The grandson of the previous generation of kings, Han Xue at different times.
Pure quality order, chanting masterpieces.
The painting is holy, and the ink is wonderful.
Literary style, reflecting future generations.
The biography of "History of the Yuan" says: "Meng Fu is subordinate to the true line of grass, and all of them are the best in ancient and modern times, so he is named after the book. "Zhao Mengfu Jijin, Tang calligraphy of the great success, descendants of its calligraphy said: Zhao character "Tang and Song Dynasty people are inferior". Or it is said that "hundreds of years before and after, unique, there is no such book", it can be seen that its wind power is outstanding, and its influence on future generations is far-reaching.
Zhao Mengfu's book "Words of Return" comes from Tao Yuanming's famous article, which expresses Mr. Tao's determination to return to the countryside, and shows his dissatisfaction with realpolitik and the life of the eunuch. Zhao Mengfu chose this article as a law book to reveal his inner world, and the whole article was completed in one go.
△ Zhao Mengfu's "Words of Return" original large high-definition rice paper copy, size: 162.05*27.43cm
Its use of the pen is simple, do not make the mystery, the pen, the pen is clear, mellow and muscular connotation, its dot painting is vigorous, the knot is wide and beautiful, the dot painting between the echo is very close, the shape is beautiful and the skeleton is strong. Appreciating Zhao Mengfu's calligraphy is like appreciating the beauty that has just come out of the bath, looking forward to it, delicate and beautiful, which makes people indulge in it, and does not know the taste of meat in March.
"Autumn Xingfu" is one of the representative works of the Western Jin Dynasty writer Pan Yue. Pan Yue is a writer of the Western Jin Dynasty, whose name is Anren. Pan Yue is as famous as Lu Ji, the author of "Wenfu", in the literary history of the Western Jin Dynasty, and is known as "Pan Lu" in history. Liang Zhongrong's "Poems" lists Pan Yue's works as the top grade, and has the praise of "Pan Cai is like a river". Pan Yue can be called "both talented and beautiful", and what the people never forget is his appearance, which has the metaphor of "being more talented than Zijian, and looking like Pan An".
Zhao Mengfu's "Autumn Xingfu" original large high-definition rice paper copy, size: 183.39*27.71cm
Zhao Mengfu's "Autumn Xingfu" is written beautifully and deeply, round and thorough, with a calm and open magnificence, which also echoes the handsome and magnificent style of Pan Yue's "Autumn Xingfu". Compared with the rigorous law of Tang calligraphy, Zhao Mengfu's calligraphy is more elegant and elegant. The writing atmosphere of "Autumn Xingfu" is like a river overflowing, although it is not a majestic momentum of overwhelming mountains and seas, but its stretch is familiar to the meaning of "Xing". Its pen is calm and tranquil, like a moment of splendor and loneliness, blown by the autumn wind, not excited, gentle and elegant, such as a leisurely walk after tea, a touch of clear light shines on the earth.
△ Zhao Mengfu's "Jade Pillow Orchid Pavilion Preface" original large high-definition rice paper copy, size: 34.69*15.43cm
And Zhao Mengfu's prestigious "Jade Pillow Orchid Pavilion Preface" is a shrinkage of the "Orchid Pavilion Preface", which is easy to carry and can be played at any time. In the Ming Dynasty, there were even those who shrunk the "Orchid Pavilion" to a square inch, which was close to the later miniature calligraphy. This volume of "Jade Pillow Orchid Pavilion Preface" is nearly three times smaller than the commonly seen rubbings of "Orchid Pavilion", but it is written freely, graceful, not only the shape of Bi Xiao, the kind of graceful and beautiful, jade and round charm, can simply compete with the copy of the princes of the Tang Dynasty.
Zhao Mengfu's book, can be described as a remote connection to the book of the saint's lineage, the whole paste is meticulous, quite a natural interest, although from the rules, but there is no embarrassment, so that people want to see the demeanor of the immortals. As Mr. Xu Bangda, a giant in contemporary painting and calligraphy appraisal, said: "Song Xueweng loves the Orchid Pavilion preface, and his eyes and copyers do not know how many are ordinary, and they are more wonderful than the shrinkage of the original."