Wang Haijun, formerly known as Wang Haijun, is a native of Nehe, Heilongjiang. He graduated from Peking University in 1997, majoring in finance. From 2003 to 2010, he studied at the Institute of Chinese Calligraphy and Culture of Capital Normal University, and obtained a master's and doctoral degree in fine arts (calligraphy), and was supervised by Professor Liu Shou'an and Mr. Ouyang Zhongshi. In 2012, he went to South Mississippi to teach Chinese culture and Chinese calligraphy. From 2015 to 2017, he did postdoctoral research in art at Tsinghua University, and the co-supervisor was Professor Du Dakai. Distinguished Researcher of Wu Guanzhong Research Center, Tsinghua University. Standing Director of the Cultural Inheritance and Innovation Research Association of Beijing Education Association. He has been teaching at universities for ten years and has served as a leader in calligraphy. He is currently working at the Institute of Automation, Chinese Academy of Sciences, and is a member of the expert group of the Intelligent Calligraphy Desk Project.
On writing
Wang Haijun
At the beginning of chaos, the apes bid farewell, the first writing was made, and then there was writing. The bookmaker, who draws the path, can keep his voice in his eyes, send his feelings to his heart, and achieve his intentions, and ultimately he will be in the end of civilization. The difference between man and the beast is related to writing, not only because of the assets of standing, but also because of the contract of the heart and matter. The mind is invisible and has an image, and if it goes, it is natural, and if it is endowed, it is human. Therefore, the text begins, the writing is fixed, and the text is judged. At the beginning of civilization, the handwriting gradually faded, the knife pen was traced, and the words were passed on for a long time, and they lasted for thousands of years.
And the fu Chinese character of the milk to carry forward, the origin of nature, the sound of the shape, passed on to the article, the collection of grave texts. Take the shape of nature, and have natural beauty; Cultivate a colorful body, can do your best; Cultivating the spirit of the article will show the elegance of the heart. Pen and paper are issued together, the literary style is prominent, the writing is crystallized, and the elegance is considerable; Passed on to the sages, the calendar can be seen, flowed to future generations, and the prosperity is passed on. Zhong Ming Ding Food, Mu Xuan Monument Zhi, neither the words of the meaning, but the writing of the love? The beauty of brilliant dot painting, the posture of the enchanting structure, is revealed by the love of the bookmaker, and is revealed by the heart of the viewer. So write, towing is just a message!
Writer, lyrical also. The ancients wanted the book to scatter first, let it go, and then write it. Written in the text and sent in the spirit house, and the article is written, through the writing to send it, then the bookmaker is either moved by the beauty of the words, or because of the wonder of the handwriting and feels nostalgic, the heart of the text, and the two goodnesses are harmonious at the bottom of the wrist, the beauty of the united people resonates in the chest, and the sages are invited to understand the pen, and the ancient characters flow at the end. And the book and thinking, and moving and quiet, and the eyes and the heart, and the near and far, the heavenly machine, the leisurely pen and ink, the temporary donation of foreign objects, the observation of my heart alone, this is the joy of writing. The old bookkeeper, the heart is just a trace.
As for the law of the book, it is the action of the wrist movement command, the dot painting is lifted and the structure is prominent, and the rhythm is clear and the chapter is completed. Teton is frustrated, square folds and turns, slow and fast, so that the turn is vertical and horizontal, suddenly flying and the clouds rise, and the wings are hanging and the air is collected, or the wind is standing tall, and the horses will be hoofed. The creation of the form of the dot painting, the arrangement of the structural chapters, the practice of the capital, the poor years of the vultures, the diligent pursuit, not only a few days of work; And the pen interest pattern meteorological genus, the heart of the mind realm to show, non-force luck carving can be achieved. The mind is vast, the pen is longitudinal, the waves in the chest, and the wind and thunder at the bottom of the wrist. Therefore, the bookworm, the skill is the lower, the heart is the upper, the supreme Dharma, the heart Fa also. Show off your skills, stop at the craftsman, and know that you can only be a craftsman; With the heart to control the skill, to take the truth from things, then the magic can be expected. Leisurely my heart, regardless of the utilitarianism of the fly camp, a little pen and ink, will reach the true heart.
The book and text have been integrated since ancient times, and have not moved for thousands of years, and have been passed down for hundreds of generations without decay. "Lan Ting" wen and Zhuang Xuanqi, "Cold Food" poetry has the style of a scholar; Watching "Sacrifice Nephew" and being generous and sad, appreciating "Shu Su" and escaping. Books are big, people are also; The book is fine, and the person is fine; Books are customary, and so are people. In terms of writing, there are many people who have attained skills in ancient and modern times, and those who have gained art are rare, and those who have gained the Tao have benefited from each other. If the book is passed on by borrowing the text, and the book is manifested by the person, is there any one who takes the book alone? In the past three thousand years, how can there be millions of good writers, no one who is famous in history is nothing more than a hundred people, and there are people who are not texts but books? There are no less than a million contemporary writers, immersed in pen and ink skills, a hundred kinds of embellishments, looking at their articles and learning, spirit and temperament, geese walking ancient sages, I have not heard of it.
Writing, the pen is just a heartbeat. The ancients' cloud books are like the springs of Wanhu Mountain, which come out of nowhere, which is the realm that my generation desires. Mi Qian also has a sentence of "I am self-sufficient, put the pen in an empty play". Zhang Rong was the most proud of the shore, Yun: "I don't hate the law of the two kings, but I hate the law of the two kings and no subjects", what a backbone. As for Xu Gongwen, the huge pen is like rafters, born out of nowhere, daring to look at the book world for a thousand years! The bitter melon monk is even more cloudy: "The law that cannot be done is the ultimate law", the chest is magnificent, the law is driven, the clear path is ignorant, and the shore is abandoned. Therefore, there are no ugly books in the world, but there are only slave books. People have the heart, but also the pen, there is emotion, there is also the feel, there is the feeling, there is also the brushstroke, the heart and the pen are no different, it is hard to learn, it will be shown. Of course, learning can not be done, but learning is not only the training of pointing out the layout of the structure, but also the cultivation of the realm of learning and understanding. Diligent in skill management, every carving insect; the alum is quenched in the chest, which can be expected to be high in ancient times. Those who are quiet and quiet can always entertain themselves; therefore, those who make up mysteries often deceive others. There is a small self in the book, and there is no adult in the pen, can you?
And those who write books today, every time they have to paint and forget the words, they forget the articles, and they get the articles and forget the culture. The husband's book "Lan Ting" only has its form, and the writing "Cold Food" talks about its appearance, and its exquisite skills can be encouraged, and the exquisite art has no evidence. The humble can be encouraged, the wet must be spurred, and the sucker should drink with a stick. No matter how skilled, it is nothing more than a man who sells oil; The depiction is more like picking up people's teeth. The use of the technique is like a boat, landing on the shore and abandoning it, there is no reason to show off. The book is the Tao, and the handwriting is like the trace of the heart; Where the law exists, it cannot come to the law. The Fa is used by me, and it is forbidden to bind my mind, to blackmail my courage, to strangle my thoughts, and to trip up my spirit. True color writing, undoing the clothes plate, falling pen like Zen, entertaining oneself, being arrogant, non-utilitarian, escaping breath out one by one, as if I am not in the words, gaining and losing is not far from the truth, all have a cool state, and a joyful heart; Deliberate writing, inquisitiveness, trepidation, pleasing people afraid of loss, pampering and ridicule, glue on paper, dry ink and withering, heart astringent and unsmooth, wrist stiffness and words are difficult to soothe, will be detrimental to the meteorological structure, if so, it is difficult to get a pen, it is difficult to be proud, then the writing is fast, and it is ruined.
The Book of Husband, like Liu Yan and the One who is clouded, "the love is hidden outside the words, and the state overflows with the present", suddenly the traces of the words, the traces of the heart and the chest, the heart and the words inside and outside, or the heart and the traces are both clear, and the sincerity is good. Or there are books that sit in danger, there are also pens that laugh and curse, or use artificial ingenuity, also based on natural creation, or dotted with false snakes, but also generous and indulgent in spirit, or submerged in meditation and sorrow and joy, also emotional overflowing horns, or hanging hair children's graffiti to make fun, and also Eguan warlocks scribbling to steal names... If so, the shape of writing is many, although the body is used in the same way, then solemn, clumsy, elegant, positive, high and low judgment. Therefore, we know that the shape of writing is just like the posture of life, and the character of books is also like the good and ugly of people. The handwriting is like a book, the show is visible, the pen and ink are every bit, and the people's hearts are fully displayed! Zhang Huaiyun, the text can understand its meaning with a few words, and the book can see its heart in one word, Xinfu!
To learn the book of classics, do not waste the elegance of the heart. Depressed in words, falling into the book, harmonizing into true interest, harmony is wonderful. And nature is big, bone strength is high, qi rhyme is bold, style is soul, such as rock pine, such as heavenly eagle, such as forest wind, such as mountain vines, even if the skill is still lacking, you can also cherish it; On the other hand, the sweet and soft, the vulgar, the flirtatious, the sensationalist, the deceitful and the thief, such as the hungry beggar, such as the knee of the maid, such as the clown who jumps from the beam, such as the treacherous and cunning country, although the penmanship is still familiar, it should also cover its nose and stay away, and the broom is abandoned, and there is no reason to cherish it. Reverence for the ancient nature of words, and the deep beauty of pottery and writing. Quiet to the ancient post, idle to watch the clouds, indifferent to the situation, happy writing is leisurely, not disturbed by false fame and profit, away from the tiredness of praise and depreciation, shu can almost get nourishing the heart and health.
As for the ink drama of the birth of words, the "lines" are used to harm the strokes, the "block faces" are used to break the structure, or even the words are dissolved, the limbs are written, the design is designed, the device is made, the strange is strange, and the shocking is another grid, and there is no need to be non-existent. However, such noble-eyed, absurd and sinister, and mixed good and bad are no longer classic writings, so they are not included in this article.