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Zhang Genhu is a member of the Chinese Calligraphers Association, honorary chairman of the Shanxi Federation of Literary and Art Circles, and president of the Shanxi Chinese Painting Society.
Wang Ping's rostrum:
Under the influence of my father, the year of the general angle, that is, to learn calligraphy and learn calligraphy, is first of all to "learn from the ancients", while copying and studying, the heart is chasing with the hand, thinking while copying, internalizing the things of the ancients in the heart and turning them into their own things. For example, regular script mainly appears in the face of Yan and Erwang, and gradually integrates into his own understanding of calligraphy; Initially, there are key points, sections, or branches, and the selection of practice and copying gradually forms the whole paragraph and the whole article. Gradually pursue the pure and superb, solemn and elegant ancient taste. Calligraphy must reach a certain height and depth, and it is necessary to specialize in learning and absorbing nutrients from ancient inscriptions in order to gain something. "Being a disciple with the ancients, being new with the ancients, and being happy with the ancients" is my experience of learning from tradition and adhering to integrity and innovation.
The second is "learning from nature", that is, learning from the law of creation, teaching of nature, to be good at understanding the spirit of calligraphy from life, to learn from creation, to seek the principle of calligraphy, through "enlightenment", to improve the understanding of nature, society, life affairs, from the real life into calligraphy, but also from the calligraphy to understand the truth of the world. The two are mutually referential and can inspire artistic imagination.
The most important thing in calligraphy creation is "integrity and innovation". Without a solid inheritance of calligraphy creation, there can be no innovation in the real sense, and only with the ancient as a companion can we be new and new with the ancient. In the creation of calligraphy, it is necessary to grasp the relationship between techniques and emotions (expression), the relationship between inheritance and innovation, and learn from the ancients without mudding the ancients, and break the ancient without violating the law. You must first specialize and then win, in order to get twice the result with half the effort. The creation is based on tradition and then adds the understanding and integration of traditional inscriptions, reflects the atmosphere of the times, adheres to the naturalness of writing and the natural expression of the author's temperament, and finally achieves natural creation.
In short, inheritance without mud ancient, innovation without departing from the source, pen and ink should be with the times, not restricted, bold ink, with new ideas to lead, support the works, in order to continue to climb new artistic peaks.
Jiachen New Year of the Dragon is in the Boya Book House on the bank of the Fen River in Longcheng
Zhang Genhu
Wang Weijun is the 7th director of the Chinese Calligraphers Association, the 4th vice chairman and secretary general of the Jiangsu Calligraphers Association.
With the unbridled development of artificial intelligence, the future and fate of calligraphy, an ancient traditional culture and art, seems to be an urgent issue for us calligraphers to think about and study. The practical function of calligraphy is declining day by day, and the environment and ecology of its survival and development have undergone fundamental changes.
Some calligraphers have taken calligraphy as a pure art form, and under the influence of certain Western and Oriental artistic creation concepts, they have carried out fancy and complex innovations and explorations that are completely detached from tradition, which are dazzling and dizzying. Even ink juggling, which is completely unrelated to the content and form of calligraphy, has also appeared in the name of calligraphy innovation, bringing shocking sensory stimulation and incessant screams to this already noisy book world.
As an important driving force for the development of calligraphy, various exhibitions and the huge number of trainings derived from them have contributed to the intensification of the trend of showing off one's skills. Calligraphy is stripping away its cultural core and its soul, and has gone to the noisy, confused cross streets.
Wang Weijun
February 16th
Zou Equation is a member of the Chinese Calligraphers Association and an associate professor at Capital Normal University.
In the year of Yu Zhixue, he devoted himself to Hanmo, and he had a soft spot. Kai from Liu, transferred to Ou Chu, and then devoted himself to the North Monument, breaking through from "Zhang Menglong", and studying all the stones of the Northern Dynasties. The line is to study between the two kings and Su Mi, and also study the families in the late Ming and early Qing dynasties, and then devote themselves to the integration of tablets. Seal Li cursive script, also often dabbled, not only for the needs of teaching, but also to nourish the practice. Extremely specialized, more than three years, "there is the art of obediently entering the wood, and the ambition of the pool is endless". Although there is nothing to achieve, but there is something to learn, in short, there are four ways:
One is said to be the teacher's creation, "The husband's book originates from nature, nature is established, and yin and yang are born; Yin and yang are born, and the situation is out of the way", that is, learning books must be natural, otherwise there will be a lack of beauty.
Second, it is said that the source of the heart, "the book, scattered", "the book must be thoughtful", "the book is clumsy, and the heart of the gentleman and the villain cannot be messed up" and so on, that is, learning books must shape the soul, otherwise there will be a lack of emotion.
Third, it is said that the study of calligraphy, "ink pool", "pen mound", "law", "naturalness" and the like are also, that is, you must work hard to learn books, otherwise there will be a lack of situation.
Fourth, it is said that the avenue, "open its entrance, will be reasonable, that is, it is not different from the avenue", that is, learning must be re-learned, otherwise it will be difficult to wonder.
I know and hear and then think, think and then cultivate, although there is no teacher, I can also hope to be in line with the ancients.
岁次甲辰上巳前廿日
Capital Normal University, Shimen Sanren, Zou Equation
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Zhang Zhanli is the director of the calligraphy teaching and research department of Beijing City University and the director of the National Educational Calligraphy and Painting Association.
"Lishu Chapters and Sentences"
Jie has four eyes, make words to pass, from the seal and subordinate, Qin and Han dynasties, Kaifa Jin and Tang, subordinate to the Qin and Han dynasties. Take the law on the top, the famous article of Han Li, the simple silk book, and the grand view of Han Li. Follow the monument and choose one to drill. Delicate and elegant, happy to have a scene. The dot painting is smart, the crown of the Han Dynasty. There are horizontal waves, silkworms and geese, many horizontal coexistence, and the waves are single. Subordinated to the sideways, the vertical force is reduced. The vertical drawing is short and changes with the word. It has two wings, and it is fully revealed. There is a back-pick, and the painting is fully exhibited. The point is like a tadpole, and the shape is changeable. A single point is like an eye, and a lot of anticipation. Cao Quan picks the method, the horizontal trend is raised to the right, or the horizontal method, and the silkworm is round at the end. Like a hook is not a hook, skimming to see, closing is like vertical, and putting is extended. Cao Quan's folding method, warm and round, sometimes broken, sometimes connected. The knots of the characters are complex. The sages have many reflections. The single word is unique, and the backbone is observed. Horizontally, the branches and leaves are stretched. There are many combinations, classified research and judgment. Up and down, left and right, each has its end because of the word vertical shape, each with the shortening, oblique positive side, the word potential self-manifestation up and down two together, carrying the ground to cover the sky. Tight at the top and loose at the bottom, each has its own way. Left and right, intimate. Left stretch and right put, full of wings, up and down three, left when the momentum to the end of the pen, rushing and seeing. The words around the circumference are not overflowing and full, such as the treasure, and the package is inlayed. The same kind is combined, the same and there are changes, many parts are stacked, even and tight. For the book, Ou Gong often said to remember the teacher's training and put it into the inkstone. Lun word line, when the addition of selection cut if needed, the book to Caihuan, in the form of God, the winner of both. The dot painting conveys affection, and the elegance is fully revealed. The work outside the word, reading and admiring the virtuous. Yigao is a teacher, and the product is a model. Seeing the words is like a person, between the lines. Both inside and outside, the name of the building.
Reprinted by Xi Li, during the epidemic period, the original text was published in the calligraphy newspaper "Calligraphy and Painting World", which is copied here.
Happy to meet the calligraphy and painting channel "My way of learning books, Jiachen Yangshan Yaji manuscript, specially presented in a six-page codex.
Jiachen New Year Jingxi Huihe Library
Standing respectfully
(Source: Calligraphy and Painting Channel)
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