In 1990, the year of the Asian Games, China hosted a large-scale international event for the first time, and the spring festival gala of that year, director Huang Yihe, returned to direct the spring festival gala instead of Deng Zaijun.
Huang Yihe really came up with some tricks to change the unchanging perception of the Spring Festival Gala, starting with the host, and the host of the Spring Festival Gala in 1990 only retained Zhao Zhongxiang.
The party adopted the form of the ring, red, yellow and blue three points you sing me on the stage, each showed talent, the old artist Li Moran served as the referee, the first program "Horse Character Order" set off a climax at the party.
Red, yellow and blue three parties have to sing songs or operas with the word "horse", this program is very suitable and particularly lively, I think everyone will not forget Zhang Shumo singing the amazing picture of "you carry me to lead the horse", and Chen Peisi sang "Volga River" anxiously a brain sweaty expression.
The first Hong Kong and Taiwan singers to appear are articles, the article has a lot of famous songs, Fei Xiang's "Clouds of the Hometown", Bao Nana's "Three Hundred and Sixty-Five Mile Road" are all covered from the article, the article 90 on the CCTV Spring Festival Gala stage, found that there is no "article" to do, the most suitable song has been sung by others, he sang "My Own Sky" and "I Am the Wind" at the Spring Festival Gala, although it is decent, but the heat is obviously less than that of "pirates", which is also very helpless.
In 1990, the 26-year-old Li Lingyu debuted at the Spring Festival Gala, when the "Tianzhu Maiden" she sang for "Journey to the West" was already very popular and was known as the Queen of Sweet Songs.
Huang Yihe, who took over the director's power again, will not forget Zhang Mingmin, who brought him infinite glory, that year Zhang Mingmin sang two songs, failed to reproduce the glory of "My Chinese Heart", in fact, not only Zhang Mingmin, the singers of the 90 Spring Festival Gala showed a clear yin and yang decline phenomenon, almost all the male singers were hurried by, did not leave any impression, Tu Honggang, Zhang Weijin also participated in the 90 Spring Festival Gala, it is estimated that no one remembers.
A big name in the Spring Festival Gala made her debut at the 90th Spring Festival Gala, she is Song Zuying. 23-year-old Song Zuying is innocent and beautiful, with the youth of a girl between her eyebrows, no one at that time ever thought that this beautiful little girl would accompany us for 23 years at the Spring Festival Gala, from a green girl to a young woman with charm.
In 1990, Hang Tianqi was 24 years old, in 1989, Hang Tianqi went to the Spring Festival Gala once, sang "Mountain Love" and "Jump Up", the response was flat, 90 was the year of the Asian Games, hang Tianqi's "Black Hair Floating Up" became the most popular Spring Festival Gala song that year.
At the Spring Festival Gala of the 90th Spring Festival, the female singers not only sang well, but also had a particularly high appearance, while the male singers' songs did not move, and the appearance value was also lackluster, and a "clown" Ling Feng was also produced, which lowered the overall appearance level of male singers. Ling Feng's song "Joker" is probably the only song of the male singer who makes a little impression on the audience.
In the Spring Festival Gala of the 80s, cross-talk occupied an absolute dominant position, and since the 1990s, the sketches have slowly risen, and the sketches have gradually crushed the cross-talk. Zhao Benshan came.
Prior to this, Zhao Benshan had become popular all over the northeast, and twice hit a wall at the Spring Festival Gala, and this year he knocked on the door of the Spring Festival Gala again with the skit "Old and Young".
Director Huang Yihe was very appreciative of Zhao Benshan, but felt that his book was a bit rough, so Wang Jingyu helped Zhao Benshan to re-arrange the book, at that time Zhao Benshan was not yet "Uncle Benshan", very modest, said that he must completely follow Wang Jingyu's opinion.
Wang Jingyu deleted some inappropriate lines from the original sketch and changed the name of the sketch to "Blind Date". After Wang Jingyu handled the book, the plot was reasonable and elegant, and Zhao Benshan was a hit.
The real sketch that forms a condescending and completely overlooked cross-talk is Chen Peisi and Zhu Shimao's "Protagonist and Supporting Role", which is recognized as the pinnacle of the sketch.
The first recommendation of Chen Peisi's book is well written, from the conception to the lines is completely divine, and the popularity of the comedic effect is incomparable to any of Guo Degang's works today.
Secondly, the performance is superb, and the two are completely starring in their true colors. The gun belt of the shell gun was broken at the beginning of the sketch, which is a stage accident that no one can think of, the gun belt is not connected, and the play behind cannot continue.
Zhu Shimao did not move, calmly said the lines, while his men kept on taking the gun holster, for two minutes, Zhu Shimao was single-minded, and it was completely impossible to do without deep stage skills.
The shortened gun holster appeared on Chen Peisi's body for a magical comedic effect, which was a mistake and a perfect rescue.
There is a strange phenomenon called the Mandela effect, and many people remember that the sketch "Super Life Guerrilla" is the work of the Spring Festival Gala. This is another fall of collective memory, the sketch "Super Life Guerrilla" is the work of the New Year's Day party in 1990, and Huang Hong and Yan Shunkai launched the sequel to "Super Life Guerrilla" in 1990, "Difficult Brothers and Difficult Brothers".
The opera sketch "Kao Hong" is not only good but also very beautiful. Lei Ying, the peking opera version of the red bride, has a dazzling appearance.
That year, Gong Hanlin also appeared on the Spring Festival Gala, and Yue Hong performed the skit "Playing Mahjong".
I don't know if it is a coincidence, Zhao Benshan, Gong Hanlin, Huang Hong, the three later sketch masters, all debuted at the Spring Festival Gala in the year of 90, and initially formed a trend of encirclement and suppression of cross-talk. What are the segments of the 90 Spring Festival Gala Crosstalk? Presumably you can't remember, Jiang Kun Tang Jiezhong's "Learning to Sing", Niu Qun Feng Gong's "At a Loss", Liu Wei Liu Hui's "Three Gu Maolu", Dai Zhicheng Zheng Jian's "Duet", can you remember the content? This is the beginning of the decline of crosstalk.