I wish Yunming Gong Xiaokai, line, grass, especially the wild grass is the most distinctive. Wen Zhengming is good at Kai, line, grass, subordinate to the body, especially the work of Xiaokai, the law is strict, the dot painting is fine, and it is not declining.
Zhu Yunming Xiaokai takes the King of the Bell of the Law, the attainment is very high, represented by the hand-me-down works "Guan Gong Temple Tablet" and "Red Cliff Fu", etc., refining the ancient method, the glyph is slightly long, thin and healthy, and natural and simple.
In terms of calligraphy theory, Zhu Yunming paid attention to the combination of Jin Yun, Tang Law and Song Yi, and emphasized the harmony and unity of "gong" and "sex". He had a great influence on both the "Wumen School of Calligraphy" and the "Innovative School of Calligraphy" in the late Ming Dynasty.
Today, I will share Zhu Yunming's Xiaokai work "Wu's Fishing Moon Pavilion", Xiaokai, in November of the ninth year of Hongzhi (1496), Zhu Yunming was used by his friend Wu Ting as "The Story of Fishing Moon Pavilion", which is collected by the National Palace Museum in Taipei.
Knowledge: Hongzhi nine years (1496) years old in Bingchen winter November Xinhai Rinan to the township Gongjin Shili people Zhu Yunming Ji. From this volume, it can be seen that the pen is thick and steady, the form is slightly flattened, and the different character structures are rich in variety, full of interest.
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