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Su Qian's finale of "New Life": took the initiative to hook up with Fei Ke, refused Bai Mingli to be released from prison, and finally got three properties

author:It's called Flower Chicken Xiaoxiao

Hey, entertainment fans, what we are going to talk about today is not ordinary gossip, but an in-depth analysis of a character - Su Qian, how has her image changed between text and screen? Let's unravel this mystery and see how the character's inner world shines through in different mediums.

Su Qian's finale of "New Life": took the initiative to hook up with Fei Ke, refused Bai Mingli to be released from prison, and finally got three properties
Su Qian's finale of "New Life": took the initiative to hook up with Fei Ke, refused Bai Mingli to be released from prison, and finally got three properties

[Coldness on paper] First of all, I have to talk about Su Qian in the original book, which is a ruthless character. She is not only scheming, but also vicious, using Bai Mingli's kindness as a pawn to play with. This image of selfishness and selfishness is reminiscent of some characters in reality, whose rule of survival seems to be "people do not destroy for themselves". But such a Su Qian also makes people feel cold, after all, who wants to see an innocent and kind person ruthlessly betrayed and hurt?

Su Qian's finale of "New Life": took the initiative to hook up with Fei Ke, refused Bai Mingli to be released from prison, and finally got three properties
Su Qian's finale of "New Life": took the initiative to hook up with Fei Ke, refused Bai Mingli to be released from prison, and finally got three properties

However, when Su Qian jumped on the screen, her image seemed to be softened by magic. In the TV series, she is no longer so ruthless, but has a little more warmth and complexity of human nature. This adaptation may be to make it easier for the audience to resonate, after all, in real life, we prefer to believe in the innate goodness of human nature. But does this change diminish the profound message that the original book was trying to convey?

Su Qian's finale of "New Life": took the initiative to hook up with Fei Ke, refused Bai Mingli to be released from prison, and finally got three properties
Su Qian's finale of "New Life": took the initiative to hook up with Fei Ke, refused Bai Mingli to be released from prison, and finally got three properties

Speaking of Bai Mingli, the experience of this innocent and kind character in the original book and TV series is embarrassing. His trust was ruthlessly trampled on by Su Qian, and his kindness was exploited as a weakness. In this story, he is like the protagonist of a sad song, singing the most vulnerable part of human nature. And while we sympathize with him, we can't help but reflect: in this complex world, should we also learn to protect ourselves?

Su Qian's finale of "New Life": took the initiative to hook up with Fei Ke, refused Bai Mingli to be released from prison, and finally got three properties
Su Qian's finale of "New Life": took the initiative to hook up with Fei Ke, refused Bai Mingli to be released from prison, and finally got three properties

【The Art of Adaptation】The adaptation process from the original book to the TV series is an artistic re-creation. The screenwriters must not only be faithful to the spiritual core of the original work, but also take into account the audience's acceptance and emotional resonance. The change in Su Qian's image is the result of this artistic balance. It shows us the beauty of adaptations – the ability to retain the essence of the original while giving new life to the characters.

Su Qian's finale of "New Life": took the initiative to hook up with Fei Ke, refused Bai Mingli to be released from prison, and finally got three properties
Su Qian's finale of "New Life": took the initiative to hook up with Fei Ke, refused Bai Mingli to be released from prison, and finally got three properties

Su Qian's story is like a mirror, reflecting the multifaceted nature of human nature. She is not only the cold-blooded woman who will do anything for the sake of her ends, but also the character who shows complex emotions on the screen. This contrast reminds us that human nature is not black and white. Everyone has their own bright and dark sides, and how to find a balance between the two is the true meaning of life.

Su Qian's finale of "New Life": took the initiative to hook up with Fei Ke, refused Bai Mingli to be released from prison, and finally got three properties
Su Qian's finale of "New Life": took the initiative to hook up with Fei Ke, refused Bai Mingli to be released from prison, and finally got three properties

[The Audience's Empathy Bridge] The reason why the TV series softens Su Qian's image is largely to build a bridge of empathy between the audience and the characters. When we see a more three-dimensional, flesh-and-blood character on the screen, it is easier for us to engage emotionally to understand her choices and struggles. This empathy not only enhances the appeal of the story, but also prompts us to reflect on our own actions.

Su Qian's finale of "New Life": took the initiative to hook up with Fei Ke, refused Bai Mingli to be released from prison, and finally got three properties
Su Qian's finale of "New Life": took the initiative to hook up with Fei Ke, refused Bai Mingli to be released from prison, and finally got three properties

【Conclusion: The Afterglow of Thinking】Okay, friends, that's all for today's entertainment analysis! By comparing the different images of Su Qian in the original book and the TV series, we not only saw the beauty of the integration of literature and film and television art, but also experienced the profound connotation of the complexity of human nature, I hope this article can bring you some food for thought and inspiration, we will bring more exciting content next time we see you, so stay tuned!

Su Qian's finale of "New Life": took the initiative to hook up with Fei Ke, refused Bai Mingli to be released from prison, and finally got three properties

Under the veil of mystery, a complex and multi-faceted character, Su Qian's multifaceted mirror of human nature, Su Qian's image is presented in the original book and TV series, reflecting the complexity of human nature. In the original book, she was ruthless and scheming, and played with the kind-hearted Bai Mingli between applause. Such an image makes people shudder, because no one wants to see a good person ruthlessly betrayed. However, when she appeared on the screen, her image changed subtly - it became softer, adding a bit of human warmth and complexity.

Su Qian's finale of "New Life": took the initiative to hook up with Fei Ke, refused Bai Mingli to be released from prison, and finally got three properties

This adaptation is undoubtedly to make it easier for the audience to empathize. After all, in real life, we prefer to believe in the inherently good side of human nature. But does this change diminish the profound message that the original book was trying to convey? The cold image of Su Qian in the original book may be to remind us that this world is not black and white, good and evil coexist, and we need to be wary of those who are scheming and unscrupulous.

Su Qian's finale of "New Life": took the initiative to hook up with Fei Ke, refused Bai Mingli to be released from prison, and finally got three properties

The adaptation of the TV series made the role of Su Qian more three-dimensional and plump. Not only did we see her dark side, but we also felt her inner struggle and pain. This multi-faceted presentation makes it easier for the audience to substitute and understand her choices and motivations.

Su Qian's finale of "New Life": took the initiative to hook up with Fei Ke, refused Bai Mingli to be released from prison, and finally got three properties

A multifaceted mirror of human natureSu Qian's story is like a mirror, reflecting the multifaceted nature of human nature. She is not only the cold-blooded woman who will do anything for the sake of her ends, but also a character who shows complex emotions on the screen. This contrast reminds us that human nature is not black and white. Everyone has their own light and dark sides, and how to find a balance between the two is the true meaning of life.

Su Qian's finale of "New Life": took the initiative to hook up with Fei Ke, refused Bai Mingli to be released from prison, and finally got three properties

We often label the people around us as kind or insidious. But in fact, there are complex emotions and desires in everyone's heart. Sometimes, we also unconsciously project our side onto others, ignoring their uniqueness.

Su Qian's finale of "New Life": took the initiative to hook up with Fei Ke, refused Bai Mingli to be released from prison, and finally got three properties

The change of Su Qian's image tells us to understand others with an open mind. Don't jump to conclusions, but try to put yourself in the other person's shoes. Only in this way can we truly see the complexity of human nature and increase mutual understanding and empathy.

Su Qian's finale of "New Life": took the initiative to hook up with Fei Ke, refused Bai Mingli to be released from prison, and finally got three properties

The reason why the audience's empathy bridge TV series softens Su Qian's image is largely to build an empathy bridge between the audience and the characters. When we see a more three-dimensional, flesh-and-blood character on the screen, it is easier for us to engage emotionally to understand her choices and struggles.

Su Qian's finale of "New Life": took the initiative to hook up with Fei Ke, refused Bai Mingli to be released from prison, and finally got three properties

This empathy not only enhances the appeal of the story, but also prompts us to reflect on our own actions. We will think, if we are in Su Qian's situation, what choice will we make? Do you choose to be ruthless and achieve your goals, or do you choose between morality and desire?

Su Qian's finale of "New Life": took the initiative to hook up with Fei Ke, refused Bai Mingli to be released from prison, and finally got three properties

Through this empathy, we are not only able to better understand the character of Su Qian, but also to delve into the complex side of human nature. This kind of thinking and reflection may make us more cautious about others in our daily lives, and be more tolerant and understanding of each other's differences.

Su Qian's finale of "New Life": took the initiative to hook up with Fei Ke, refused Bai Mingli to be released from prison, and finally got three properties

The art of adaptationThe adaptation process from the original book to the TV series is an artistic recreation. The screenwriters must not only be faithful to the spiritual core of the original work, but also take into account the audience's acceptance and emotional resonance. The change in Su Qian's image is the result of this artistic balance.

Su Qian's finale of "New Life": took the initiative to hook up with Fei Ke, refused Bai Mingli to be released from prison, and finally got three properties

It shows us the beauty of adaptations – the ability to retain the essence of the original while giving new life to the characters. This transformation not only enriches the connotation of the story, but also allows the audience to have a deeper experience.

Su Qian's finale of "New Life": took the initiative to hook up with Fei Ke, refused Bai Mingli to be released from prison, and finally got three properties

The art of adaptation is not only reflected in the shaping of the characters, but also in the grasp of the entire plot and theme. The screenwriter needs to reconstruct the plot and design the conflict on the basis of the original book to make the story more engaging. At the same time, they also need to ensure that the theme conveyed by the work is consistent with the original work, so that the core of the work can be preserved and developed.

Su Qian's finale of "New Life": took the initiative to hook up with Fei Ke, refused Bai Mingli to be released from prison, and finally got three properties

This process of balance and innovation fully demonstrates the artistic charm of the adaptation. It not only gives a new life to the original work, but also gives the audience a new experience. Through this artistic re-creation, we can gain a deeper understanding of the complexity of human nature and feel the beauty of the fusion of literature and film.

Su Qian's finale of "New Life": took the initiative to hook up with Fei Ke, refused Bai Mingli to be released from prison, and finally got three properties

ConclusionBy comparing the different images of Su Qian in the original book and the TV series, we not only see the beauty of the integration of literature and film and television art, but also experience the profound connotation of the complexity of human nature. This complex and multifaceted character is like a mirror, reflecting the light and dark sides of human nature.

Su Qian's finale of "New Life": took the initiative to hook up with Fei Ke, refused Bai Mingli to be released from prison, and finally got three properties

In this story, we see the sad song of the kind-hearted Bai Mingli being betrayed, and we also feel Su Qian's inner struggle. This contrast reminds us that everyone has their own bright and dark sides, and how to find a balance between the two is the true meaning of life.

Su Qian's finale of "New Life": took the initiative to hook up with Fei Ke, refused Bai Mingli to be released from prison, and finally got three properties

Through the empathy between the audience and the characters, we not only enhance our understanding of the plot, but also prompt us to reflect on our own actions. The art of adaptation allows us to see the charm of the integration of literature and film and television - to retain the essence of the original work, but also to give new vitality to the characters.

Su Qian's finale of "New Life": took the initiative to hook up with Fei Ke, refused Bai Mingli to be released from prison, and finally got three properties

Let's explore the complexity of human nature and feel the charm of art! We'll have more exciting content to come back next time, so stay tuned! This article delves into the complexity of human nature by comparing the image changes of Su Qian's character in the original book and the TV series. Su Qian in the original book is ruthless and ruthless, playing with the kind-hearted Bai Mingli in the palm of her hand, which makes people shudder. In the TV series adaptation, her image has become softer, adding a bit of human warmth and complexity, and this adaptation is undoubtedly to make it easier for the audience to empathize.

Su Qian's finale of "New Life": took the initiative to hook up with Fei Ke, refused Bai Mingli to be released from prison, and finally got three properties

The article points out that Su Qian's story is like a mirror, reflecting the multifaceted nature of human nature. She is not only the cold-blooded woman who will do anything for the sake of her ends, but also a character who shows complex emotions on the screen. This contrast reminds us that human nature is not black and white, and that everyone has their own light and dark sides.

Su Qian's finale of "New Life": took the initiative to hook up with Fei Ke, refused Bai Mingli to be released from prison, and finally got three properties

The process of adaptation is a kind of artistic re-creation, and the screenwriter needs to consider the audience's acceptance and emotional resonance while retaining the essence of the original work. Through this balance and innovation, the adaptation not only gives new life to the original book, but also allows the audience to gain a new experience and a deeper understanding of the complexity of human nature.

Su Qian's finale of "New Life": took the initiative to hook up with Fei Ke, refused Bai Mingli to be released from prison, and finally got three properties

In short, this article explores the multifaceted nature of human nature by comparing the changes in Su Qian's image in the original book and the TV series, and expounds the artistic charm of the adaptation, which brings readers in-depth thinking and inspiration.

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