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During this time, the TV series "Harbin 1944" starring Yang Mi made a strong debut, but it attracted criticism from many audiences. As a senior actor, Yang Mi's performance in this play is indeed a big surprise.
The wrong interpretation of acting skills and the artificiality of deliberately showing off the figure overshadowed the role of Guan Xue, who could have been portrayed as a classic role. We have to ask, is this Yang Mi's fault, or is it the problem of the whole show?
Yang Mi plays the role of Guan Xue in the play, a female spy with a complex personality and deep thoughts.
However, Yang Mi interprets this character with an incompatible performance style - she always yells exaggeratedly, and frequently destroys items for no reason to vent her dissatisfaction. This kind of performance technique not only goes beyond the attributes of the character, but also seriously affects the audience's perception.
In stark contrast to Wang Ou's wonderful portrayal of Wang Manchun in "The Pretender", Yang Mi's Guan Xue can only be regarded as a "performance version of a psychopath", rather than a scheming female spy.
Her frequent "crazy" performance techniques in the play not only ignore the character archetypes, but also make the audience completely unable to engage. A spy role needs to be restrained and deep to convey scheming, but Yang Mi provides exaggerated madness - which has detached from the essential attributes of the character.
Faced with the temptation of Qin Hao's role, Yang Mi suddenly danced the disco dance, which can be described as embarrassing in the whole play. This kind of performance, which wants to deliberately create charm but gets the opposite effect, can only make the audience feel weird and disobedient.
We have to ask whether Yang Mi's performance technique is too subjective and self-indulgent.
If Yang Mi's acting skills need to be improved, then her deliberate pretentiousness in the play is even more unbearable. Almost all the shapes are deliberately concave and highlight the curves of the body, without considering the attributes and situational logic of the characters.
Yang Mi's hairstyle has not changed from beginning to end, with wavy curly hair and full makeup shining on his back injury, he doesn't look like an undercover agent, but like a lazy daughter.
Show off your figure at home in sexy suspenders, and even pajamas are carefully designed to show off your body just right. All camera angles are more like taking photos than serious spy war plots.
This level of show has seriously affected the viewing experience, making people suspect that this drama is just Yang Mi's private show. If an actor does not have a sense of responsibility for the role and the plot, if he is only immersed in the space of self-expression, I am afraid it will be difficult to hand over a competent answer.
Of course, it must be objectively said that it is not all her problem that causes Yang Mi's performance to be out of shape. The portrayal of the characters in the whole drama from the director to the screenwriter is seriously misleading, which also leads to Yang Mi falling into the quagmire of self-play without a clear reference for the attributes of the characters.
The costume team tailor-made sexy costumes for Yang Mi throughout the process, and the director close-up her face and figure many times, which provided conditions for her to show off her figure. Obviously, if the entire creative team can maintain the seriousness of the plot and characters, Yang Mi will not fall into this kind of performance quagmire.
Therefore, we must be aware that the actor's performance is often a sign of the problem of the whole work. The director and screenwriter's lack of rigor in setting the characters in the plot will also mislead the actors' performance direction.
Although "Harbin 1944" is a disappointing "misplaced performance", we still expect Yang Mi to learn from this lesson and return to his true colors.
Bai Qian in "Three Lives, Three Worlds and Ten Miles of Peach Blossoms", and Ah Zi in "The Legend of Sword and Fairy III", all showed her delicate and restrained acting skills.
New challenges are valuable, but actors also need to be clear about their positioning and choose the works that suit them.
We hope that Yang Mi will not be discouraged because of a failure, but will continue to explore his performance potential and bring more wonderful roles to the audience. After all, her acting skills have long been too outstanding and should not be affected by a performance accident.
Yang Mi's performance in "Harbin 1944" can be said to be an all-round mistake, from exaggerated acting skills to deliberate show off his figure, he has taken exaggerated detours and is seriously out of touch with the characters.
But we also saw that the problems with the creative team also caused her to fall into the performance quagmire. Therefore, we must not only remind Yang Mi to pay attention to the direction of acting, but also call on the entire industry to pay attention to the seriousness of the characters in the script.
Only when the two go hand in hand can you create a great work. Let's continue to look forward to more wonderful roles from Yang Mi.