Title: Pang Zuyun and Zhao Liang: The Boundary and Belonging of the Road of Laughing Stars
Among the top ten comedians selected in the Bashu region, the absence of Pang Zuyun and Zhao Liang has sparked widespread speculation and discussion. The jokes of these two comedians not only set off a frenzy of laughter in the land of Bashu, but also won the love of audiences across the country. However, why did they not make it to the top ten comedy stars in Bashu?
The charm of a comedian who transcends the region
Pang Zuyun is well-known in the Bashu region for his stand-up style and humorous jokes, while Zhao Liang has attracted attention for his unique performance style of conquering the audience with "Sandezi". Their jokes touched on all aspects of people's lives, not only causing a sensation in the region, but also winning unanimous recognition from the audience across the country. The influence of comedians has transcended the geographical confines, which may be one of the reasons why they did not make the list.
Differences in the selection criteria
The selection criteria for the top ten comedians in Bashu may be more biased towards regional characteristics and the influence of local comedics, while the images of Pang Zuyun and Zhao Liang are more national and international. This may have contributed to the absence of both on the list. The attribution of comedians is not determined by a list alone, and their performance charm and influence transcend geographical boundaries.
My opinion and predictions
The belonging of comedians may not be limited to a list, and their performance charm will continue to shine in the entertainment industry, bringing more laughter and emotion to the audience. The attribution of comedians may be a complex and diverse topic, but their laughter is the most beautiful note in the world, and it will always be played in people's hearts.
But with the development of the entertainment industry, the status and belonging of comedians may change. Perhaps the future comedy star list will focus more on national and international influence, rather than regional characteristics. This will also lead to more controversy and discussion about the ownership of comedics. Where is the boundary and belonging of the comedian? This is a topic that deserves our in-depth consideration.