Wang Yuanqi (1642-1715), grandson of Wang Shimin, Zilutai, Jinshi in the ninth year of the Kangxi Dynasty (1670), an official to the Hubu Shilang, was enshrined in the inner court with paintings. Good at landscape, inheriting family law, learning the four families of the Yuan, taking Huang Gongwang as the sect, "middle-aged Xiurun, late age Canghun", among the four kings, Wang Yuanqi is the smallest, and his achievements are the highest, he pushes the abstraction of Huang Gongwang and Dong Qichang's pen and ink to the extreme, Wang Jiqian believes that "there is no traditional landscape painting after Lutai".
Wang Yuanqi's works before the age of 40 are very similar to his grandfather Wang Shimin, inheriting the mantle of Huang Gongwang, partial to Songxiu dilution, after the age of 40 gradually becoming more and more meticulous, with his own appearance, after the age of 55, the pen ink became thicker and heavier, after the age of 60 boldly got rid of the image of the ancients, the self-style was prominent, "Shen Xiong was depressed, the vitality was vivid", after the age of 70, the style characteristics were particularly distinct, and the predecessors were greatly distanced, completed the independent creation, laid a special position in the history of his paintings, and the style characteristics of the works in the final stage of his life, as Xu Bangda said" Impressionism in China".
Huang Gongwang's famous Fuchun Daling Map is a sister article of the Fuchun Mountain Jutu, and Wang Yuanqi's picture is written as a mockery, but in fact, it is far from it, but it is only a little bit of its meaning.
Imitation of the big idiot Fuchun Mountain map
The inscription reads "Even thinking of the great fool Fuchun Mountain Long Scroll made this picture", but unlike this long scroll, this painting was completed at the Zhaoqing Temple Guest House during a tour of Hangzhou.
Landscape Book
Snow landscape, thick and vast, the corners of the picture are well handled, the left house and the right side of the creek bridge are only half painted, and the artistic conception extends out of the painting.
Painting Shen Zhou's "Lushan Gao" part with Wang Meng's brushwork has a sense of vastness, dry brush rubbing, and there seems to be a middle color between thickness and lightness.
Wang Meng's brushwork transforms Wang Meng's long lines into axe splitting.
Imitation of Jiuxia Mountain, slope stone dense forest, to point substitution.
Imitation Of Gao Ke Gong Yun Mountain
The horizontal point of the upper Cloud Mountain plus the light blue-green half-light and half-dark effect, the near middle jingpo tree cottage Huang Gongwang painting method, although the small stones are accumulated into a mountain, but it can achieve grandeur and grandeur, not trivial.
Jingguan will
The inscription jingguan will (Jinghao and Guan belong to the northern school of landscape), but the painting is the scenery of Jiangnan, the water and light and the mountains are integrated, virtual and quiet, and the brushwork is loose.
Imitation of the Wangjia Songxi Mountain Pavilion
It is a representative work that should be enshrined in the palace, with the Northern Song Dynasty "panoramic landscape" style, painting method and King Meng's brushwork.
Imitation of the big idiot landscape
Loose and concise, the inscription reads: "To imitate the Yuan pen, you need to penetrate the Song law, the Song people's law is not transparent, then the interest of the yuan pen can not be divided", this understanding is obviously higher than his grandfather Wang Shimin said that "imitating a certain family is imitating a certain family, not mixing another pen".
Spring mist
The depiction of mountain veins pays special attention to visual beauty, and if it is too delicate, it is a little less bold.
The streams and mountains are endless
Wang Yuanqi's family had Wuzhen landscapes, and he often used this to study the realism of the Yuanren landscapes, painting this xishan endlessly for four years.
For Yao Ri imitation of the big idiot landscape
Yao Ri is the student Zhao Xiao, which wang Yuanqi painted for Yao Ri when he was 73 years old, with the meaning of demonstration and long questions. This picture is heavy and watery, the pen and ink are thick, the colors are colorful, and the weather is reckless.
Small Lonely Mountain Map
God's complete breath foot map
Make this diagram for disciple Mingji,
Tiger Hill Spring Color Map
It's a huge stroke
Antique landscapes
Wind and rain dark mountains
Imitation of meidao landscape