, it seems to be soft and soft, but it is strong and strong, and it is decent and powerful. The knot body is unique, the character form seems to take the Law Ming and Qing Zodiac Zhou, Ni Yuanlu, miaozuo natural innocence and vividness, ups and downs and staggered vivid, breaking the concept of flat and straight kitsch, and seeking changes in the situation. He regards each independent word as a musical symbol, dialectical thinking in the length of the word, the left and right concessions and even the construction of a series of contradictory relationships, and strives to seek a special and different from others in the word structure. He melted the ancient Dharma into a dynamic of life, and exalted calligraphy to the utmost ideal brilliance. Therefore, I understand that Zhu Shoudao, who was a teacher, contains incomparably vivid emotional elements and noble feelings like the ancient literati doctors. Looking at his works, there is a refreshing feeling of stopping for a long time. Lament that his works are ancient, popular, have the imprint of ancient classics, and also have the prominence of the style of the times and the feeling of jumping thinking in calligraphy creation.
Zhu Shoudao calligraphy on lianyang spring opening object like li sun renewed heaven
Zhu Shoudao's calligraphy originates from the ancients standing in the contemporary era, independent in character, and self-contained. With such thinking, I thought that calligraphy was for Zhu Shoudao, and he was trying to realize Mr. Li Keyan's most reasonable saying: "Use the greatest effort to enter and the greatest courage to play out." "In the two important stages of calligraphy creation, he has made arduous attempts, and the creation is no longer the same as those seemingly exquisite works that follow the cat and draw the tiger. His calligraphy was not shrouded by the ancients, but on the basis of tradition, he summoned up the courage to "play out" in brave practice. This is the famous saying of Mr. Li Keyan, and it is also the teaching of a generation of masters, a summary and judgment of the tradition and development of calligraphy, and a process practice that must be completed by calligraphers with achievements in ancient and modern times. Zhu Shoudao entered the book world in the process of inheritance and development, with extraordinary wisdom and impressive creative practice, which has injected important vitality into the contemporary book world, and we expect that his calligraphy creation will have a higher level of improvement and continuous improvement.
Zhu Shoudao calligraphy gull wave thousands of miles
Zhu Shoudao sent art to the campus
Enjoy a happy calligraphy on a journey through the ages
Zhu Shoudao
In addition to my official duties, I have always been my first choice for engaging in the creative practice and theoretical discussion of calligraphy art. Walking down the artistic garden trail is fun. I remember an old calligrapher who once said that people who engage in art feel happy all their lives! Come to think of it, it makes sense!
As a state official, you should have a little elegant hobby, within eight hours, conscientiously do your job; outside of eight hours, you can choose one or two hobbies, such as engaging in the study of calligraphy and painting art, you can adjust emotions, cultivate your mind, enrich your life, beautify the environment, and promote, coordinate and supplement your own work.
Zhu Shoudao's calligraphy couplet pin Yun Shan Gui scroll collects the wind and moon into the poem
People's interest space is exclusive, and without one or two elegant hobbies to rely on, it is easy to be filled by low-level interests. It has also been proven that people have a little taste for hobbies, can broaden their horizons, increase their knowledge, or become experts in this industry. As the saying goes, there is poetry and book in the belly, and a person can be accompanied by the art of calligraphy and painting, and can make his life more fulfilling and beautiful.
Zhu Shoudao's calligraphy qianqiu pen and ink shocked the world and thousands of rivers and mountains into the drawing
In terms of artistic aesthetics, I prefer the style of majestic and bold, majestic and clumsy, and I also take pleasure in creating unique aesthetic character and cultural implications. When reading the classic inscriptions of the past dynasties, the strong and majestic wind bones displayed in the inscriptions of the Northern Wei Dynasty, and the dashing atmosphere of "eight sides out of the edge, composure and pain" displayed by the Song Dynasty literati "Shangyi" calligraphy, I especially liked, often immersed in the ink fragrance of the inscriptions alone, and the soul was full of emotions and could not bear to release the scroll for a long time. On the contrary, some of the performance is too lingering, sweet, and the style is more soft and dull, which I don't like very much, and I often turn it over without staying. Over time, in the choice of art appreciation, there is their own judgment and reservation. In the creation of calligraphy, I often take the majestic and simple inscriptions of the Han and Wei dynasties as the true color, take the ancient law and distance, learn from the literati style of Confucianism and elegance since the Jin and Tang Dynasties, and pursue a majestic, high-ancient, mellow and elegant artistic style. Especially when creating big characters, pay attention to the coherence of momentum, tolerate and cultivate a strong and clumsy attitude, let it be arbitrary, and refuse to quit writing unless it is happy. From the perspective of traditional Chinese aesthetics, the masculine and magnificent art forms, such as rough lines, ancient and clumsy attitudes, and heroic sense of strength, can make people feel the broadness, majesty and grandeur of artistic expression, and thus produce excitement, encouragement, pleasure and other emotional integration, and jointly feel the joy and charm of calligraphy.
Zhu Shoudao calligrapher and Wan Shixing
Zhu Shoudao inscribed a plaque for the former residence of Jigong Living Buddha "Yongning Village"
Zhu Shoudao inscribed Hongxi
The process of artistic creation is happy, lifting a pen to write a good work, looking left and right, a sense of happiness arises spontaneously, and the mood is suddenly relaxed. According to the research results of Western scholars, when people are happy, their immunity is the highest, and the healthier they are. The elegance of taste can affect people's thinking, in ordinary times, the state of mind of calligraphers and painters is generally relatively peaceful, and often maintains a pleasant state when creating art, which is very beneficial to the body and mind. People engaged in the art of calligraphy and painting also have the habit of elegant gathering and communication, called "pen meeting", friends gather together, put up a long case, pour thick incense ink, roll up their sleeves, everyone ink waving, gladly come to the banner, appreciate and comment on each other, with book friends, pen and ink to convey friendship. As the saying goes, "give people roses, have incense in their hands", distribute the written works to colleagues and friends, share the new fruits of art learning, and feel the elegance and Sven in the atmosphere of their happy pottery!
In the garden of ancient Chinese art, let us feel the wonderful and broad art of calligraphy together, and move forward in the melodious song of happy calligraphy!
Zhu Shoudao calligraphy couplet
Netizens gathered to comment on "Zhu Shoudao Network Calligraphy Exhibition"
(5 in total)
Netizen Comments (1):
Mr. Zhu's writing has a large capacity and can be freely wielded between cursive and calligraphy. He has fewer pure cursive scripts, and fewer pure scripts, because both of these styles have certain rules and precepts, which are contrary to his freehand spirit. Teacher Zhu Shoudao casts hundreds of homes, gods and ancient meetings, forming a unique calligraphy art style that is flowing and majestic, handsome and dangerous, gentle and dignified, and shows freedom in beautiful rocks.
Zhu Shoudao calligraphy Tang poems
Netizen Comments (2)
I love Mr. Zhu's calligraphy!
His books pay attention to artistic innovation, and take the folk calligraphy such as Han Dynasty Jianshu, Tang Dynasty Scripture Writing, Dunhuang Epitaph, Wei and Jin Remnant Paper, which are not concerned by ordinary people, as the research direction, carry out repeated study and copying, constantly adjust the research angle, melt and cast hundreds of families, gods and ancient meetings, deeply absorb its essence, integrate into their own artistic exploration, carry out deep calligraphy innovation, find a calligraphy art language of their own, and gradually form their own unique style.
Zhu Shou dao inscription shou
Netizen Comments (3)
Mr. Zhu Shoudao's works are elegant and simple, with a smooth and relaxed, peaceful and natural pen, natural chapters, beautiful lines, graceful and elegant works, heavy knots, warm pen and ink, and full of vitality between the lines; elegant implications, swaying and colorful, the essence of Wei, Jin, Tang, Song, Yuan, Ming and Qing, and out of the flow of time. It can be seen that the author has a solid foundation and an understanding of traditional techniques. Deeply rooted in tradition, the works reveal a strong atmosphere of books, wishing to go to the next level!
Zhu Shoudao calligraphy Tang Wei Yingwu poems
Netizen Comments (4)
Teacher Zhu changed the stylized appearance of classical calligraphy to make calligraphy vivid, active, fresh and close. And give calligraphy more sexual expression. He extends the tentacles of the layout of the work to the aspect of personal disposition, and the word spacing and line spacing break through the old appearance of the classical calligraphy chapter layout one by one. Let us experience the vividness, diversity and breakthrough of the layout of the rules and regulations of the work- so that Teacher Zhu will sing a free and cheerful song with us with a new look.
Teacher Zhu's thick and natural style of writing that is not blind to the people of the past and the people of the present makes us feel excited, swaying, and comfortable when facing his works. This is where The charm of Mr. Zhu's unique artistic personality lies!
Zhu Shoudao calligraphy Song Mi Fu poems
Netizen Comments (5)
I knew Mr. Zhu very early on because of his calligraphy.
Just like making friends, some people may not remember after seeing them 3 or 5 times, and some people will never forget it after only 1 face.
Mr. Zhu's words are like this,
Why?
Distinctive personality, unique charm
It can be said that Mr. Zhu's words established such a face very early, especially the large characters, the momentum of the face, and the weather of the great shore, which are unforgettable.
Mr. Shi Kai said that calligraphy should be anti-counterfeiting
When I look at Mr. Zhu's words, the anti-counterfeiting coefficient is very high, where is the high?
Gao's extraordinary artistic modeling is the orthography.
High in the quality of the thick lines, is the brushwork.
The level of both is superb and doomed
It's hard to imitate his words.
Even if the shape is like, the line is not good, it is also a cucumber rack, thin.
And such art
It depends more on the artistic talent and artistic temperament of the bookmaker
Therefore, in his calligraphy, skill is no longer the main object of expression, because the simplicity of the seal and the subordinate, the nature of the simple book, the taste of the Ming and Qing dynasties, and the asana of the stele can be seen everywhere, and it can be used when it is used, and he pays more attention to the embodiment of his own emotions, emotions, and philosophy of life.
Zhu Shoudao went to the barracks to comfort the officers and men of the troops