Drive My Car (R21) in the car
Entertaining ★★★ ☆/Artistic ★★★
Plot: Stage actor Iefuku Yusuke (Hidetoshi Nishijima) and screenwriter wife Yin (Reika Kirishima) dies suddenly with a secret. Two years later, when Iefuku drives his car to Hiroshima for a theater festival, the taciturn female driver, Mitsuru Mitsuru, accidentally becomes his exclusive driver, and the two talk about their own stories and emotions.
In the car" Hidetoshi Nishijima (back seater) and Toruko Miura become "fellow travelers" because of a car, healing each other
Film Critics: Japanese directors Ryusuke Hamaguchi and Takayoshi Oe won the Best Screenplay Award at this year's 74th Cannes Film Festival for "On the Car", which is the first time that a Japanese person has won this award. The film is adapted from Haruki Murakami's "Men Without Women" short story collection of the same name, the original story is only 50 pages, so Hamaguchi Ryusuke refers to Murakami's other works, finds commonalities, and strings into "In".
The protagonist's little red car is an important scene in the movie. In reality, some people regard the car as a "second wife" and do not pretend to be in people; some people regard the car as a second home, the car door is closed, the accelerator is stepped on, the world's chaos and noise fade away in an instant, spend precious me-time (private time) in the distance, disguise or die after a day, finally can be themselves, listen to songs and listen to the wind to heal the body and mind, the stream of consciousness comes with the wind and goes with the wind, the heart is clear, if you can't solve it.
Okada Shosei (left) and Hidetoshi Nishijima are in the same scene, although they treat each other with courtesy and only talk about safety topics, but they spread tension
Hidetoshi Nishijima, who plays Iefuku, works at the Hiroshima Drama Festival and specifically asks for accommodation and workplaces to be at least an hour's drive away so that he can think about work while commuting. When he learned that outsiders were not allowed to drive in the local area, he panicked, thinking that the drivers he had never met would break into and dominate the private space, almost crazy. After trying out the young female driver, jiafu was also satisfied with the other party's driving skills and the personality of less talk.
Even small changes can lead to big changes. One in the back seat, one in the driver's seat, two strangers with stories who do not make much eye contact, but in the same car for days, they gradually open their hearts and heal each other. The story thus moves from "undertaking" to "turning", revealing the pain of bereavement, knots and self-blame of jiafu, as well as the dark history of the female driver Duli. Think about it, in the face of strangers less emotional baggage, the truth is easier to say.
<h1 class="pgc-h-arrow-right" data-track="8" > derailed his wife to drive the plot</h1>
When Jiafu's wife Yin was alive, she repeatedly "talked nonsense" during sex, making up stories of imagination, and once said that her past life was lamprey. Lampreys have sharp teeth in their mouths, adsorbed on other aquatic creatures to suck flesh and blood, and although they do not cause the death of the host, they will still leave scars on their bodies.
When his wife was alive, Jiafu knew that she was unfaithful, chose to pretend to be stupid, and maintained a superficial peace, and the wounds had already appeared; after his wife's death, he always thought that his escape might have "killed" his wife, regretting that he should face the reality at that time and be cruelly sad. I agree that instead of pretending to be okay, it would be more comfortable to cry and drool.
The dead cheating woman pulls the interaction of two men. The role of Shosei Okada of Japan is one of the "Little King" (referring to the male junior), but Iefuku arranges for him to be the male protagonist of the stage play, with the intention of making people think deeply. The two men treat each other with courtesy in the play, only talking about safety topics, but the atmosphere will become tense. One of their car scenes is explosive, Hidetoshi Nishijima talks about the sex process with his deceased wife, and Okada Shosei excitedly shares the direction of a story that "Yin" told him: "She killed people, nothing happened the next day, and suddenly felt that the world became sinister..." For the follow-up ambush pen.
The film's theatre festival features the famous play "Uncle Vanya" by the Russian literary giant Anton Chekhov. Audiences can see the play-within-a-play, as well as a group of international actors rehearsing and performing in their respective languages, including Mandarin, Korean, Sign Language, etc. One of the Chinese actors is Yuan Ziyun, a Taiwanese female artist who has acted in the TV series "Summer of Bubbles" and "Future Mother".
The film lasts three hours and opens with 40 minutes. However, when I chewed on the dialogue and watched the calm and gentle plot gradually wave, time passed.