Piano playing in the crescendo practice practice crescendo and fade to play the main melody each tone of the sound very consistently play quietly and do not miss the tone learning to use the left pedal practice to play the right hand loud, the left hand to play the small practice to play the left hand loudly, the right hand to play a small practice to put one of the chords of one of the loud one-handed alternating tones

If you can't do the taper and weaker, then the mood of the music is difficult to express. Some people can't do it with their hands, and some people don't have it in their hearts. A song we first contain feelings to sing it several times, pay attention to whether they feel that they are singing with emotion, whether there are changes in strength and weakness, speed and slowness. If not, then you have to start practicing from singing, you can sing it to play it, and if you can't sing it, you can't play it. If we are satisfied with the singing, then we can start to play according to the strength and weakness of the song, and play it while singing together in our hearts, which is the music in your heart. If you sing well, you can't do it with one shot, it is a problem of the control of the hand, and the right hand is responsible for controlling the volume. How to practice it? Let's pick a scale first, C major!

The upward trend is getting stronger, and the downside is getting weaker. Focus on the velocity control of the right hand, the bass do with our lightest force, and the treble do with the strongest force we can play. The middle tone is gradually stronger, smoothly crescending, that is, the volume of a tone is stronger than that of a tone. This is very important, listen carefully, is there a sound that is the same as the previous tone volume? Even weaker? Is there a strong tone? If you can hear it, it's good, and we can improve it when we play it again. There is also the first do to be weak, the starting sound is too strong, and the back is not strong. The descending scale is the same, one tone is weaker than the other, smooth and excessive.

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Sound control for strong and underbody

<h1 class="pgc-h-center-line" > practice crescendo and crescendo</h1>

(1) Understand the meaning of fading and crescendo expressions, artistic meanings, and the fun of beauty. With understanding, there is a desire to play well.

(2) Find the starting point and end of the fade and the gradual strengthening, and find out what the scope of the gradient process is.

At the beginning of the weakening, do not be weak. Weak at the beginning, difficult to be weak later. How strong it is at the beginning and how weak it is in the end, you must know it in your heart.

Similarly, at the beginning of the gradual strengthening, do not be strong, start to be strong, and then it is difficult to be stronger. How weak it is to start with, how strong it is to be in the back, but also to know. Always, the extent of the change should be reasonably arranged within the scope of the gradient.

(3) According to the scope and amplitude of the change, use various techniques to control the force, or adjust the force joint, adjust the weight of the input, or adjust the speed of the touch key.

First of all, can not be too nervous, many of the reasons for uneven playing is that the hands are tense and stiff, and playing for a long time is easy to cause fatigue, should learn to relax, but also can not be completely relaxed, otherwise the hand shape and wrist will collapse into it. The best state is a combination of force and relaxation, with fingertip force when playing, and the palm joint sometimes exerting force and sometimes relaxing.

Generally, when playing, the fingers should have a certain support force, so that the fingertips have strength, the palm joint should be relaxed when the fingers are lifted, and the speed can be controlled when falling. When the wrists and arms sink down, the strength should also follow. In the place of strong elasticity, you can make the body lean forward slightly, the center of gravity pressed on the foot, use the trapezius muscle to exert force, the arm remains relaxed, the wrist is slightly higher than the palm, pay attention to the palm can not collapse, tighten the first joint of the finger and the muscles on the side of the palm, transmit the force to the fingertips, the speed of the lower key is faster, so that the sound of popping up will be stronger and more elastic.

In the end, trying to control the strength of the play is not an overnight thing, and only more practice can see the final result.

Based on the fact that the volume is controlled by the speed of playing, it is recommended to find more sound practice crescendo and fade, which can help us familiarize ourselves with the entire volume range and train the ability to control the volume range.

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< h1 class= "pgc-h-center-line" > plays the size of each tone of the main melody very consistently</h1>

Many beginners will be because of the use of different fingerings and cause the volume of the pop out of the unstable, often suddenly too loud or too quiet, it is recommended to find some single tone practice songs, the sound volume of each tone are played evenly, after a period of training the sound can be more stable.

<h1 class= "pgc-h-center-line" > play quietly and without missing a sound</h1>

(1) Use a very stable speed to slowly press the key to the bottom, most people will leak the sound is not afraid to press the key to the end at once, when playing each tone "slowly pressed to the end" will reduce the leakage of sound.

(2) You can put your hands flat when playing, so that you can reduce the occurrence of accidentally playing loudly.

< h1 class="pgc-h-center-line" > learn to use the left pedal</h1>

Using the left pedal can make the pop-up sound darker, which can't be done with a little force.

< h1 class = "pgc-h-center-line" > practice playing your right hand loudly and your left hand a little</h1>

Since the main melody of most of the pieces is the highest note in the right hand, it is very important to learn to play the right hand loudly, and the volume of the left hand accompaniment does not overshadow the right hand.

<h1 class= "pgc-h-center-line" > practice playing the left hand loudly and the right hand quietly</h1>

When the main melody is in the left hand and the bass is relatively low, it is very easy to be covered by the high note of the right hand, so it is necessary to train the ability of the left hand to play loudly and the right hand to play very quietly to cope with this situation.

< h1 class= "pgc-h-center-line" > practice playing one of the chords louder</h1>

Practice the chords of the three tones first, play one of them louder, then practice the chords of the four tones, play one of them louder, and then practice the chords of the five tones... And so on.

Method: Arrange the handle first, and the finger that wants to play loudly can touch the key before other fingers.

Example: When playing do mi so, the thumb is louder, as long as the thumb is 0.5 cm lower than the other fingers, and the other two fingers are 0.5 cm higher. Note that when the finger that wants to be loud touches the keyboard, the other fingers should be about 0.5 cm away from the keyboard, which will automatically leave a louder sound.

< h1 class= "pgc-h-center-line" > one-handed alternating pattern of strength and weakness</h1>

Suggestion: Practice at a slower pace, so that the mind can keep up with the size of the sound to be played, when playing a louder sound, the arm down movement can be slightly larger, and at the same time you can play while reading the size of the sound.