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Hayaot Taiichi plays Takahashi's lifelong love rival

author:Pig Day drama subtitle group
Hayaot Taiichi plays Takahashi's lifelong love rival

(Sakurai Wave/Translation) According to Japanese media reports, actor Taiichi Hayaot (27 years old) will star in asahi's TV series "Tokyo Celiba Man" (every Saturday night from 11:15 pm to 0:05 am). He plays Tachibana Tetsuki Ishibashi (Ishibashi Ishibashi) and the fiancé of his ex-girlfriend Mai (Takahashi Marijun). In the episode, Taro rekindles his passion for the dance clothes that have been away for three years and becomes Teoi's love rival.

The play revolves around Taro, a bank clerk who lives alone in Acura, Reiya Miyoshi (Kun Saito), the head of the dental clinic, and Kazuhiko Iwakura (Kenichi Takito), the boss of the law firm, describing a romantic comedy in which they fall into the "difficult world" and experience failure again and again when they are strongly aware of getting married at some point.

Hayaotomi said: "The characters played by Takahashi, Saito and Takito have accumulated various experiences and are the elite of society. In contrast, Tachibana I play is a person who does things intuitively and impulsively, and is also a very straightforward person. ”

As he put it, Tetsui is a different carnivorous man than the three AK men (unmarried men). In the second episode (broadcast on the 20th), when Mai is talking to Taro, he suddenly appears in front of the two and threatens, "Don't touch my woman." He played an important role in the subsequent plot and was a key figure.

Hayaotomi, who starred in a romantic comedy for the first time, commented on Takahashi, who played her love rival: "I have always wanted to cooperate with him, and this time I can star in a TV series together, which is super happy!" I hope to let go of myself and perform with humility. ”

The theme of this drama is "unmarried" single men, in this regard, the married post-90s early otome said: "In this era, there are indeed many such unmarried people, not only the 40-year-old people who appear in the play, but also many people who have not been married in the post-90s, especially those who work hard in big cities such as Tokyo. I feel that this kind of subject matter is very much in line with the contemporary situation. ”

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