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Amid the hustle and bustle of China's entertainment industry, a protracted legal battle has sparked widespread public attention. The once famous Tibetan singer Jianyang Zhuoma is now caught in a seemingly endless whirlpool of lawsuits.
The lawsuit involved a copyright dispute between her and another well-known Tibetan singer, Daolang, that had led to a nine-year tug-of-war in court.
After 42 court hearings, the court finally made a final judgment at the beginning of 2024: Jianyang Zhuoma and its affiliated companies need to pay 75,000 yuan in compensation to Daolang.
This number is not just a simple amount, but also a microcosm of a once brilliant rising star in the music industry who fell from the altar. It reveals the importance of copyright protection in the music industry, and shows how a talented artist has lost public tolerance under the double test of law and morality.
In 1984, in a remote mountainous area of Ganzi Tibetan Autonomous Prefecture in Sichuan Province, Zhuoma fell to the ground. Her childhood, like that of many children growing up in poor mountainous areas, was full of hardships and simplicity.
Herding cattle and helping her family with household chores every day is what her life is all about. However, fate always inadvertently turns its gears quietly.
The family's financial predicament is like a ruthless knife, cutting off the path of Jianyang Zhuoma to continue his education. In order to survive, she had to drop out of school to work. Coming to a hotel, starting from the most basic dishwasher, she wrote her life with diligence and tenacity.
The hard work she worked day after day finally gave her the opportunity to be promoted and become a waitress.
On this seemingly ordinary day, the god of fate favored her kind eyes to Yang Zhuoma. A chance cabaret in the hotel allowed her innate singing talent to be revealed.
Her beautiful singing voice attracted the attention of a government official and opened the door to art for her. Since then, Jianyang Zhuoma has started the road of professional music training, and her singing voice is like a piece of jade, exuding dazzling brilliance under careful carving.
Through unremitting efforts and the display of talent, Jianyang Zhuoma has gradually emerged in various competitions and performances. Her singing voice is full of vitality and deeply touches every listener.
The reputation of "the most beautiful female alto in Tibet" followed, and the former herding girl turned into a high-profile rookie in the music world.
The success of her career also brought her sweet love. Ding Zhen Quzha, a CCTV documentary photographer, met Zhuoma. The two are both Tibetan compatriots, have similar personalities, and soon fell in love.
In just two years, they have entered the palace of marriage hand in hand and climbed the peak of happiness in life together.
However, fate is always full of drama. Just when Jianyang Zhuoma was at the peak of her career and reaped a happy marriage, who would have thought that a storm that could subvert her life was quietly brewing.
The song that made her famous overnight became the fuse for her to fall from the altar. This former "most beautiful Tibetan singer" is about to face the most difficult challenge in his life.
At the low point of Jianyang Zhuoma's career, fate arranged a key encounter for her. Daolang, a well-known singer who is also a Tibetan, extended a helping hand to this talented junior as a senior.
Daolang did not hesitate to give advice, and carefully guided Jianyang Zhuoma to solve various problems encountered in music creation. This generosity and kindness culminated in a major decision: Daolang authorized his masterpiece "Love Song of the West Sea" to be sung by Jianyang Zhuoma.
This move is undoubtedly the greatest support and trust for Yang Zhuoma. "Love Song of the West Sea" is like a golden key, opening the door to success for Jianyang Zhuoma.
This song made her famous overnight, and her singing voice spread all over the country, winning the applause of countless listeners. However, fame brings not only applause and praise, but also controversy and strife that comes with it.
With the passage of time, the number of performances of "Love Song of the West Sea" has increased day by day, even reaching a staggering level. She seems to have gradually forgotten the true original creator of the song, singing it repeatedly in public, almost as her own.
What's even more regrettable is that many uninformed listeners mistakenly think that this is the original work of Jianyang Zhuoma, and this misunderstanding invisibly hurts the real original creator Daolang.
When Daolang realized the seriousness of the problem and tried to communicate with Jianyang Zhuoma, he was perfunctory by the latter. Under the pretext of "the organizer's request", Jianyang Zhuoma continued to sing this song in his own way.
What's even more outrageous is that she even made a profit on the music platform, turning original songs that should have been available for everyone to enjoy for free into a personal cash cow.
Daolang's disappointment and anger can be imagined. The former friendship seemed so fragile in the face of interests, and the former kindness of knowing was betrayed so easily. Faced with this situation, Daolang finally chose to protect his rights and interests through legal means, and demanded that Zhuoma immediately stop the infringement and compensate accordingly.
As soon as this controversy erupted, it caused an uproar inside and outside the music industry. Most people are on the side of Daolang, thinking that the act of taking other people's hard work for themselves is difficult to accept no matter what.
However, there are also some voices who question Daolang's motives, believing that he may be jealous and blushing at Yang Zhuoma's success.
But no matter how the outside world judges, Daolang always adheres to his position. He publicly stated that he would never choose to forgive what Yang Zhuoma did.
These words not only reflect his resolute protection of his own rights and interests, but also reflect his respect for music creation and the importance he attaches to copyright protection.
This dispute is not only a personal feud between the two singers, but also a profound discussion about music copyright, professional ethics and legal boundaries. It is a wake-up call for the entire music industry, reminding people not to forget to respect the fruits of others' labor while pursuing success.
As the legal proceedings continued, Zhuoma's career and reputation suffered an unprecedented blow. Once known as the "most beautiful Tibetan singer", her image in the eyes of the public has taken a sharp turn for the worse, and she has even been belittled as a "jumping clown".
This huge contrast not only reflects the drastic changes in public sentiment, but also shows the speed with which reputation in the entertainment industry can collapse.
In the face of the flood of doubts and accusations, Jianyang Zhuoma tried to struggle and find ways to get rid of the impact of this dispute. However, facts speak louder than words, and wave after wave of public opinion pressure is like a rolling wave, making it difficult for her to turn over.
Each explanation seems to have become a new storm, and each justification raises more questions.
The public's evaluation of Yang Zhuoma began to be clearly polarized. Supporters believe that she is just performing an excellent piece of work, and there is no malice; Opponents harshly accused her of disrespecting originality and even deliberately deceiving the public.
This storm of public opinion not only affected the career development of Jianyang Zhuoma, but also deeply hurt her personal life.
In such a predicament, Jianyang Zhuoma chose to turn her attention to family life. Now she is a mother of three children, and seems to be focused on the ordinary life of her husband and children.
However, we can't help but ask, is this kind of life genuinely acceptable, or is it a helpless compromise on past rash behavior? I'm afraid only she knows best in her own heart.
All this makes people sigh that a singer who was once in the limelight has now fallen off the altar because of a copyright dispute over a song. This is not only a personal tragedy, but also a reflection of the general problem of copyright protection in the entire music industry.
The experience of Jianyang Zhuoma has become a vivid case, warning all musicians: while pursuing artistic achievements, we must always remember to respect the intellectual achievements of others and abide by the ethical code of the industry.
The case of Zhuoma is not an isolated case, it is just the tip of the iceberg of copyright disputes in the Chinese music industry. In this area, similar disputes are not uncommon, reflecting the common problems in the protection of intellectual property rights in the entire industry.
Taking the well-known musician Xu Song as an example, his creative career seems to be a "plagiarized history". Many of his works, such as "Crossing Me and Not Crossing Him", "Alone in the West Building", "If At That Time", etc., have been plagiarized to varying degrees.
This situation makes people joke that Xu Song has been forced to "have gray hair" by plagiarism. Behind this joke is the helplessness and bitterness of the creator in the face of infringement.
What's even more eye-popping is that some Internet celebrity singers even openly challenge the authority of the original. For example, Internet celebrity Luo Cong once boldly plagiarized Xu Song's "Why not" and created "Simple Happiness".
When questioned, he not only did not admit his mistake, but threatened that "I am more popular than him". This kind of lawless behavior not only harms the rights and interests of the original creators, but also seriously damages the ecological environment of the music industry.
These cases all reflect a common problem: the protection of originality is grossly inadequate, and the public's awareness of copyright is weak. Many people hold the view that as long as you can enjoy beautiful music, it doesn't matter if it's original or not.
However, if you compare your heart to your heart and assume that the fruits of your labor are wantonly plundered by others, I am afraid that you will not be so calm.
Changing this situation will require a concerted effort by many parties. First of all, music creators should be more active in defending their rights and interests, and have the courage to defend the fruits of their labor through legal means.
Second, the relevant departments should increase the punishment for plagiarism and establish a more complete copyright protection mechanism. Finally, and most importantly, it is necessary to raise the awareness of copyright in society as a whole and make respect for intellectual property rights a conscious act of everyone.
Only in this way can we truly create a musical environment that respects originality and encourages innovation. In this environment, every music creator can create with peace of mind without worrying about their efforts being stolen by others; Every music consumer can also enjoy more high-quality original works, promoting the healthy development of the entire music industry.
The case of Zhuoma is like a mirror, reflecting the various problems of copyright protection in the Chinese music industry. It reminds us to enjoy music while respecting the creator behind every note.
Only in this way can the art of music thrive in healthy soil.
The case of Zhuoma is like a wake-up call, which has echoed for a long time in the Chinese music industry. It not only reveals the tragedy of a singer as an individual, but also reflects the collective dilemma of the entire music industry in terms of copyright protection.
This incident has forced us to deeply realize that respecting originality and protecting intellectual property rights is not only a legal issue, but also a fundamental issue related to the ethics and development of the industry.
Faced with this situation, we need to take a multi-pronged approach. First of all, the construction of laws and regulations should be strengthened, and the punishment for infringement should be increased, so that infringers should pay the due price.
Second, it is necessary to strengthen public education, raise the public's awareness of copyright, and make respect for intellectual property rights a social consensus. Finally, the original creator is encouraged to have the courage to defend his rights, so as not to allow the infringer to take advantage of the opportunity to protect his legitimate rights and interests.
Only by truly attaching importance to copyright protection and creating a fair and just creative environment can musicians focus on creation and promote the healthy development of the music industry. It's not just about personal interests, it's about the future of the industry as a whole.
Let us work together to create a brighter future for the development of Chinese music, so that every note can be respected and every creator can get the rewards they deserve.
The purpose of this article is to advocate positive social energy, without vulgarity and other bad guidance. If you are involved in copyright or character infringement, please contact us in time