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Li Ruihuan's calligraphy is a hard wound, and the whole pen and ink are ancient and clear, but they have been commented by netizens as insufficient

In the creation of calligraphy, too many people are usually invisible. They do not show their pen and ink level on weekdays, but the ink that often comes out is often a blockbuster. This is mainly due to the fact that their pen and ink achievements are beyond people's general imagination. In the meaning and charm of pen and ink, there is a certain attainment. As the ancients said, good calligraphy will inevitably be implicit or revealed in the bones and bones, which are full of charm, rather than a simple separation of bones and muscles. This shows that calligraphy works that can make people impress must have some of these factors.

Li Ruihuan's calligraphy is a hard wound, and the whole pen and ink are ancient and clear, but they have been commented by netizens as insufficient

Li Ruihuan was young

Li Ruihuan's calligraphy is a hard wound, and the whole pen and ink are ancient and clear, but they have been commented by netizens as insufficient

Li Ruihuan calligraphy

For example, the calligraphy ink of Li Ruihuan that the editor wants to talk about. Li Ruihuan's calligraphy works can be described as soon as they were exposed, which won the praise of netizens, and it was really praised. Li Ruihuan's calligraphy is still OKAY overall, much stronger than the masters who play ugly books, but there are obvious deficiencies in some places. This is actually the charm of pen and ink calligraphy, revealing deficiencies in perfection and stunning in deficiencies. Calligraphy itself is an artistic aesthetic, and at the same time it is a dialectical project of art.

Li Ruihuan's calligraphy is a hard wound, and the whole pen and ink are ancient and clear, but they have been commented by netizens as insufficient
Li Ruihuan's calligraphy is a hard wound, and the whole pen and ink are ancient and clear, but they have been commented by netizens as insufficient

Li

Some netizens generalized that Li Ruihuan's calligraphy style is qi ancient and clear, and the knotted characters are used. This is based on a positive evaluation of Li Ruihuan's calligraphy. If you look at it dialectically, Xiaobian thinks that it is more appropriate to borrow a few words from the ancients, that is, "the pen is difficult, and the pen is left with taste." Such a conclusion, the small editor is based on some brushwork of Li Ruihuan's calligraphy. The so-called one leaf knows autumn. In fact, many calligraphy knots, we do not have to go from the whole to all angles to theorize, as long as we grasp one of the subtleties, we can see the overall style and level of pen and ink achievements.

Li Ruihuan's calligraphy is a hard wound, and the whole pen and ink are ancient and clear, but they have been commented by netizens as insufficient
Li Ruihuan's calligraphy is a hard wound, and the whole pen and ink are ancient and clear, but they have been commented by netizens as insufficient

For example, on the stroke of Li Ruihuan's calligraphy, it well reflects the meaning of the pen astringency and the pen retention. In the writing of the pen, the most common mistake for many people is that the pen edge is too loose, like a broom, and some people often tilt too high in the direction of the pen. Li Ruihuan avoided these two situations in the pen, the pen edge converged, and the direction was slightly downward, converging, appearing very powerful, and the foot was also appropriate. This is the lingering taste. But there are also difficult times, that is, sometimes her pen edge is not mentioned, it seems a little bloated and weak, lack of strength.

Li Ruihuan's calligraphy is a hard wound, and the whole pen and ink are ancient and clear, but they have been commented by netizens as insufficient
Li Ruihuan's calligraphy is a hard wound, and the whole pen and ink are ancient and clear, but they have been commented by netizens as insufficient

Li Ruihua calligraphy

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