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When I learned that the second episode of "Singer" was about to be broadcast, the entire music circle seemed to be thrown into a pebble, and the ripples spread layer by layer, and the topic continued to heat up. This show has always been the focus of the music industry, and every broadcast is like a grand music carnival, attracting the attention of countless people.
The problems that appeared in the first live broadcast were like discordant notes, which attracted special attention. Some of these questions are technical, while others involve performance and judging, and their emergence has forced people to re-examine the show and think more deeply about the current state of the Chinese music scene.
Speaking of the Chinese music scene, Ding Taisheng's comments can be described as a stone that stirred up a thousand waves. He was unrelenting in pointing out that the Chinese music scene seems to be caught in a strange circle of self-entertainment, and its influence in the world is almost negligible. Such an assessment may be a bit sharp, but it also has to make people reflect. Indeed, in today's globalization, it seems that our Chinese music has not really moved to the center of the world stage, and there is still a lot of room for improvement in international popularity and influence.
He also specifically mentioned Hailai Amu's songs, arguing that his works are only suitable for playing on specific occasions and lack wider applicability and influence. This point of view has sparked heated discussions among netizens, and some people agree with his opinion, believing that there is indeed such a problem in the Chinese music scene; And there are also people who are upset about Hailai Amu, feeling that his songs have a unique charm and value. Hailai Amu himself has responded to this, insisting on his own musical style and creative philosophy, believing that music should be pluralistic and should not be bound by a single standard.
At the same time, the views of foreign musician Rozette have also attracted attention. Rozette used to be a very good singer, and she has a certain knowledge and awareness of the Chinese music scene. She spoke highly of Fanxia and Shantimo, believing that they showed unique musical talent and charisma. For the performances of Na Ying, Wang Sulong, Rainie Yang and Hailai Amu, she also analyzed and commented from a professional point of view. Her views allow us to see the perspective from the outside, and also make us more aware of the position and gap of the Chinese music scene in the international music industry.
And the issue of the program group's voice revision has become the focus of controversy. Many viewers pointed out that the performances of Na Ying, Wang Sulong and Rainie Yang obviously have traces of sound repair. This phenomenon has aroused doubts and dissatisfaction from the audience about the program team, and everyone has said that the music program should show real sounds and performances, rather than beautifying and covering up through sound repairs. People began to think, what is the program team doing this for? Is it to make the singers' performances more perfect, or to maintain the face of the so-called Chinese music singers? Is this really conducive to the development of the Chinese music scene?
During the course of the show, the Second-Hand Roses announced their withdrawal due to physical reasons, which undoubtedly had a big impact on the entire show. And rumors about fill-in singers also followed, some people said that Wang Leehom and Du Dewei may join as fill-in singers. This makes the audience full of anticipation for the new singers, and everyone hopes to see more excellent singers on this stage to show their talent and style.
In the face of these situations, we, as music lovers, are filled with mixed emotions. We hope that the Chinese music scene can effectively improve its own strength through this comparison and reflection. We know that in today's competitive world, only the best music works and musicians can stand out. Relying on sound repair and the support of fans may be able to get a temporary scenery, but it is not a long-term solution after all.
In this era of diversified music development, the Chinese music scene is facing unprecedented opportunities and challenges. We look forward to the emergence of more innovative musicians with unique styles in the Chinese music scene, and the creation of more excellent works that can move people's hearts and have profound connotations. We also hope that the majority of music lovers can maintain a rational and objective attitude, not blindly pursue popularity, but feel and appreciate every excellent music with their hearts.
Let all of us who love music work together to work hard for the hopeful future of the Chinese music scene. We are full of longing and expectation, and we hope that it can shine more brightly on the vast world music stage. We always firmly believe that as long as the Chinese music scene can maintain an enterprising attitude and have the spirit of courage to break through and innovate, then it will be able to embrace a more brilliant tomorrow. In this magical and wonderful music world, we will always pursue the most touching melodies, and witness the growth and continuous progress of the Chinese music scene step by step.
Music has never been borderless, it is like the most authentic common language of human emotions, able to transcend all barriers and reach the depths of the heart. We look forward to the Chinese music scene truly breaking through geographical restrictions and cultural barriers, and integrating with world music with an open mind. Let's join hands and play that heart-pounding and magnificent movement together.
Let us use the infinite power of music to convey love and beauty, so that the whole world will become more colorful and wonderful because of the existence of Chinese music. Whether it's passionate rock music, that strong rhythm can instantly ignite the fire in our hearts; It is still a tactful and lyrical ballad, telling the story and emotions of life with simple notes;
Or pop music, full of vigor and vitality, with its bright melody to drive our emotions, each style has its own unique charm and irreplaceable value. Let us cherish and care for this hot land that carries the dream of music, and do our best to contribute our precious strength to the prosperity of the Chinese music scene, so that the flower of music will bloom forever in the Chinese music scene.
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