Youth, swirling petals
——" The Cruel History of Horse Porridge Street " ( "College Past 1978") Film Analysis
Text/Screenwriter Brother
preface:
"Young You" is on fire because of the discussion of bullying. More than a decade ago in South Korea, there was a classic youth film "The Cruel History of Ma Congee Street" that discussed school bullying, which not only criticized school violence, but also rose to national violence. It is one of the best youth films in Korea. From the originality, the theme is thrown away from the "Young You" several positions, and there is no domestic youth film abortion car accident dog blood bridge section. Because of SC, China has not been able to surpass this film in the past few years, and it is likely that it will be difficult to give birth for a long time in the future.
1. Synopsis of the story
In 1978, Hyun-so comes to Gangmu High School on The violent Ma Congee Street. He makes friends With Wu Xi and Hamburg, and he falls in love with Yinzhu, a girl who often takes a bus with him. Once on the bus, Yinzhu was flirted with, and Hyun-so, Wu Xi and Hamburg helped each other, and everyone got to know each other. After that, Wu Xi pursues the silver pearl, and the two fall in love, and Hyun Soo is quite distressed.
At the school, Wu Xi, Hyun Soo, and students patrol Zhong Hu's friction. Wu Xi and Yinzhu break up with each other because of their personalities. Hyun Soo and Oh Hee fought each other over the silver beads, and their friendship broke. Hyun-so and Silver Jewel exchanged hearts through the radio and came together. Zhong Hu provoked Wu Xi to a rooftop brawl, and Wu Xi was defeated. Hyun-soo hears that Wu Hee and Yinzhu have eloped and is completely disappointed in reality. Hyun-so decides to avenge Wu Hee and practice kung fu in silence.
Finally, on the rooftop, Hyun-so defeats Zhong Hu and the others with a double-knuckle stick. In the face of the angry teacher, Hyun-so yelled, all the schools in Korea! A year later, after dropping out of school, Hyun-so meets the re-reading Silver Pearl, and it is not she who elopes with Wu Xi. The two exchanged pleasantries for a while and then separated again. In front of the movie theater, Hamburg invites Hyun-so to see Jackie Chan's "Drunken Fist", but Hyun-so thinks that Bruce Lee is the best.
2. Film structure
Hot Opening (2m)
Subtitle: Bruce Lee's boxing was not widely accepted in the past, and the kung fu master believed that boxing was created for victory.
The childhood protagonist and his friends watch Bruce Lee's martial arts in the cinema and imitate Bruce Lee's movements.
Subtitle: Cut boxing teaches you not to back down, once you have decided on the direction, you must go forward bravely. ——Excerpt from Bruce Lee's "Truncated Fist Taoist Righteousness"
Bruce Lee's bloody fights and high-pitched music foreshadow the violent style of the film, while the subtitles not only match the violent style of the picture, but its black and white simplicity also indicates the simple and simple style of the film.
The protagonist and his companions imitate Bruce Lee's movements, laying the groundwork for the details and plot of the later films, showing the violent side of the protagonist's heart.
The appearance of the narrator shows that it is a story of memories, showing the inner emotions of the protagonist, but also indicating that the story unfolds from the perspective of the protagonist.
Opening with a movie in the cinema is also a reflection of the audience watching this film.
Beginning (29m)
The beginning section completes the introduction of the general situation:
Background: In 1978, South Korea was under a military dictatorship.
Main scenes: the first scene Jiang mu high school, the second scene bus
Secondary scenes: Disco, Hyun-so's room, practice room
Main characters: Protagonists Hyun-so, Wu Hee, Yinzhu, Hamburg, male inspector Zhong Hu
Minor characters: Assassin, Sun Chun, Leopard, Veteran Patrol, Rogue Senior, Class Teacher, Classroom Teacher, Father, Boss Lady
Two-line narrative:
One is a rigid line of violence, the scene that occurs is mainly in the school, the characters are Hyun-so and the students and teachers of the school; one is the soft love line, the scene that occurs is mainly on the bus, and the characters are mainly Hyun-so, Yinzhu and Wu Xi.
After that, these two plot lines continued to alternate and develop, forming a rhythm that the whole film had tension and relaxation, and had a soft rhythm.
Bring in (7m)
Inbound or involved?
Hyun-so finally gets to know Silver Jewel after a fight on the bus. Two plot lines intersect at this plot point.
Enter: Hyun-so asks the rogue senior to return the bag to Silver Pearl. This is Hyun-so's subjective will.
Involved: After that, Wu Xi came up and grabbed the bag and fought with the rogue senior. Hyun-soo was thus caught up.
However, in general, Hyun-so still pushes the plot to a new stage because of his subjective will. Hyun-so's appearance is the first step, and it is also a decisive step for the direction of the plot, and Wu Hee's role is secondary, even without Wu Hee Hyun-so and Yinzhu will know each other. So, let's go in.
Development (62m)
Unfold (36m)
Love Line: Hyun Soo follows YinZhu and the two eat and chat together; after that, Wu Hee takes possession of YinZhu, and Hyun Soo endures pain and remains as usual. Wu Hee and YinZhu quarrel, Hyun-so comforts Yinzhu, and the two listen to the radio together.
Violent lines: Hyun Soo and Oh Hee fight with a group of seniors at school; Oh Hee is beaten by his teacher after reading a yellow publication, betrays the hamburger, and their relationship breaks down; Hyun Soo and Oh Hee work together against Zhong Hu, who bullies the Assassins. Hyun-soo was assigned to the rear shift.
Following the beginning, the two plot lines of the development film present a structure that clearly alternates and waves to advance the story.
It is worth noting that while the film promotes the development of the plot, the relationship and heart of the characters also change, which makes the film not sluggish and quite tense.
Interestingly, at this stage, there are two pairs of character relationships that have undergone obvious changes, one dark and one light:
One Dark: Hyun Soo and Oh Hee
YiMing: Hamburg and Wu Xi
The center of the plot change is the change of the relationship between the characters, and the relationship between the two pairs of characters enriches the plot, makes the plot more tense, and also has a strong impact on the subsequent plot direction.
Progressive (26m)
Violent Line: The relationship between Hyun Soo and Oh Hee breaks down, and Wu Hee is defeated by Jong Hu and disappears.
Love Line: Yinzhu breaks up with Wu Xi, and Hyun-so gets Yinzhu's love, but later hears that Wu Xi elopes with Yinzhu.
The confluence of the two lines provides a powerful preparation for the climax.
The two picked the petals on the bridge, swirled the small petals and fell into the river, not knowing where they had gone.
Isn't this a metaphor for Hyun-so's youth?
Youth, like a small petal that emits a faint fragrance, is beautiful and short-lived. In the end, it is still necessary to fall into the river of years and drift with life.
Despite the cruel times, youth is beautiful in the end.
Youth, like the petals of this swirling flower, is fleeting and brilliant.
Reality or fantasy?
I saw a comment on the Internet that thought that Hyun-soo and Silver Pearl's travels and kisses were All Of Hyun-so's own fantasies.
Indeed, this is a rather novel and interesting point of view. But a closer look reveals that this is indeed reality rather than fantasy:
First of all, there is a conversation in the tour where Hyun Soo says, "I'm going to be annoying, and you won't see me once you go to college." Silver Pearl replied, "Don't worry, I'll read it for an extra year." At the end of the film, Eun-joo tells Hyun-so that he has reread it.
Secondly, the two learned each other's intentions through radio broadcasting, and after talking about the radio, Hyun-soo said that he hoped to travel and fulfill his previous promise to play guitar with Silver Pearl. If tourism doesn't exist, what about the previous radio plot?
In the end, if it is only a fantasy, then it will not be able to form enough plot thrust on Hyun-so's despair afterwards.
Climax (15m)
What makes the orgasm so explosive:
1. Preparation before the rooftop duel:
Not only is it the foreshadowing in the climax part (unlike other parts, the film is all violent at the climax, and behind this is the convergence of the despair of love, which strengthens the resilience of violence), but also from the preparation of the whole film, Zhong Hu as the biggest hostile force (Zhong Hu was the representative of power and violence in South Korea at that time) had friction several times before.
2. The fierce and fiery external action of the rooftop duel
3. The rooftop duel Hyun-soo's deep and rich internal emotions, and this comes from the intersection of the previous violent line and the love line, which is directly related to the progressive department: the rupture of friendship and the loss of love, and furthermore, it comes from Hyun-so's complete disappointment with reality, and it is the total outbreak of moments that have always been extremely depressed.
4. Two climactic flashpoints: rooftop duels (external actions), roaring all schools in Korea (internal actions embodied in the lines, climax culmination).
5. Dualistic opposition: Hyun-soo to Jong-ho and eight others; Hyun-soo to a group of teachers; a few fighters to a group of onlookers; domineering Hyun-soo to a group of surprised onlookers; Hyun-so's anger to Jong-ho's arrogance and pride; Hyun-soo's grief and indignation to the teacher's shouts and silence.
The external movements of the drama must be supported by the internal movements of the characters. The third point is the most important reason for the core.
end:
The father took Hyun-so to apologize to the injured parents, and on the way home, he narrated: "He didn't hit me that day, we have been walking in silence for a long time." The road to and from school suddenly felt much shorter. ”
Walking in silence for a long time together should feel very long, but on the contrary, Hyun-soo feels much shorter, which means Thato-soo's growth and his father's recognition of it means that father and son are equal.
End (5m)
Hyun-so and Yin-joo meet again on the bus at the old location:
In a year's time, everyone has changed, not only on the outside, but also on the inside.
On previous tours, Hyun-so said, "I'm going to be annoying, and you won't see me once you go to college." Silver Pearl replied, "Don't worry, I'll read it for an extra year." And now, Yinzhu "smiled" and told Hyun-so that he had reread it.
At that time, his heart was warm, and Xuan Su was not.
After thinking about it, I still didn't say it, and I knew that I couldn't go back to the past.
A thousand words turn into a "goodbye".
"Drive", a new journey. (This reflects the director's control over the details, and the sound is in and out and the choice is methodical.) ）
The girl who was unforgettable in love in the past, the love of the past, the years of the past, so far away...
I still remember the song "Unattainable Love" that was boating on the river, "Your silence and chapped lips are deeply imprinted under my eyes." Your footsteps, as cold as rocks. Your voice behind you, not 'I love you', but 'Leave here', the sound of crying..."
Hamburg invites Hyun-so to see Jackie Chan's Drunken Fist
Bruce Lee will always be the best, because that is the youth that Hyun-so will never forget.
The picture is frozen and ends with a fighting action, symbolizing the vitality and passion of youth.
The tone turns yellowed to an old photograph that echoes the narration memories of the opening credits.
In the memory, the most beautiful youth.
In the violent plot line of the school, there are several small plot lines, and their existence further enriches this large plot line.
Hamburg: After Hamburg was betrayed by Wu Xi, the two broke off their friendship. Hamburg joins Wu Xi's gang of rivals Zhong Hu. On this day, Hamburg was humiliated by Wu Xi again, so Hamburg was beaten for trying to throw sulfuric acid on Wu Xi. Hamburg asks Zhong Hu for help, who defeats Wu Xi.
Assassin: The Assassin and Sun Chun gamble money to win big, and Sun Chun informs him. After being bullied by the instructor, the Assassin returned and stabbed Sun Chun in the head with a pen to bleed, and the Assassin was expelled. The Assassin did not go to the morning meeting, the instructor lectured the Assassin, and the Assassin beat the instructor. (This line exists basically independently)
Leopard: After the leopard was bullied by Zhong Hu, he took advantage of Zhong Hu's inattention and threw a bottle at him.
The transition of walking - the control of rhythm, the formation of style
The film is in addition to the wave-like advancement of two plot lines, one rigid and one soft. Another feature is that there are several transitional sections where the protagonist Hyun-soo walks.
These transitions control the rhythm very well, expand the hearts of the characters, prompt and stabilize the Xuansu viewpoint of the film, and also contribute to the formation of the film's rigid and soft, rough and delicate and soft style.
As an adult, the story officially begins with the first shot, walking alone.
After witnessing Wu Xi and Yinzhu kissing, they walked alone.
After learning from the class teacher that Wu Xizhen eloped with a girl, he walked alone.
After the defeat of Zhong Hu, he walked alone without any sense of joy. (Although there are people around, the protagonist does not feel anything at all, immersed in his own world and emotions)
The teacher walked by the side, from the previous sluggishness to sadness.
After roaring, numbness left walking alone.
From the above, the following characteristics of the walking transition section can be analyzed:
1. The walking transition section mostly uses positive close-ups, no lines, paying attention to showing the rich emotions of the protagonist's heart, portraying the character of the character, rather than the narrative.
2. The walking passage is mainly concentrated in the middle and back sections, exploring the characters' emotions from shallow to deep, and through this kind of walking transition section that focuses on the protagonist's emotions that appear many times, the inner rhythm of the entire film is formed.
3. The key walking passage of the climax has three states, which regulate the rhythm inside the climax. The first state, easing the intensity of the previous rooftop duel while preparing for the encounter with the instructor below; the second state is progressive, further paving the way for another outbreak later; the third state is the end of the climactic segment, numb and slow walking, smoothing the rhythm of the film.
Third, the theme of the idea
The film is a story about growing up, and it can also be said that it is a deep nostalgia for the lost youth.
During that special period of Korean military rule, Hyun-so got friendship and love, and they were all lost, which were Hyun-so's unforgettable memories. Growing up, Hyun-soo was suppressed by violence, and the teacher talked about democracy on the podium but practiced violence. The violence in the school, the violence in the family, all made Hyun-so miserable. Growing up is about being treated equally, about gaining respect, about putting the patriarchal position right with violence as a means. At that time, patriarchy, whether small as the family or as large as the state, used violence to maintain its authority.
In the end, Hyun-so's outburst is an indictment of the patriarchal power of abusive violence, and finally Hyun-soo grows up and gains equal rights with his father and gain his father's respect. South Korea also ended military rule and went to the road of democracy, gaining freedom and democracy. The director looks at the growth of a nation and a country with the growth of small people.
Of course, we can also directly think that the theme of the film is the nostalgia for the lost youth. First love, friendship, fighting, these are almost every man's youth elements. The director instilled his own deep feelings in it. In the end, all of this is irreversibly gone, like the face of the girl who was thrown behind the bus, familiar and unfamiliar; like the freeze frame at the end of the film and the tone of the yellowed photograph. Because, people want to grow, this is the process of life. However, in later life, we will always be deeply nostalgic for the pure youth that has passed.
FOURTH, character shaping:
The film has a full and solid character, even the flat characters such as Sun Chun, the leopard, and the boss lady are portrayed vividly, as if in front of the eyes, unforgettable. It can be seen that there is a director's deep life accumulation, and there must be a director's real life experience.
Detailed portrayal
The reason why the characters are so full, the exquisite details are indispensable, it greatly strengthens the authenticity and richness of the characters.
For example, Hyun Soo listens to the radio station and waits for Silver Pearl, and when Silver Pearl comes, Hyun Soo's first words are "You're late." ”
For another example, Hyun-so asks the class teacher about Wu Xi's elopement, and the class teacher says, "Do you know her?" Xuan Su was stunned for a moment, and said with red eyes, "No." ”
For another example, Hyun Soo looks at the silver beads, the girl looks at Hyun Soo, Hyun Soo quickly turns her head, and after a while, she carefully turns her head to look at the silver beads.
For example, Wu Xi does not leave the school after class time, and as soon as the class bell rings, he will take his bag and leave, and his head will not return.
A large number of vivid and exquisite details are overlooked, so that the character portrayal is not superficial, but also makes the film style delicate.
Appearance and exemplary movements
The appearance of the character can directly reflect the personality of the character: the boss lady's open breasts, Wu Xi who wears a crooked hat, Hyun Soo's clean face and so on.
The character's exemplary movements also delicately show the character's personality: silver beads always wear headphones, assassins stab people with pens, hamburgers selling yellow books, and so on
Character contrast
The contrast between the characters makes the characters more three-dimensional, highlighting the differences between the characters and the characteristics of each character.
When everyone was laughing at the teacher's vulgar teaching, only Hyun-so had a dissatisfied and disgusted expression.
When the senior came looking for him, Hamburg immediately hid, while Hyun-so and Oh Hee confronted each other.
Wu Xi dueled on the rooftop on a whim, and fought head-on with the other side, while Hyun-so made a long and meticulous preparation, carefully planned, and sneaked up on Zhong Hu before the battle. The two sticks of this sneak attack seemed very sinister, but as long as he thought that Wu Xi had been attacked by Zhong Hu's companions before, he knew that the other party was not Zhong Hu alone, and the other group was very sinister, so Xuan Su did not need to really fight head-on, but to gain the upper hand in one fell swoop, so that when facing the other group, his chances of winning were greater. This contrast shows that Xuan Su's handling of things is meticulous, principled but very flexible.
Everyone else was afraid of Zhong Hu, while Wu Xi and Xuan Su were not afraid. The attitudes of these two people are different, Wu Xi is strong and domineering, while Xuan Su is not humble.
Characters in the general context
The character portrayal of the film firmly places the characters under the overall situation, so that the characters' behavior is well-founded.
The general scenario is that in 1978, South Korea was under the totalitarian rule of the military, and in this environment, there were schools like Jiang Mu High School that were full of violence, trusted violence, and dedicated to officers.
In such a school, everyone is alienated. Teachers and a group of patrol students rely on violence to maintain their authority and order. The students' individuality is suppressed, their freedoms are plundered, and their dignity is trampled upon. They can't escape, they have to endure violence, or abuse the abuser, or use violence themselves. Everyone in the school is a victim of violence.
In such an environment, the connotation of the characters is enriched. Wu Xi uses violence to maintain self-esteem while trampling on the self-esteem of others, hamburg also uses another kind of violence to throw sulfuric acid to maintain self-esteem, Hyun-so is initially reluctant to use violence, but in the end he uses violence to a greater extent than everyone can imagine. They are all oppressed, oppressed by violence. In the end, the assassin was expelled for violence, the leopard wanted to drop out of school but was insulted by Zhong Hu and others, Wu Hee escaped from such an oppressive and violent environment with another girl because of the failure of the fight, and Hyun-so launched a duel that pointed to violence and destroyed violence with violence, Hyun-soo was not keen on violence, so in the end, Hyun-soo was not happy.
These are inseparable from the general situation at that time, and at the same time, the total situation is further enriched through a vivid character.
V. Selection of actors (the following analysis is mainly analyzed from the perspective of actors relying on scripts)
There is a saying in the film circle that "if the actor is selected, the film will be half successful", and if the actor is selected wrongly, it may make a film greatly reduced or even failed. It can be seen how important the choice of actors is to the success of a film.
The selection of actors in "The Cruel History of Horse Porridge Street" is not only very successful, but also reflects the director's profound insight into the selection of actors, making each character impressive, unique and fresh.
I mainly analyze the appearance and temperament of the actor, the actor's life experience, and the actor's acting experience, which are not completely independent.
Actor Lee Jong-hyuk plays a student patrolling Chung Hu in the film. In addition to his height, it is very important that his Lee Jong-hyuk's mature old-fashioned temperament and even have a head tattoo, which is in line with Zhong Hu's identity in the film. His previous participation in "Life and Death Spy Change" and "Gas Station Attack" are all action movies, and in this regard, Lee Jong-hyuk's experience is also relatively rich.
Actor Han Jiaren plays Yinzhu in the film. Han Jiaren's face is naturally beautiful and clean, the eyes are big, clean and natural, and the temperament is quiet and pure, which is in line with the image of a Korean high school girl in the late 1970s, in line with the image of the protagonist Hyun-so's dream lover, and the weak and pure image in his previous "Yellow Handkerchief" will not make the audience feel discordant. This role is very difficult for Han Jiaren.
Actor Kwon Sang-woo plays the protagonist Hyun-so. Whether this core role can be played well is directly related to the success or failure of the entire film. Kwon Sang-woo has a clean and handsome face, a relatively well-behaved temperament, a model born, tall, muscular, and temperamentally in line with Hyun-so's role. At the same time, Kwon Sang-woo has basketball and taekwondo expertise, which meets the needs of the plot. Another point to emphasize is that Kwon Sang-woo's eyes are very clean, which is crucial for the performance of Hyun-so's inner drama, and because of the close-up of the close-up, the audience can observe a person's eyes at close range, and whether the eyes can attract the audience is not only related to the success or failure of the character, but also related to the success or failure of the film, and this film has a large number of medium scenes, close-ups and close-ups.
At the same time, the director also noticed another violent trait in his heart. In the years of Kwon Sang-woo's upbringing, the days of poverty occupied almost a full 10 years. Ling Quan Sang-woo has lived a migratory bird-like life with his mother and brother since he was a child. The family kept moving, living in a cheap rental house. Even for a while, Kwon Sang-woo's family lived in an old house on the street dedicated to piling up clutter. (In the film, Hyun-so transferred to Gang Mu High School, and his family was not rich.) When he was a child, he was a typical problem student, who did not worry his mother at all, he was the king of fights in school, he was not attentive in class, and he always had that kind of provocative look. Fortunately, his mother's education and trust allowed Kwon Sang-woo not to go astray in the end. Therefore, the violence on campus is familiar to Kwon Sang-woo, and he has the understanding of this thing brought about by his own life experience. When he was in the fourth grade of elementary school, Kwon Sang-woo became obsessed with painting watercolor paintings, and it can be seen that Kwon Sang-woo is sensitive and delicate in his heart, which is also quite similar to the role of Hyun-so.
Kwon Sang-woo's first love is also unforgettable to him. Before joining the army, Kwon Sang-woo finally held hands with his girlfriend who had been fond of him for many years, which was his first love. But soon after joining the army, his girlfriend left him, when he was in extreme pain, lost six pounds, and lost his way. It is this experience that Kwon Sang-woo is able to express Hyun-soo's heart so precisely and delicately.
In 2003, he became popular with the TV series "Stairway to Heaven", and Kwon Sang-woo is good at playing an infatuated man. As early as 2001, Kwon Sang-woo participated in the campus fight film "Volcano College", which also laid the groundwork for his participation in "The Cruel History of Horse Porridge Street".
Actor Li Tingzhen plays Wu Xi. 184cm, bright smile, in 2000 "Friends" (also known as "Three Musketeers"), Li Tingzhen played the role of Tao Zaiwen, who inserted a knife into his friend's ribs, and his affectionate and long-term affection also discovered the strong side of his masculine charm. So he plays the domineering Wu Xi is very suitable.
Actor Park Hyo-joon plays Hamburg. Hamburg in the play is a lewd, strong and somewhat sinister guy, but it makes people feel amiable and joyful, and he is still a good person in the end. Such a role, Park Hyo-joon is very suitable. Because of the appearance of Park Hyo-joon's small squinting eyes quite obscene feeling, fat, smile amiable and joyful.
Even small role directors are just right. Kim Fu-sun plays the boss lady in the film. The hostess is a woman steeped in chai rice oil salt sauce vinegar tea and craving lust. Born in 1961, Kim Fu-sun had difficulty in reviving his interest in learning after barely finishing high school, and had been repeatedly poisoned, exposed, wanted and imprisoned for taking illegal drugs. This makes her more grasp of such a low-class people as the boss lady. Starring in the erotic film "Lady Love Horse" in 1985, Kim Fo Shan became a sexy idol and a goddess in the minds of countless men in the middle of the 80s, including the director of this film, Liu He, who created the role of the noodle shop owner lady who seduced Hyun Soo in "The Cruel History of Ma Congee Street" based on the memories brought to him by Kim Fu Sun.
6. Audiovisual language analysis
Scene shaping in the film
In this film, there are obvious differences in the environment and lighting of different scenes
In school, it is daytime, sunny, with strong light, how high illumination hard light. This is to match the atmosphere of violence among men in schools.
Outside of school, there are daytime, nighttime and rainy days, and there are many places where natural light and soft light are used. This is to show Hyun-so's soft side of love in his heart.
The lighting of these two obvious differences in set is a good match for the two-line narrative, and also helps to shape the film's rigid and soft style.
The music in the film – music participates in the narrative, music shapes the style
The use of music in this film is a major highlight. The music not only participates in the narrative, but also cooperates with the film's rigid and soft, rough and gentle style. The use of music well contributes greatly to the success of the film, and the audience is always impressed by good music.
Music participates in the narrative
In this film, the two have repeatedly brought each other closer together by talking about music, falling in love through music radio, and Hyun-soo sings for the silver ball guitar. These musical passages are not isolated, but are interconnected and promote the development of the plot.
The only song Hyun-so sang for Silver Pearl, "Your silence and chapped lips are deeply imprinted under my eyes." Your footsteps, as cold as rocks. Your voice came from behind you, not 'I love you', but 'Leave me here', the sound of crying..." The difference between the two after the coincidence is simply a proverb. This enhances the drama of the film and deepens the theme.
Music shapes the style
The film is always accompanied by music in the passages outside the school, mostly with active music, which enhances the realism of the film, but also makes the use of music natural and smooth; and the film sometimes transitions from active to passive music, and the guitar accompaniment song of singing love with guitar accompaniment can show the softness of Hyun-so's heart and the beauty of love at that age.
In the memories of different paragraphs, Hyun-so's different moods determine the difference in music, which is a kind of music in a subjective sense, which not only creates emotions for the plot, but also shows the subjectivity of the memory. In fact, music best expresses the unique feelings in memory, which is an intuitive but real means, and the truth here is the truth of emotion.
In this way, a large amount of music enriches the portrayal of inner emotions, greatly enhances the soft side of the film, thus highlighting the contrast between rigidity and softness, and helping to shape the style of this film.
Lens and scenery
Movies mainly use fixed camera positions. Using shoulder-to-shoulder photography, there are many panning shots, especially in fight scenes. This effect gives the audience a sense of presence, as if they are standing on the sidelines. Further, it is a kind of memory of the observation, the audience and the director and the protagonist Trinity, together to see that period of time passed.
In fight scenes such as rooftop duels, quick editing of different scenes is often used to create a fast-paced feeling. This makes up for the lack of fixed seats.
This film mainly uses medium and close-up scenes, focusing on the relationship and emotions of the characters.
Therefore, this film is concise and clear with a mirror.
【End】
Attached is the title of the episode of this film (I love each one, and if you are interested in background information, you can check it yourself):
Graduation tears
One way ticket
Feeling（morris albert）
One summer night (Chen Qiuxia)
Unattainable love
Lanterns
Screenwriter brother's gong dumpling, enter the "cruel history of horse porridge street", you can get a high-definition version of Oh ~