Fu Baoshi paints boulders with heavy ink dots, which is more realistic than the traditional "water hooking method", and appreciates the details with a sense of reality
author：Smell is culture
Fu Baoshi paints boulders with heavy ink dots, which is more realistic than the traditional "water hooking method", and appreciates the details with a sense of reality
"Full of Green And High Wind" Fu Baoshi Size: 118×113 cm.
Fu Baoshi's work takes the waterfall in the upper right corner and the waterfall on the left side of the close-up view to form a water system, lightly outlined and lightly dyed, hidden from time to time, and does not distinguish the scenery; the close-up scene writes a huge rock in thick ink, the broken pen point, the scattered front is cross-used, and it is used arbitrarily, almost occupying most of the painting, and the Sanyashi Waterfall rock stands upright, and the clothes belt flutters, seemingly reveling in the mountain light and water color in front of you, adding a strong poetry to the picture. Fu Baoshi's "Water Purification Method" is actually transplanted from the Mountain Stone Chuan Method, using light ink to "sweep" the rushing water potential of the Liuquan Waterfall, and painting the bare boulders in the mouth with heavy ink dots, which is more realistic than the traditional "Water HookIng Method". The characters in the painting give the reader the feeling of being immersed in the mountains and rivers!
Fu Baoshi paints boulders with heavy ink dots, which is more realistic than the traditional "water hooking method", and appreciates the details with a sense of reality
Fu Baoshi paints boulders with heavy ink dots, which is more realistic than the traditional "water hooking method", and appreciates the details with a sense of reality
Fu Baoshi paints boulders with heavy ink dots, which is more realistic than the traditional "water hooking method", and appreciates the details with a sense of reality
Fu Baoshi paints boulders with heavy ink dots, which is more realistic than the traditional "water hooking method", and appreciates the details with a sense of reality
Fu Baoshi paints boulders with heavy ink dots, which is more realistic than the traditional "water hooking method", and appreciates the details with a sense of reality
Fu Baoshi paints boulders with heavy ink dots, which is more realistic than the traditional "water hooking method", and appreciates the details with a sense of reality
Fu Baoshi paints boulders with heavy ink dots, which is more realistic than the traditional "water hooking method", and appreciates the details with a sense of reality
Fu Baoshi paints boulders with heavy ink dots, which is more realistic than the traditional "water hooking method", and appreciates the details with a sense of reality
