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The Eight Monsters of Yangzhou - Li Fangbin

The Eight Monsters of Yangzhou - Li Fangbin

Li Fangyi Plum Blossom Figure 145.2×50.6 cm Collection of Shanghai Museum

Li Fangyi (1695-1755) was a Chinese painter of the Qing Dynasty. The word Qiu Zhong, the number Qingjiang, the nickname Qiuchi, the garden, the white-clothed mountain people. It is one of the "Eight Monsters of Yangzhou". A native of Tongzhou (present-day Nantong, Jiangsu). Born in a family of official eunuchs, he once served as the commander of Le'an County, the order of Lanshan County, the order of Qianshan County, and the acting governor of Chuzhou Zhizhou, etc. He was deposed because of false accusations, and after going to Yangzhou to borrow a circle, he called himself the owner of the circle and made a living selling paintings. With Li Kun, Jin Nong, Zheng Xie and other exchanges, gong poetry calligraphy and painting, good at plum, orchid, bamboo, chrysanthemum, pine, fish, etc., pay attention to the tradition of the teacher and the creation of the teacher method, can be its own style, its brush method is vigorous and thick, the cut is concise, informal, lively and vivid. It is listed as one of the eight monsters of Yangzhou. There are "Wind and Bamboo Diagram", "Swimming Fish Diagram", "Momei Diagram" and so on. Author of "Plum Blossom Lou Poetry Banknote". Good at painting pines, bamboo, orchids, chrysanthemums, plums, miscellaneous flowers and insects and fish, but also figures, landscapes, especially fine painting plums. The works are vertical and horizontal, the ink is dripping, the thick head is chaotic, and the ink is not informal, which is intended to be between green vines, white yang and bamboo. The painting plum is known for its thinness and hardness, the old stem and new branches, and the side of the curved. There is a "plum blossom means" printed between the two, and the famous inscription mei poem has the sentence "Not to be destroyed or bizarre". He also likes to paint pine bamboo in the wind. Work book. Noh poems, later generations have "Plum Blossom Building Poetry Grass", only twenty-six poems, most of which are scattered on paintings.

The Eight Monsters of Yangzhou - Li Fangbin

Li Fangbing Bamboo Stone Scroll 139.5×54.5cm Collection of the Palace Museum, Beijing

The Eight Monsters of Yangzhou - Li Fangbin

Li Fangbin Xiaoxiang wind bamboo figure Nanjing Museum collection

The Eight Monsters of Yangzhou - Li Fangbin

Li Fangbing Lan Shitu Collection of the Palace Museum in Beijing

The Eight Monsters of Yangzhou - Li Fangbin

Li Fangyi Hundred Flowers Present Ruitu Collection of Nanjing Museum

The Eight Monsters of Yangzhou - Li Fangbin

Li Fangyi Ammonite Diagram Collection of Anhui Provincial Museum

The Eight Monsters of Yangzhou - Li Fangbin
The Eight Monsters of Yangzhou - Li Fangbin

Li Fangyi Momei Album Page 23×42.4 cm Collection of Anhui Provincial Museum

The Eight Monsters of Yangzhou - Li Fangbin

Li Fangyi made Skinny Ice Heart in 1751

The Eight Monsters of Yangzhou - Li Fangbin

Li Fangyi in 1736 made a qing offering diagram vertical axis

The Eight Monsters of Yangzhou - Li Fangbin

Li Fangyi in 1752 as the Ink Plum Vertical Axis

The Eight Monsters of Yangzhou - Li Fangbin
The Eight Monsters of Yangzhou - Li Fangbin

Li Fangyi paints plum albums

Li Fangyi loves Mei and loves mesmerized. That year, he went to Chuzhou, Anhui Province, as an agent of Zhizhou, and when he arrived, he went to the Drunken Pavilion and laid a red carpet in front of Ouyang Xiu's hand planting plum trees. Li Fangbin is aimei gaojie's disposition, Aimei's character that is not afraid of frost, and his love mei is the external shooting of his own personality.

The plum blossoms painted by Li Fangyi are vigorous and old with a pen, the composition is concise and loose, the waves are longitudinal, the ink is dripping, the branches are thin and hard, the buds are budded, and there are large pieces of white space. Su Dongpo is the top master of painting plums, but Zheng Banqiao was deeply attracted by Li Fang's plum blossoms, and even sighed: "Dongpo, and fearsome", the evaluation is high, and it is incomparable. "The pen drops the paper and ink marks are new, a few plum blossoms are the most lovely, I am willing to borrow the sky to blow far away, and the doors and alleys of my home will become spring", this is the inscription poem on one of his paintings of Lamei. With Zheng Banqiao's inscription poem in "Ya Zhai Listening to Bamboo Diagram", "Ya Zhai lying down to listen to Xiao Xiao Bamboo, suspected to be the sound of folk suffering; Some small Wucao Prefecture county officials, one leaf and one branch are always concerned. "It also reflects the concern for the people.

The Eight Monsters of Yangzhou - Li Fangbin

Li Fangyi Peony figure

The Eight Monsters of Yangzhou - Li Fangbin
The Eight Monsters of Yangzhou - Li Fangbin

Li Fangjian The four gentlemen of Shochiku Meiju

The Eight Monsters of Yangzhou - Li Fangbin

Li Fangyi Flower Album Album

The Eight Monsters of Yangzhou - Li Fangbin

Li Fangzhi made Mo Ju in 1735

The Eight Monsters of Yangzhou - Li Fangbin

Catfish diagram

The Eight Monsters of Yangzhou - Li Fangbin

Li Fangyi Swimming Fish Chart Axis 123.5×60cm Collection of the Palace Museum, Beijing

The Eight Monsters of Yangzhou - Li Fangbin

Li Fangyi Ink Bamboo

The Eight Monsters of Yangzhou - Li Fangbin

Lee Fang-chi Orchid

The Eight Monsters of Yangzhou - Li Fangbin

Li Fangyi Gu Songtu

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