"I Am a Singer 2024" premiered, and Na Ying actually overturned?! The diva, who used to dominate the music world, was so nervous that she sang the wrong words on the live broadcast stage, and was "slapped in the face" by the new generation of singers. What happened to this "Singer"? Is the internal entertainment really going to end?
The long-awaited "I Am a Singer 2024" has finally started! The first episode of the show caused crazy complaints from netizens. The audience said that this year's lineup can be called "the weakest in history", except for Na Ying and the Second-hand Rose Band, the other singers are almost not famous, and their strength is even more worrying.
What's even more surprising is that Na Ying, as the "first sister in the music world", actually "lost" on the live broadcast stage! As soon as she opened her voice, she showed obvious nervousness, and even sang the wrong lyrics, and in the end, she only finished third. You must know that Na Ying is a mentor who has participated in eight seasons of "The Voice of China", but now she is "stumbling" on the stage of "Singer", which is too much contrast!
Netizens have also turned on the "group ridicule" mode, ridiculing Na Ying as "the fate of the Yehenara clan" and destined to "fight the heroes". Some netizens bluntly said that Na Ying is "not guaranteed in the evening", and the former queen of the music world can only rely on "selling feelings" to attract attention.
Na Ying's "overturn" has also triggered a deep reflection on the current situation of domestic entertainment. In the era when traffic is king, many artists only care about hype and marketing, but ignore the improvement of their professional strength. If you can't sing skills, you can rely on sound repair, and if you can't act, you can use stand-ins, how far can you go in such an entertainment industry?
In order to change the status quo of domestic entertainment, artists themselves must strengthen the training of professional skills, and do not blindly pursue traffic and exposure. The competent authorities should also strengthen supervision, guide the industry to return to rationality, and put an end to the unhealthy trend of "traffic first". As an audience, we must also maintain an objective attitude, not be confused by false traffic, and pay attention to the intrinsic quality of the artist and the quality of the work.
The premiere of "I Am a Singer 2024" caused huge controversy, and Na Ying's "unexpected loss" caused a thousand waves with one stone. This makes us have to reflect, what happened to internal entertainment? Can traffic really replace everything? I hope that this controversy can be an opportunity to promote the development of domestic entertainment in a healthier and more professional direction, and bring us more excellent works.
Recently, the high-profile music competition program "I Am a Singer 2024" was officially launched. This season's show is presented in a new live broadcast format, with a lineup of players including Na Ying, Secondhand Roses, etc. However, after the first episode of the program was broadcast, the audience's response was quite mixed. Na Ying's unexpected nervous performance and the decline in the overall level of the players have triggered people's reflection on the current situation of domestic entertainment. What's going on with this "musical feast"?
As soon as the lineup of this season's "I Am a Singer" was announced, it caused dissatisfaction among the audience. Many people think that this season's show lacks real powerful singers, and the contestant structure is too single, making it difficult to surprise the audience. Especially when everyone learned that Na Ying would compete as the "top seed", many people expressed doubts that she would be able to recreate the glory of "Conquest".
What people never expected was that Na Ying's performance in the first episode of the show made an unexpected mistake. This former "music diva" obviously showed nervousness when she sang on stage, and even sang the wrong words. In contrast, the performance of the new generation of contestants such as the second-hand roses seems to be at ease, which can't help but make people feel a bit of "generational change". In the end, Na Ying finished her first performance in third place, which was undoubtedly a big blow for a Grand Slam winner.
Na Ying's "unexpected loss" sparked a heated discussion on the Internet. Many netizens ridiculed that Na Ying was afraid that she would repeat the "fate of the Yeh Nara clan" and lose in the "Battle of the Heroes". Some people also said that Na Ying's performance was a big surprise, and people couldn't help but wonder if she could still get back to her former peak state.
In fact, Na Ying's experience is just a microcosm of the problems in the domestic entertainment industry. In recent years, with the rise of traffic stars, many artists have overrelied on sound effects and sound repairs, and their real singing skills have been neglected. The audience has a lot of complaints about this, and they have asked the program team to invite more powerful players, such as Gong Linna, Han Hong, etc., to join in order to improve the professional level of the show.
Regarding the current situation of the domestic entertainment industry, industry insiders suggest that artists should re-attach importance to the cultivation of professional strength, rather than being too obsessed with traffic and data. At the same time, the competent authorities should also strengthen the training and supervision of the entertainment industry, and guide the industry to return to professionalism and rationality. As an audience, we should also maintain an objective and rational attitude, pay more attention to the inner quality of the artist, rather than blindly pursuing it.
The first episode of "I Am a Singer 2024" not only revealed the unexpected "failure" of Na Ying and other seniors in the music industry, but also triggered people's deep reflection on the current situation of domestic entertainment. In the era when traffic is king, there are indeed many problems in the domestic entertainment industry, the professional strength of artists is ignored, and the industry ecology needs to be improved urgently. In this regard, whether it is the artists themselves, or the competent authorities and the audience, they should attach great importance to promoting the development of domestic entertainment in a healthier and more professional direction. Only in this way can we reshape the demeanor of domestic entertainment and contribute to our cultural cause.