Yang Yang China, the history is long,
And the museum
It is to collect various historical periods
A treasure trove of heritage treasures.
People's Daily Cultural and Creative Special Launched the "Collection of National Treasures" column,
Take you to admire the treasures of the major museums!
This issue explores,
It is a Zhejiang Provincial Museum that has been established for nearly 100 years!
Treasures of the Top Ten Town Halls of Zhejiang Provincial Museum
Tang Luoxia-style "Cai Feng Mingqi" seven-stringed piano
Era: Tang Dynasty
Specifications: Length 124.8 cm, thickness 5.4 cm, shoulder width 18.8 cm, tail width 12.5 cm
The Tang Luoxia-style "Cai Feng Mingqi" seven-stringed violin was made in the second year of Tang Kaiyuan (714) and was beheaded by Lei Wei of Sichuan, the "first chinese violin maker". This guqin body is thick, the shape is simple and elegant, the face is scarlet paint, and the sides of the body are undulating along the clouds, just like the continuous clouds in the sky, so it is named "Sunset Style". There are many inscriptions on the back of the piano, and the clearly visible ice cracks and small flowing water breaks tell the long history of the guqin through thousands of years.
The Tang Luoxia-style "Cai Feng Mingqi" seven-stringed qin was once the first piano of the DingwangFu's "Xingyou Hengtang" and the first piano of the "Nine Ridges Mountain People" Yang Zongji's "Half Hundred Qin Zhai". Yang Zongji inscribed his praise and appreciation for the piano around the dragon pond behind the piano, and included it in the "Qinxue Series".
Neolithic Liangzhu culture Yu chun
Era: Liangzhu culture
Specifications: The height of the whole device is 8.9 cm, the upper diameter is 17.1-17.6 cm, the lower shot diameter is 16.5-17.5 cm, the outer diameter of the hole is 5 cm, and the inner diameter of the hole is 3.8 cm
Excavation date: 1986
Place of origin: Tomb No. 12 of Anti-Mountain in Yuhang, Zhejiang
Neolithic Liangzhu culture Jade Chun, excavated in 1986 in Yuhang County, Zhejiang Province, Anti-Shan No. 12 Tomb, excavated, placed flat on the lower left of the main guan bone of The No. 12 Tomb of Anti-Shan, is a sacred and lofty jade ceremonial vessel, as a ceremonial instrument or a symbol of wealth. In 2002, it was listed by the State Administration of Cultural Heritage as one of the first 64 cultural relics prohibited from going abroad (abroad) for exhibition.
Neolithic Liangzhu culture jade quince production technology is superb, can be called ghostly craftsmanship. The shape of the instrument is a flat and short square column, the inner circle is outer, weighing about 6500 grams, the shape is broad and large, the overall ornamentation is unique, and a large number of cirrus patterns, straight lines, and arcs are filled, and the depiction is extremely elaborate and meticulous. The huge size and exquisite divine human beast face pattern make it a well-deserved king in Liangzhu Yuzhu, which can be called "King Of Zhen".
Yuanlongquan kiln celadon boat-shaped stone drops
Era: Yuan Dynasty
Dimensions: Length 16.2cm, width 6.5cm, height 9.1cm
The Yuanlongquan kiln celadon boat-shaped stone drops, neither from the old collection of the Qing Palace nor from high-grade tombs, were accidentally discovered by a commoner in Longquan, Zhejiang Province, in the ruins of an ancient kiln called Shangyan'er in the local area. As soon as it was unveiled, it won the respect of domestic ceramic experts.
Longquan kiln celadon boat-shaped stone drop tire texture is delicate and white, the glaze layer is thick, pink blue. Realistic techniques are used in the modeling to shape the drop into a flat leaf boat. Cabins, canopys, and railings are readily available. Two people in the cabin sat gossiping, outside the cabin a cloaked man climbed the canopy as a cape shape, the overall shape is peculiar, dynamic and static and exquisite workmanship, which is rare.
Five Dynasties and Ten Kingdoms Wuyue Kingdom Gilded Sterling Silver Ashoka Pagoda
Era: Five Generations and Ten Kingdoms
Excavation date: 2001
Place of origin: Leifeng Pagoda Underground Palace, Hangzhou, Zhejiang
Five Dynasties and Ten Kingdoms Wuyue Kingdom Gilded Sterling Silver Ashoka Pagoda, excavated in 2001 from the Leifeng Pagoda Underground Palace in Hangzhou. Inside the pagoda, a golden coffin is used to hold the relics of "Buddha's Conch Bun Hair", which is the core of the Imperial Princess Pagoda (later known as leifeng Pagoda) built by King Qian Li of Wuyue in that year.
The Ashoka Pagoda is made of sterling silver throughout and partially gilded on the outside, and although it has been baptized for thousands of years, it is still intact and sparkling. In appearance, it is a single-layer corset waist, which is composed of three parts: the base, the tower body, and the top of the tower, the tower body is square, and the circular arch niches on all four sides are engraved with the story of the Buddha.
Yuan Huang Gong Wang Fuchun Mountain Residence Picture Scroll
Era: After Gengyin (1350 AD) in the 10th year of the Yuan Dynasty
Utensils: length 31.8 cm, width 51.4 cm
"Fuchun Mountain Residence Map" is the work of Huang Gongwang, a famous painter of the Yuan Dynasty, depicting the scenery on the Fuchun River in Zhejiang Province, and is the pinnacle of ancient Chinese landscape painting. In the early years of the Qing Dynasty, it was destroyed by fire, burned into two sections, and is now in the Zhejiang Provincial Museum's Leftover Mountain Scroll, which is the front section of the scroll.
"Fuchun Mountain Residence Map" was painted by Huang Gongwang over several years, in the form of a long scroll, depicting the beautiful scenery of early autumn on both sides of the Fuchun River, the peaks are stacked, the smoke trees of Yunshan Mountain, the pine stones are beautiful, the layout is dense and elegant, with a clear and elegant pen and ink, a simple and distant artistic conception, the vast and continuous Jiangnan landscape is vividly expressed, and it is like being immersed in the scene. The Remaining Mountain Scroll is named after the mountains, rivers, hills and ravines that remain, and are full of the poetry of the hermit leisurely wandering through the forest springs and scattering indifferently.
Neolithic Hemudu culture "double bird sunrise" ivory carving
Era: Hemudu culture
Utensils: length 16.6 cm, width 6.3 cm, thickness 1.2 cm
Excavation date: 1978
Place of origin: Yuyao Hemudu site, Zhejiang
The Neolithic Hemudu culture "Double Bird Chaoyang" ivory carving, like the Yu chun king, is also a cultural relic that is forbidden to go abroad (border) for exhibition. This ivory carving was excavated from the Yuyao Hemudu site in Zhejiang, which is the site of a clan village in the Neolithic matriarchal clan commune period, dating back about 7,000 years.
The pattern on the Neolithic Hemudu culture "Double Bird Chaoyang" ivory carving adopts the line carving technique, which is skillful in carving technology and realistic image. In the middle of the ivory carving, there are five concentric circles of varying sizes, the upper end of the outer circle is carved with a flame-like pattern symbolizing the sun's rays, and the two sides are symmetrically engraved with a double bird pattern that stretches the neck and looks up. From this, we can see the primitive Hemudu people's love for birds and worship of the sun.
The image of birds in the Hemudu culture appears more often, which is related to the jade birds, bird patterns and many bird-shaped decorations in the Liangzhu culture and the many bird-shaped decorations in the Bronze Ware of The Land, which not only reflects the level of ivory carving technology at that time, but also provides valuable information for studying the aesthetic concepts and ideologies of people at that time.
Gold leaf appliqué palanquin (Wangong palanquin)
Era: Late Qing Dynasty and Early Ming Dynasty
Specifications: length 150 cm, width 90 cm, height 275 cm
Qing gold leaf appliqué palanquin, for the Qing Dynasty Ningbo style palanquin, is by Xiangshan, Fenghua, Ninghai and other places of ten craftsmen and teachers, it took ten years to build, a total of more than 10,000 man-hours, so it is also known as "Wangong palanquin".
Carved in wood with vermilion lacquer and gold leaf appliqués, this palanquin looks like a miniature palace in the distance. The car is decorated with three kinds of craftsmanship techniques, such as circular carving, relief carving, and through carving. On the roof of the palanquin is a three-dimensional blooming lotus flower made of tin, and on the palanquin are carved 250 figures and flowers, birds, insects and beasts, which are exquisite, and the middle part of the palanquin is supplemented by lens glass paintings, and each color painting is also a classical drama fragment, which is extremely luxurious. The whole palanquin is connected by a mortise and mortise structure, without a single nail, composed of hundreds of detachable flower boards, and there is no palanquin door, so a special car dismantling master will be arranged in the welcoming team to follow the disassembly, so that the bride can easily enter and exit.
There are only a few surviving caravans, and the Gold Leaf Appliqué Palanquin is the most famous of them, enjoying the reputation of "the world's first palanquin". Although it has a history of more than 100 years, it records the level of craftsmanship and production at that time and the level of local economic development, and shows the local marriage folk culture.
Warring States Trick Music Copper House Model
Era: Warring States
Specifications: height 17 cm, face width 13 cm, depth 11.5 cm
Excavation date: 1982
Excavation site: No. 306 Tomb of Lion Niche Mountain, Potang, Shaoxing, Zhejiang
A model of the Warring States Trick Le Bronze House, excavated in 1982 from tomb No. 306 of potang Lion Niches in Shaoxing City, Zhejiang Province. Tomb No. 306 has a high standard, and more than 1,200 burial artifacts have been excavated, which is a fine product of them and is the only known model of a bronze house from the pre-Qin period.
The Warring States Gongle Bronze House is bronze throughout, and there are no walls and doors on the front of the house, only two pillars, which are in the shape of a transparent lattice. Six people kneeling in the room are playing music, in the form of drumming, playing the piano, blowing the flute and chanting. The whole artifact is densely decorated with a large area of southern ornamentation, and the roof is a spire with four corners, on top of which stands an octagonal column 7 cm high, and a bird is parked at the top of the column.
The appearance of the copper house is small and exquisite, but the production process is very complicated, from the remaining traces can be seen, the artifact uses the casting method, that is, the first casting of the kneeling statue, drum frame, totem pole, and finally the mold casting into the whole instrument, it can be seen that the complex casting process at that time has been used by the craftsmen. The information provided by the whole artifact makes the picture of the Life of the Yue people more plump and clear.
Northern Song Dynasty clay sculpture painted Guanyin standing statue
Era: Northern Song Dynasty
Utensils specifications: height 60 cm
Excavation date: 1965
Place of origin: White Elephant Pagoda in Wenzhou, Zhejiang
The Northern Song Dynasty clay sculpture painted Guanyin standing statue, excavated in 1965 from the White Elephant Pagoda in Wenzhou, Zhejiang. The White Elephant Pagoda unearthed forty-two Northern Song Dynasty clay statues at one time, the form of Bi Xiao, the color depiction of gold, very brilliant beauty, is a model of Song sculpture, the most famous of which is the Northern Song Dynasty clay sculpture painted Guanyin statue, once unearthed, it is known as "the song Dynasty painted sculpture in Jiangnan blooming art flower".
There are two statues of Guanyin painted in clay sculptures of the Northern Song Dynasty, which are roughly the same shape and are collected in the Zhejiang Provincial Museum and Wenzhou Museum. This Guanyin statue collected by Zhebo is well preserved, the statue looks quiet and idyllic, the shape is exquisite, the clothing is simple, the color is elegant and simple, which is consistent with the style of the natural and realistic era, and emits a sense of returning to the truth.
The Warring States Yue King's purpose is to sword
Specifications: Length 52.4 cm
In 1995, mr. Ma Chengyuan, director of the Shanghai Museum and a famous bronze expert, bought it for 1.36 million Hong Kong dollars, and then purchased the sword at the expense of Hangzhou Iron and Steel Group Corporation and donated it to the Zhejiang Provincial Museum.
The Warring States Yue King's intention was that the sword was a bronze sword, with a broad body, a mid-ridge ridge, and a double-edged arc at the close edge. Although after more than 2,400 years of baptism, we can still see that this sword is as bright as new, the blade is sharp, and the style is still the same. In addition, the sword scabbard is complete and the entanglement is complete, which is unique among the Wu and Yue swords that have been unearthed or handed down.
The owner of this sword is "The King of The Transgression Will". "Zhi Zhi" is pronounced "Zhu Ji", which is the clan of the Yue King, and "Yu Wei" is the name. King Yue of Yue (464 BC – 459 BC) was the son of King Yue, who had been "lying down and tasting guts".
The text is original for the People's Daily cultural creation,
The picture comes from the official website of the Zhejiang Provincial Museum and the photo network.