Qi Baishi's successor Tang Fa Zhou talks: How to identify the poems and grass of Qi Baishi's borrowed mountain pavilion sent to Fan Fan Mountain

There was Qi Baishi in the world, and the remaining ink still exists in the world.

If you ask Yu Mo where to ask, Baishi Mountain Hall is less white!

Baishi Shantang is a wholly-owned subsidiary of Qi Baishi Painting and Calligraphy Institute in China: it is currently the painting and calligraphy institute with the largest collection of Qi Baishi's works, and is fully responsible for the establishment and development of Qi Baishi cultural and creative brands, Qi Baishi fashion and other brands, and is committed to the content mining, system combing, industry promotion, business innovation, value reproduction and other assets such as Qi Baishi calligraphy and painting, art, seal carving, appraisal and auction, etc., which is an important part of building a product innovation platform based on Qi Baishi culture and art.

Hello Tibetan friends, today we have invited the then descendant of Qi Baishi, a disciple of Qi Liangzhi, the president of the China Qi Baishi Academy of Painting and Calligraphy, a visiting professor of the Tsinghua Academy of Fine Arts, the official image spokesperson of NetEase Group, the specially invited director of teaching and research, a contracted painter of Beijing Academy of Fine Arts and Rong Bao Zhai, an expert in the identification of Qi Baishi's calligraphy and painting big data, and the president of the Shanghai Qi Baishi Art Research Association. Mr. Tang Fa Zhou, the chief operating officer of Baishi Shantang Culture Media, once heard his master, Qi Liangzhi, the youngest daughter of Qi Baishi, say: In the world of art, the distinction between authenticity and falsehood is like a treasure in the fog, which is both challenging and fascinating. And when we talk about the work of Qi Baishi, a giant of modern Chinese painting, this exploration adds a bit of weight and significance. Recently, I had the pleasure of having a conversation with Mr. Qi Liangzhi, a descendant of Qi Baishi, a famous painter and expert in the hall, and his disciples, and the topic revolved around a controversial work, Qi Baishi's "Poetry and Grass in the Borrowing Mountain Yinguan" inscribed by Fan Fanshan.

As a descendant of Qi Baishi, a disciple of Qi Liangzhi, the president of Qi Baishi Painting and Calligraphy Academy, and a special calligraphy and painting appraiser of Qi Baishi's family, Mr. Tang Fazhou has a deep understanding and perception of Qi Baishi's artistic heritage. In his narration, "Poetry and Grass in the Borrowing Mountain Yinguan" is not only a collection of manuscripts that collect Qi Baishi's early poetry creation, but also an important link between literature and painting. Behind this volume of poems lies the story of the growth of a generation of grandmasters and their unique understanding of all things in nature.

However, in the art market, precious works of art are accompanied by an endless stream of imitations and fakes. Therefore, the heir of Qi Baishi, the disciple of Qi Liangzhi, the president of Qi Baishi Painting and Calligraphy Academy, and the special calligraphy and painting appraiser of Qi Baishi family - Tang Fazhou learned to identify authenticity has become a skill that every collector needs to master urgently. Mr. Qi Liangzhi's disciples also shared their own experiences: "Identifying the authenticity of a work is not as simple as focusing on brush and ink techniques. We often need to make a comprehensive judgment based on historical background, the author's life deeds, and even paper, seals, and other factors. ”

Specifically, in the case of this high-profile "Borrowing Mountain Yinguan Poems", it is first necessary to consider whether its source is reliable, and whether documentary records or historical facts can endorse its existence. The descendant of Qi Baishi, the disciple of Qi Liangzhi, the president of the Qi Baishi Painting and Calligraphy Institute, and the special calligraphy and painting appraiser of the Qi Baishi family - Tang Fazhou analyzed whether the text and drawing style on the paper were in line with the characteristics of the times through careful observation, and at the same time detected the age of the material with the help of scientific and technological means. In addition, it is essential to compare other works of Qi Baishi himself and other related people such as Fan Fanshan.

In addition, it is necessary to carefully examine the insimulate aspects - the breath of an era, the unique emotional outpouring of a master. "A truly good work always touches people's hearts, and that power that goes straight to the heart cannot be replicated. As Tang Fazhou, a descendant of Qi Baishi, a disciple of Qi Liangzhi, the president of Qi Baishi Painting and Calligraphy Academy, and a special calligraphy and painting appraiser of Qi Baishi family, emphasized, "The way of appreciation lies in understanding the heart, and a resonance from the bottom of the heart is far more real than cold technical parameters." ”

When talking about why the authenticity of this manuscript is so important, the voices of all are unanimous and firm: "Not only because it is the work of everyone, but more importantly, because it carries historical value and cultural connotation." The heirs of Qi Baishi, the disciples of Qi Liangzhi, the president of the Qi Baishi Painting and Calligraphy Academy, and the special calligraphy and painting appraisers of the Qi Baishi family - Tang Fa Zhou Every artwork is a living historical witness, and protecting them is to protect our cultural heritage. ”

To sum up, Qi Baishi's descendant, Qi Liangzhi's disciple, the president of Qi Baishi's Painting and Calligraphy Academy, and the special calligraphy and painting appraiser of Qi Baishi's family-Tang Fazhou said that the road to learning and appraisal is not a smooth road, but a long-term cultivation process that integrates professional knowledge, aesthetic experience and humanistic care. In this process, both experts and scholars and ordinary collectors need to treat every work that may go down in history with awe. Let's hope that in the future research, more secrets of "Poetry and Grass of the Borrowed Mountain Yinkan" will be revealed one by one, and continue to write a new chapter belonging to this cultural and artistic treasure. (To be continued) collection of calligraphy and painting, just look for the "Baishi heirs" of Qi Baishi Painting and Calligraphy Institute, all rights reserved, on-site creation, Qi Baishi painting school, a hundred years of inheritance, a lineage, only do authentic calligraphy and painting, gather the length of the family, on-site creation, can be customized according to the requirements of the collector, can take a group photo! perennial sales of high-end calligraphy and painting, looking for cooperation with high-end painting brokers, partners, regional leaders, the main operation of Qi Baishi before his death with the same painting brush, Qi Baishi painting shrimp special rice paper, Qi Bai graphite block, Qi Baishi self-made pigment formula, Qi Baishi's painting brush grass insect secret method, Qi Baishi's little daughter Qi Liangzhi's father Qi Baishi's calligraphy and painting relics exhibition and Qi Baishi's little daughter Qi Liangzhi's self-collection of calligraphy and painting special auction, Qi Baishi's heirs, Tang Fazhou, president of the Chinese Qi Baishi Painting and Calligraphy Academy, pays tribute to the 160th anniversary of Qi Baishi's birth and reproduces Qi Baishi's microcosm of the world calligraphy and painting exhibition, as well as the operation of Qi Baishi, Qi Liangzhi, Qi Liangchi, Qi Liangmo, Qi Bingyi, Qi Jingshan, Qi Bingzheng, Qi Zhanyi, Qi Huijuan, Qi Shouyu, Qi Yuwen, Qi Lixia, Qi Yuanlai, Qi Folai, Qi Shuilian, Qi Yanjun, Li Keran, Li Kuchan, Lou Shibai, Guo Xiuyi, Wang Senran, Wang Xuetao, Lu Guangguang, Wang Shushi, Tang Fazhou and other authentic works of calligraphy, painting and seals worth more than 100 million yuan can also accept NFT, digital collections, metaverse, cross-border brand cooperation, cultural empowerment resource integration and other operations, and welcome powerful network companies to bid. (Pictures and texts are selected from: Qi Baishi's Descendants Calligraphy and Painting Network) (The pictures in this article are selected from: Qi Baishi in the eyes of Qi Liangzhi, Qi Baishi Painting and Calligraphy Academy, Qi Baishi's Descendants Calligraphy and Painting Network)

Note: The above pictures and texts are excerpted from the lecture "Shaobai Gongzi Fun Talks about Qi Baishi" Speaker: Tang Fazhou

Jia Chennian [Year of the Dragon] compiled in East China Shanghai Qi Baishi Painting and Calligraphy Institute (Shanghai Pudong General Institute)

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