Some time ago, "Yunnan Bug Valley" dominated the screen, and the trio of Pan Yueming & Zhang Yuqi & Jiang Chao also contributed new points of view and laughter.
Zhang Yuqi's version of Shirley Yang is more gritty and courageous than the various roles she has played in the past.
I have to say that the female role of Shirley Yang is a very charismatic cold beauty who is more and more fragrant.
Today, let's appreciate the casting of Shirley Yang in the past, as well as the special recognition and style beauty of lengdu beauty.
Shirley Young's traits and competitiveness
Shirley Yang in the original book is a Chinese-American photographer for National Geographic magazine.
Influenced by Western-style culture, he is bold and generous, bold and careful, and retains the unique atmosphere and softness of oriental women, full of sense of justice and compassion.
Personality traits are reflected in the tomb robbery, which is the bravery, calmness and agility of Yang Staff Officer. Shirley Yang, who inherited the unique secret skills of the mountain movers, is an indispensable existence.
Zhang Yuqi's version uses some detailed shots to highlight Shirley Yang's inadvertent charm, in order to portray the unusually shining diamond in this man's pile.
In the original book, Shirley Yang's appearance is described as follows: "The nose is high, the pupils of the eyes are relatively shallow, and the appearance is outstanding." ”
The Corning version in "The Dragon Ridge Labyrinth of ghost blowing lights" has a good literary drama and a mediocre play. The appearance is close to the original, but the makeup is slightly internet-red, and the overall temperament is slightly inferior.
As a small flower in 95 years, there is still a slight gap with the aura of the predecessors.
This kind of heavy makeup that is not very Shirley Yang is also reflected in the early rise of "The Essence of the Ghost Blowing Lights".
It is not that you can't wear makeup, but with a little speculation, you will also know that Shirley Yang, who comes from a well-educated family background, will not be the same makeup of the net in the net.
Therefore, Chen Qiaoen's version of Shirley Yang is still more attractive in the state of "gray head and dirty face" in the later stage.
To Zhang Yuqi's version, the play is acceptable, and the literary drama is slightly out of the play. But it does not prevent some of the static moments of beauty that are captured are very powerful.
Objectively speaking, Zhang Yuqi's facial state is always too full, and the sense of bones is not particularly clear. So the white shirt + a bit of steampunk wear + cool color filter will make her more suitable for Shirley Yang's sense of coldness.
If you didn't think how good Shu Qi in "Finding the Dragon" was before, after watching so many teammates, you know how to cherish her Shirley Yang.
Shu Qi's acting skills are always very Shu Qi, and Shirley Yang's temperament is also very "Shu Qi". This version is not better than the original, not in the appearance, but the temperament is closer.
In particular, the sentence "Chicken chirping lights out do not touch gold" came out, and many of the original party old tears flowed.
In contrast, in the "Nine-Story Demon Tower" Yao Chen's version of shirley Yang, who is nagging, lacks fireworks and lacks a sense of coldness.
Even if beauty can still play, it really falls on the character itself is not that thing.
Shirley Yang's personality represents a typical sexual beauty in the middle female era, that is, Leng Dunu.
Cold is a beauty
A simple understanding of Leng Du is a beauty in the city, that is, a metropolitan girl with a cold light of wisdom.
Or rather, they hide the cold smell of steel in the metropolis, which is frightening and fascinating.
▲ Leia Saidu
Look at the interior photos of Louis Vuitton's FW19 Show, regardless of whether everyone's expressions are flawless in the moment of the camera capture, these five powerful actresses are all well-deserved typical cold women.
good looks? Yes, it is the opposite of the vase-style beauty that does not stick to the popular aesthetic of the masses.
strength? Of course there is more. Whether it is acting skills or experience, or even the traces of time carving, they all shine brightly.
These are basically all familiar faces, and Uncle Oxygen wants to specifically pick the one who broadens her aesthetic perception.
She was Alicia Vikander.
The atmosphere of Kan mei's whole body is the standard cold female atmosphere.
In Hollywood, of course, the facial features will not be bad, but objectively speaking, Kan Mei can be said to be beautiful and textured, but it is not beautiful and standard.
The aesthetic experience brought about by this kind of appearance and temperament experience is a sense of alienation that glows with wisdom and cold light in the eyes.
There is no prescribed template for the Cold Beauty Face to apply, but there is one thing that is basic, that is, the facial features/skeletal lines that are sufficiently impactful.
For example, Kan Mei's rather sharp jaw angle, this atmosphere of cold + recognition to shape even more than her talented nose tip.
Look at the works of the master of internal entertainment atmosphere, highlight the high nose of the big beauty standard, and at the same time use warm light + smooth facial curve to create a soft warm feeling, and the beauty pupil selects a light color of water vapor diffuse feeling, and the whole beauty atmosphere is completely opposite.
There is no meaning of pulling here, it is all a good style presentation, but the tendencies of popular culture are different, resulting in different results of aesthetic expression.
The seemingly loose precision in Juxue is an aesthetic atmosphere, and the norm that is inadvertently revealed in the looseness of the Lengdu women represented by Kan Mei is also an aesthetic atmosphere.
Why Kan Mei, who looks like an untrimmed edge, can support this casual lazy and messy beauty is because her body shape is engraved with norms.
Born in ballet, her high-standard rigor in body language has long been engraved in flesh and blood.
The photo hanging on the corridor wall of the Royal Swedish Ballet School in Gothenburg was taken when Kan Mei was 14 years old when she starred in the ballet "Pakita".
Therefore, in her body language, there will be a kind of comfortable, not ruler-like natural uprightness.
Since we talked about Kan Mei, who changed the blonde aesthetic of Hollywood, we also had to talk about Zandaya, who may grow into the next superstar.
Born in 178cm in 1996, the style is hot and the look is cold. The whole person has the vitality of the new generation of small flowers, and the calm of the big city girl.
Zandaya's strongest recognition is her lower court line.
Looking at the facial features alone is the posture of the middle man, and the jaw angle is also very square, but it has a small square chin that is quickly harvested. Not only does it greatly weaken the thickness of the face, but it also cleverly avoids the mesh gas brought by the pointed chin.
Watching her blockbusters is a treat.
It was a transparency that the gray-headed face could not hide.
It is also an aura that cannot be concealed by heavy makeup.
Whether it is Kan mei or Zandaya, they are the top ten players in the field of physical management.
Kan Mei brushed out six abs for the role of Laura in Tomb Raider, and Zandaya's high-specification body lines are even more obvious.
This also naturally leads to the body characteristics of Leng Dunu, that is, the lines are slender and tight, thin but powerful.
At that time, the scene near the end of "Finding the Dragon" impressed Uncle Oxygen, which is the combination of Chinese and Western that Shirley Yang should have in appearance.
That's the steampunk style of Western casual freedom + the tough and endearing body language of the East.
▲ If you are interested, you can talk about steampunk aesthetics
The aesthetic presentation above is naturally reminiscent of Laura in Tomb Raider.
▲ Julie's version of Laura
It is also solid and reliable, talented, no matter what adversity can save themselves and their companions from water and fire.
The beauty of this model requires comprehensive beauty and recognition. After all, the steampunk style on the costume road does not have many conditions left for the actresses to engage in the detailed atmosphere of the face on the ground.
Grasping the big and letting go of the small is embodied at this time, and what is wanted is the power that the gray head and the dirty face can also be beautiful enough to make people dizzy.
▲ Kanmei version of Laura
Leng Du Nu is a typical intelligent beauty with both talents and complete appearances, and the beauty of having a vase is not limited to being a vase.
At the moment when the silly white sweet drama is gradually declining, the good big heroine drama, especially the big hostess, is very popular. It is very important not to wear the skin of the big heroine to engage in Mary Sue, and there should be more possibilities for women in the middle age when a group of white skinny young clips hit the middle woman.
Shirley Yang's lengdu woman is a representative of success, and I hope that more flesh-and-blood new female characters will be active on the big screen and give us more aesthetic inspiration.