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This newly released Hong Kong drama "The Inheritor of Family Glory" is really a big surprise.
Starring Charmaine Sheh and Lin Feng, this drama has encountered crazy complaints from the audience since it was launched.
Viewers have said that although the series brings together many veteran actors, including the experienced Charmaine Sheh, their ages and character settings are simply worlds apart.
The editor also joined in the fun and watched the first two episodes, oops, it's amazing, the abrupt conflict between this character and the plot is really jaw-dropping.
The plot is still the same old-fashioned wealthy family dispute, the Qiu family is the core of this drama, and the story line of the new season still revolves around the struggle for family inheritance.
Qiu Hao'er, the eldest granddaughter of the Qiu family, is very beautiful in appearance and has a successful career, but unfortunately, she is a vulnerable group in the family.
Especially her second uncle Qiu Shouren and cousin Qiu Zhibin, who always tried every means to suppress her and put her in trouble.
No, Qiu Haoer was involved in a problem planned by the second uncle, on the one hand, the original tenant wanted to renew the lease, and on the other hand, Qiu Zhibin had promised the new tenant, which made her choose between the dilemma, which was really worrying.
At the same time, the family elder of the Qiu family became more ill and decided to hand over the family power to Qiu Hao'er, which caused an uproar in the family.
Qiu Shouren and Qiu Zhibin were of course extremely dissatisfied with this decision, so the power struggle within the family entered a white-hot stage.
Although this plot arrangement is quite dramatic, the lack of innovation makes the audience a little tired of watching it.
The problems of this drama are not limited to these, and the mismatch between the ages of the characters and actors in the series is also unacceptable to the audience.
Many viewers said that seeing those older actors playing young people in the play is simply impossible to look at.
Coupled with the mediocrity of the plot itself, it is really difficult for the drama "Heir to Family Glory" to build more support and love among the audience.
Charmaine Sheh plays the role of Qiu Haoer in the play, and her performance as a shrewd and capable successor is quite convincing.
At the beginning of the play, in the face of the endless power struggles in the family, although she was unwilling, she still chose to temporarily retreat, leaving a foreshadowing for a future counteroffensive.
Charmaine Sheh's superb performance vividly portrayed the complex inner world of Yau, which deeply resonated with the audience.
However, the beauty filter in the play did not completely cover her actual age, and this detail still made some viewers feel a little inappropriate.
Another ironic part of the play is that Chen Jing actually played Charmaine Sheh's stepmother Zhu Liqi.
Chen Jing is more than ten years younger than Charmaine Sheh, but in the play, she calls Xu Shaoxiong, who is nearly forty years older than herself, "husband", which simply reduces the credibility of the plot.
This huge age disparity makes the audience so embarrassed to watch.
There is also a scene in the plot where Zhu Liqi celebrates with Qiu Shouren when she learns that Qiu Haoer is about to get out of trouble, and she coquettishly says: "My husband's 10 million medical expenses are really cost-effective." ”
Hey, this kind of dialogue and situation is really embarrassing.
There are also the father and son played by Liu Jiang and Xu Shaoxiong, who are actually almost the same in age in reality, and this kind of actor configuration makes the audience's unreasonable feelings about casting even stronger.
Although the drama "Inheritor of Family Glory" still has a certain audience base, the unreasonable casting really seriously affects the overall feeling of the series.
These untimely actor choices not only ignore the audience's expectations, but also expose the inadequacies of the Hong Kong drama industry in adapting to the needs of modern audiences.
It seems that the demand for replacement within the Hong Kong drama industry is imminent.