Wei Wenliang, a cross-talk actor, stage name "Little Monster", is active on stages and television screens across the country with exquisite skills, and has been awarded the title of "Artist of Virtue and Art Shuangxin" by the China Federation of Literary and Art Circles, won the 18th Taiwan Golden Melody Award, and is the only mainland cross-talk actor nominated for the Taiwan Golden Melody Award.
Young Wei Wenliang
When Wei Wenliang was 7 years old, due to the compulsion of life, he followed wei Moxiang, his mother who sang the tune, and Wei Yashan, the father who played the strings, and broke into the Kanto to sell art.
In Jinzhou, he was favored by Zhang Wenbin, who was also a cross-talker in Guandong, and accepted him as an apprentice, and performed with the Wei family.
The following year, they returned to Tianjin from the northeast, passing through Qinhuangdao, where they performed "Rain to Charity".
Don't look at Wei Wenliang, who was only 8 years old at the time, but he already took the "whole" money. From this, we can see how popular he is in the local area.
But he is a child after all, and it is impossible for a child not to be greedy. That night, he came on the field, and Master Zhang Wenbin gave him a "hug" and made "Pearl Shirt". Bad! Wen Liang wanted to pee, patronized and played offstage, and forgot about peeing.
Wen Liang was anxious in his heart, afraid of peeing his pants, if he really peed his pants, the audience who spent money to buy tickets must not smash the garden? If you say that you are half-cut and pee, don't perform here in the future. The master did not know that Wen Liang wanted to pee, and he also tried to "hold it". Let's appreciate how Wei Wenliang is witty.
Wei Wenliang and Meng Xiangguang
Master: "Tell you, Li Jinshun, Ai Lianjun, Liu Cuixia, and Bai Yushuang, these are the four famous dans of the commentary." ”
Wen Liang: "Alas, Bai Yushuang, do you know each other too?"
Master: "Know. ”
Wen Liang: "This white jade cream is not an outsider." ”
Master: "That's...?"
Wen Liang: "My sister." ”
Master: "Isn't this nonsense?" Your sister is White Jade Cream, so are you? ”
Zhangliang: "White pancreas." ”
Every time I say this, the "baggage" rings accurately.
Then, Zhang Wenbin flipped over the sentence "Black pancreas?" I haven't seen it yet." However, before Zhang Wenbin could finish speaking, Wei Wenliang followed up with a question:
Wen Liang: "Do you know about black pancreas?"
Master: "I know, I wash my face and wash my head" (Master thought: How to add words?) What does this kid want to do? There's no way, only you have a word, I have a word).
Wen Liang: "In addition to washing face and clothes, black pancreas can also treat diseases." ”
Master: "Cure?? I haven't heard of it, what disease is it treated?"
Wen Liang: "I've been dry for the past two days, so I drank some pancreatic water." Master: Hey! Does this work?"
Wen Liang: "I ran six times in one afternoon to the hut. ”
Master: "Well, this dryness has turned into diarrhea (Master thought: Where is this?). ”
Wen Liang: "That's right, the result is that the stomach is empty." Now I'm especially hungry. ”
Master: "There's no way to be hungry, there's no full table here." ”
Wen Liang: "There is no full han full seat, but there is my mother, my mother just left the scene, where is it?"
Master: "What's going on?"
Wen Liang: "Uncles and uncles, I go down once, I am hungry, I go down to eat my mother's bite "one by one" (that is, drink milk). ”
This "baggage" is really loud. Amid the laughter of the audience, he got off the bench and ran backstage to pee.
Master had experience, already knew what he was doing, and went on.
Master:
"Gentlemen, don't you know, he said he ran six times in one afternoon, and he said that he didn't, how many trips did he go?" Let's put it this way, one afternoon, he squatted in the hut and didn't get up, let this black pancreas make trouble, if he just tossed my apprentice, his mother was also affected. I also told my apprentice just now that we had returned from the night's business, and he was afraid to apologize to each other..."
At this time, Wen Liang returned and climbed onto the small bench by himself.
Master: "Have you eaten enough?"
Wen Liang: "It's quite panicked." ”
Master: "The milk is still enough." ”
Wen Liang: "Are you hungry?" ”
Master: "No!"
(The audience at the bottom is happy)
One of the viewers saw it clearly, because when Wen Liang went off, he was holding his legs and the cat's waist, and he couldn't hold back.
At this time, he waited for Zhang Wenbin to finish the "baggage", and also echoed a sentence below: "What milk, this boy is peeing."
The audience was even happier.
Wei Wenliang was only 8 years old when he made this "hanging". He not only amused the audience, but also solved his own practical "problems".
Wei Wenliang performed
Another time, Wei Wenliang and Zhang Zhikuan performed a new passage created by Zhao Weizhou in a performance of condolences to the Daoqiao Management Office in Hedong District.
Wei Wenliang asked Zhang Zhikuan, "Who is the real hero in the book "Water Margin"?"
Zhang Zhikuan successively answered Song Jiang, Wu Song, Li Kui, and others.
Wei Wenliang said it wasn't right.
Zhang Zhikuan asked, "Then who do you say is the hero?" ”
Wei Wenliang was about to say "Pan Jinlian" when an audience member in the audience shouted: "The flea on the drum moves!" ”
When Wei Wenliang heard this, he could not hesitate for a moment, and immediately replied to the audience: "Because Shi Qian stole chickens, he is now in the Detention Center of the Hedong Branch." ”
This "hanging" is a big "baggage", and the laughter of the audience lasted for a long time.
Wei Wenliang and Zhang Zhikuan
Another time, Wei Wenliang and Li Boxiang participated in a celebration performance of the stage career of an old artist, and there was no performance for them.
The three programs have been performed, and Liu Junjie, who is in charge of stage supervision, said to the two of them: "Two uncles, the first few 'mud' shows, you two go on stage and 'stir up' the field."
"Saving the scene is like putting out a fire", the two of them did not say a word and went on the field. It was Hou Yaohua who hosted the show that day, so they first "smashed and hung" with Hou Yaohua after they came on the stage.
Li Boxiang: "Yaohua, how about I let you guess a riddle?"
Hou Yaohua: "Good! please. ”
Li Boxiang: "'Ape man buys skates', play a person's name, guess who it is?" ”
Hou Yaohua thought about it for half a day, and then wondered if he had ever heard of this "riddle" in this "old life".
Then tell Li Boxiang: "I can't guess, you tell me who this is?"
"It's 'Hou Yaohua.'"
"This is not right, 'ape man buys skates', how is it 'Hou Yaohua'?"
"You're so stupid, I ask you, what is that ape-man?"
"It's a monkey!"
"Yes! Why do you want the monkey to buy skates? Isn't this 'Monkey, to slip (Hou Yaohua)'? ”
This "hanging" and "baggage" really sounded, and won the applause of the audience.
Wei Wenliang and Li Boxiang
At this time, Li Boxiang said to Wei Wenliang again, "Brother, you also gave him a riddle to test him." ”
The problem is that there is no preparation in advance, and there is no more time to think about, and this "hanging" must also be associated with the first "hanging", otherwise, the theater effect is disconnected, and in comparison, this is more difficult than the first "hanging".
But Wei Wenliang's brain was really fast, and he almost did not hesitate, so he said:
"Listen to this, 'Ape Man Buys Snuff' Guess?"
Hou Yaohua said: "I concede defeat, I can't guess, you tell me who this 'ape man buys snuff'?"
Wei Wenliang said, "You don't know 'ape people buy snuff'? ”
"I don't know."
"This is 'Hou Yaowen.'"
"How is Hou Yaowen?"
"What do you think that ape-man is?"
"Yes, the monkey wants to buy snuff, isn't this 'monkey, smell (Hou Yaowen)'."
"Such a Hou Yaowen (monkey, important news)!"
"How's it going?"
"There are really you two!"
Judging from the above few "hangings", it is obvious that Wei Wenliang's brain is fast and flexible, otherwise, he cannot use the "hanging" to solve the problems encountered on the stage.
Cross-talk artist Wei Wenliang
It is precisely because of the fast and flexible brains of cross-talk actors that their talents can not only be expressed on stage, but sometimes they can also deal with many problems that others feel are very difficult.