On July 1st, sponsored by the Lingnan Ink Society and undertaken by the Yangcheng Evening News Art Research Institute, the "Daxiyi in Lingnan - The First Exhibition of Lingnan Ink Society in 2024" opened at the Yangcheng Evening News Art Research Institute, and an academic seminar on "Dafreehand in Lingnan" was held at the same time.
On the opening day of the exhibition, the "Yangcheng Evening News Art Research Institute Daxiyi Art Creation and Research Center" was announced, providing an important platform for inheriting and promoting Daxiyi art. Lai Jiayan, member of the Party Committee and vice president of Yangcheng Evening News Group, Guo Mangyuan, member of Xiling Seal Society and librarian of the Guangdong Provincial People's Government Research Museum of Culture and History, Fang Tu, honorary chairman of Guangdong Artists Association, and other guests jointly unveiled the research center.
The exhibition features 38 works by nine artists: Guo Mangyuan, Chen Yifeng, Pan Xiaoming, Fang Tu, Song Lujing, Lin Lan, Fang Hanquan, Xu Dunping, and Zhang Yanqin. The works of the nine artists have their own characteristics, pointing directly to the heart, reflecting the pursuit of the spirit of freehand, and the inheritance and development of China's excellent traditional culture.
At the seminar, Lai Jiayan, member of the Party Committee and vice president of Yangcheng Evening News Group, said that Yangcheng Evening News, as a cultural media for cultural inheritance and dissemination, will continue to do the "freehand" exhibition, build a cultural brand through continuous exhibitions, let more people pay attention to and understand the freehand, so that Chinese culture and Chinese spirit can be better inherited and developed.
Guo Mangyuan, a member of the Xiling Seal Society and a librarian of the Cultural and Historical Research Museum of the Guangdong Provincial People's Government, said that it is a wonderful thing to hold an exhibition of freehand here, and hopes to discuss with you the question of "how to develop the freehand in the future".
Fang Tu, honorary chairman of the Guangdong Artists Association, said that the freehand style reflects the state of the individual, pointing directly to the mind, and does not have to be very clear. Our generation should continue and pass on the freehand, the Chinese culture will not be broken, and the freehand will still be able to be promoted.
Chinese freehand art has a long history and rich connotations. Daxiyi is an art form that pursues free expression, emphasizing the spiritual characteristics of meteorology, heart, and thought, which represents the unique appearance of Chinese art, records and expresses human emotions, and is the common spiritual wealth of mankind.
Yangcheng Evening News Art Research Institute and Lingnan Ink Society have held a number of exhibitions with the theme of "freehand", and have been actively inheriting and promoting China's excellent traditional culture. Yangcheng Evening News Art Research Institute has been committed to carrying out academic exhibitions and art activities, discussing art with artists, and promoting the exchange and development of culture and art. With the tenet of "revitalizing pen and ink, advocating capitalization, emphasizing character, and promoting righteousness", Lingnan Ink Society is committed to the observance and inheritance of the spirit of freehand, breaking and standing, and promoting the development of freehand with practical actions.
The freehand intention is in Lingnan - the first exhibition of the Lingnan Ink Society in 2024
sequence
Fushan runs to the sea, the clouds and thunder burst, the beasts are shocked, the strange is everything, it is not a clue, the natural phenomenon is also, and knock it so, but only a little mind. The heart is created and travels in the realm of the gods, so why not witness it? Therefore, the poet has a sense of interest in the environment, and the hand should be given the shape of the object, and the poem and painting are also.
In the past, Wang Qia, a Tang dynasty pioneered the splashing of ink, and its law is no longer examinable. Hearing that Wu Daozi was planning a thousand miles of Jiangling, it was done in a moment, and it was also like drafting the king's law. The clouds and smoke are swirling, the mountains and rivers are tortuous, and they are full of dripping curtains.
Liang Kai, a Liang person, is quite with the help of God, and he has a unique style in addition to being cautious, so he portrays his heart and does not seek to resemble it. Later, Seng Muxi set up his own family law, or wrote on behalf of bagasse, and the ink often has an incredible place, and it is very important overseas.
There are Song literati ink operas, the first to recommend Mi Haiyue father and son, Jiangnan scenery, Lan haze blurred, Yi pen hasty, at first it seems to be obtained by chance, but it is not in physics, and the beauty is solid.
This road is ambiguous, the Yuan people square pot, the feather guest outside the dust, extraordinary, and in the calligraphy and painting, straight into the holy area. It is arbitrarily swayed, indulged, but all of them are transcendent and decent, in line with the mysteries, and make people think about the fairy world in the sky. As for the Gao Shang scholars, Buwu Mijia Yunshan, he still feels restrained, and he is inevitably going to go far.
Xu Tianchi, a Ming person, is a genius in the sky, and he expands the secret realm. This old pen is exquisite, and it should be true for eternity. On the occasion of the Ming and Qing dynasties, if you are a monk (Tang Dalai), if Zhu Yi Taoist (Fu Qingzhu also), not to be in the pen and ink, to express the chest directly, calligraphy and painting in one, I use my method, the style is high-profile and ancient, and the interest is smart. Although he is not a writer, he is known as a veteran. Zen Buddhism is called a super straight into the land of the Buddha.
The Qing people still have this way, such as Yangzhou, if Baixia, if the four monks, are all famous families, or even open a sect.
In modern times, there are many famous players, and they must take the white stone as their home, and they are good at winning, and it is difficult to be better than A and B.
Lingnan Giant Port, since the civilization is prosperous, the way of calligraphy and painting, has been an important town for a long time. Ming Lin Liang, known as the national hand, its first freehand, both form and spirit, wonderful and moving. Later, Su Renshan and Su Liu's peers wrote and came up with new ideas. Two high and one out, melting things, unrestrained, "Lingnan School" Zhugong is famous and contemporary, and the sound is galloping in the sea. If Ding Yanyong, Guan Liang, Lai Shaoqi, Guan Shanyue, Li Xiongcai, and Jao Tsung-i, they are all giants for a while. And Rao Gong is the special, his articles are academic, more important than inside and outside, and calligraphy and painting are the rest.
However, where is the spirit? The past dynasties are endless, and the word "meaning" is unique. What is "meaning"? The heart contains everything, the big one swallows the sun, moon and stars of the universe, including the heavens, the earth, the mountains and rivers, and the micro is like a branch and a leaf, an insect and a fish. However, things exist outside, and the heart is taken inside, and there are differences between inside and outside, and the mind is the master and the object. The intention is that the object is driven by the control, and the guest will not return to his original face. With the Lord of Intentions, and depending on the object, it must not be its object. The intention is high, and the thing responds to it. It is to mean that it is despicable, not to look at things, to cover the clarity of things, and to mean to know it. It is true that the meaning is perfect.
Sheikh said: "The rhyme is vivid, the image of the object, and the color is given with the class", or thought that it was still restrained and colorful. Gai Xueli plantain and red lotus in the fire, if there is this, then the pen should have this. Dongpo's "On painting to resemble the shape, see the neighbors with children", the purpose is also.
Today's nine gentlemen of Lingnan, inheriting the will of the previous repair, passing on the heart of the sage, petal incense beams, stones, torch squares, Xu, and each of them has their own sky, sweeping away the old rules, and going to the town, becoming their own face. The viewer should have something for himself, needless to say. The nine gentlemen are all Lingnan people: Mr. Mangyuan, Mr. Fangtu, Mr. Yifeng, Mr. Xiaoming, Mr. Lujing, Mr. Yanqin, Chairman Lin Lan, Mr. Fang Hanquan, and Mr. Dunping. Su Daping, four days and nights before the Jiachen Afternoon Festival, the grass is under the lamp of the cone house.
Appreciation of artists' works
郭莽园 心归逆旅还 48cm×59cm
郭莽园 贴贴 59cm×48cm
Guo Mangyuan, Cattle herding, 69cm×69cm
Chen Yifeng, Sea Breeze, 138cm×69cm, 2016
Chen Yifeng, Guangxi Nandan Chronicle, 69cm×138cm
Chen Yifeng, Prairie Eagle, 180cm×97cm, 2019
Pan Xiaoming, Autumn Breeze Rises Again, 68cm×68cm, 2017
Pan Xiaoming, Lotus Pond Fragrance, 136cm×68cm, 2017
Ban Xiaoming Rain Dew 68cm×68cm 2021
Fang Tu, Jiangxi Sketch, 37cm×48cm, 2017
Fang Tu, Jiangxi Sketch, 37cm×48cm, 2017
Yoshito Katatake 136cm×18cm×4 2010
Song 陆京 禅境无垠 73.5cm×50cm 2024
Song Lujing, Hanshan Deqing, 73.5cm×50cm, 2016
Song Lujing, Jiaoling Scene, 73.5cm×50cm, 2024
Lin Lan, garnet, 50cm×50cm, 1999
Lin Lan, Book of Poetry - Long Song and Cappella, 507cm×390.3cm, 2016
Lin Lan Lingnan Style 300cm×75cm×4 Gold leaf color 2018
Fang Hanquan Green View Series 480cm×176cm 2022
Fang Hanquan, Pine Wind Picture, 365cm×145cm, 2021
Fang Hanquan Void Series 240cm×136cm 2019
Xu Dunping, White clouds on the ridge, 43cm×31cm, 2021
Xu Dunping, Layered Ice Silk, 43cm×31cm, 2021
许敦平 野梅如屏 43cm×31cm 2021
Zhang Yanqin, Tiger Chin, Zhonglang, 69cm×46cm, 2023
Zhang Yanqin, Dao Ti is one of the condensations, 69cm×46cm, 2023
Zhang Yanqin, Shi Wei Qingya, 47cm×77cm, 2022
Artist Bio (in order of age):
Guo Mangyuan: Member of Xiling Seal Society, Librarian of the Research Institute of Culture and History of the People's Government of Guangdong Province
Chen Yifeng: National first-class artist, full-time painter of Guangzhou Academy of Fine Arts, expert of the research group of Guangzhou National Young Painter Cultivation Program, member of China Artists Association
Pan Xiaoming: National first-class artist, full-time painter of Guangzhou Academy of Fine Arts, secretary-general of Guangdong Chinese Painting Society, and expert of the research group of Guangzhou National Young Painter Cultivation Program
Fang Tu: Director of the Chinese Artists Association, member of the Chinese Painting Art Committee of the Chinese Artists Association, executive director of the Chinese Painting Society, and honorary chairman of the Guangdong Artists Association
Song Lujing: Director of the Chinese Artists Association, Vice Chairman of the Guangdong Artists Association, Vice President of the Guangdong Chinese Painting Society, Vice President of the Guangzhou Academy of Fine Arts (presiding over the work)
Lin Lan: Vice Chairman of the Chinese Artists Association, Secretary of the Party Committee of the Guangzhou Academy of Fine Arts, and Chairman of the Guangdong Artists Association
Fang Hanquan: Member of Guangdong Artists Association, director of Guangdong Chinese Painting Society, painter of the 3rd Youth Painting Academy of Guangdong Painting Academy
Xu Dunping: Professor of Guangzhou Academy of Fine Arts, Master Tutor, Secretary of the General Branch and Vice President of the Academy of Chinese Painting (presiding over the work), member of the Chinese Artists Association
Zhang Yanqin: Distinguished painter of Guangzhou Fine Art Academy, member of the Chinese Painting Art Committee and Curatorial Committee of Guangdong Artists Association, and expert of the research group of Guangzhou National Young Painter Cultivation Program
Editor-in-charge|Wang Qitong