The battle of spy war dramas: The battle of the era between Qingchuan and Guan Xue
Qingchuan and Guan Xue, two characters in the play, one lives in the new China, and the other longs to revive the old world. Their story has sparked a battle of the times, let's uncover the hotness of this drama within a play...
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Qingchuan: Qingchuan, who is in the new era, is nourished by modern education, but looks forward to the bright future of New China, but has an impulse to change history in ancient feudal life. She chose to leave, presumably in a rejection of the Qing regime and the ancient social system. However, this decision caused heated discussions among netizens: "Qingchuan, Qingchuan, isn't your resistance to ancient times an escape from modern sugar-coated cannonballs?"
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Guan Xue: In contrast, Guan Xue is an out-and-out patient with ancient complexes, and deep down she longs for the great cause of recovering the Qing Dynasty. She is the daughter of a Manchurian nobleman, the Guerjia clan, but the war and the injuries of her uncle-in-law make her feel revenge. Her attachment to the old world has triggered waves of discussions: "Guan Xue, Guan Xue, isn't your attachment to the old world a disappointment in the real society?"
Drama within a play: The counterattack road of "Harbin 1944".
"Harbin 1944" is not just a spy war drama, but a revolutionary wave that overthrows the three mountains.
Its plot is not only a story of the party leading the people of the whole country to resist imperialism, but also a profound work that reflects the real social outlook. Netizens excitedly said: "I thought it was just telling the story of general spy warfare, but I didn't expect it to be the overthrow of the three mountains of imperialism, feudalism and bureaucratic capitalism!
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The details in the play are even more embarrassing: "The squirrel secret message is fake is Guan Xue's cover, the Peking Opera listened to by the traitor He Shan is very ironic, and Guan Xue's threat to Xie Yue's hair is true." These details not only add thickness to the plot, but also arouse the audience's deep thinking: "Is the irony and insinuation in the play a straightforward cry for the real society, or a vague nostalgia for ancient values?"
The Ending Fight: A showdown between the old and the new
In the end, Harukawa chooses the light of the new era, while Guan Xue is trapped in the obsession of the old world.
Their respective choices have sparked heated discussions among countless netizens: "Qingchuan yearns for the new world, Guan Xue rots in the old world!" "Qingchuan's choice represents the spiritual outlook of the new era, and Guan Xue's persistence is a kind of pity for history." "Although the two roles played by Yang Mi are completely different, they both show her acting strength, and fans are full of praise!"
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Summary: Times change, the choice of characters in the play
The brightness and brilliance of New China made Qingchuan choose to leave the old world and meet the challenges of the new era.
However, Guan Xue chose to be obsessed and clinged to the fantasies and dreams of the old world. Their choice triggered the audience's deep thinking about reality and ideals, the new and the old: "Our new China is really good!"
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