Since leaving the nest, Tang Shiyong, the former TVB TV queen and Hua Dan, has been interviewed many times to talk about the so-called bitter history, revealing that she has been arranged by the company to shoot the same type of drama for a long time, and there is no breakthrough in playing the same type of role, and she wanted to leave the nest in 2015, and she was free after leaving. It is precisely because of this that many Hong Kong entertainment media have used this to promote Tang Shiyong as an example of "abandoning the dark and turning to the light", and also claimed that this "free man" successfully entered the film industry after getting rid of the shackles, trying his best to create a promising scene.
But is this really the case? After an investigation by the editor's "Hong Kong and Taiwan Entertainment Pass," we found that this is not the case.
It is true that Tang Shiyong, who got rid of the identity of a TVB artist, no longer encounters the boyopy of TVB black fans, and can receive some advertising commercial performances and variety shows that focus on the local market, but the so-called statement that he will get rid of TVB and successfully take off in the film industry is full of moisture and falsehood. According to the latest updated wikipedia information, she has participated in two movies after leaving the nest, namely "Breaking Point" and "Undercover Retirement".
Taking "Breaking Point" as an example, the wiki entry lists Zhang Jiahui, William Chan, and Liang Luoshi as the leading actors, Tan Junyan and Jiang Haowen as the leading actors, while Tang Shiyong is only among the "other actors", and ranks fifth from the bottom, with pitiful scenes.
What is the concept of being fifth-to-last? Not even as good as colleagues who are also involved and stay in TVB. Tan Junyan doesn't need to talk about it, his identity is one of the leading actors, but Zhang Yingkang and Qiu Ziqian's status in TVB is not as good as her second-line, third-tier and fourth-line, and their positions and roles are much stronger. Tang Shiyong is just an inconspicuous green leaf in the film.
"Undercover Retirement" is relatively better, she ranks third in the female lead, barely able to be called the heroine, but this is a very low-cost non-co-production film, and she is still waiting for the release date, and the salary and actual benefits given are likely to be inferior to the TVB period.
In addition, Tang Shiyong has served as the heroine of the movie many times during the TVB period, such as "I Want to Be Developed" co-starring with Lin Shengbin, "Escape" co-starring with Louis Koo, Liu Qingyun, Chen Sicheng, and Li Xinjie, and "My Rival Son-in-law" starring Ren Dahua, Carina Lau, Jiang Haowen, Fang Lishen, Wang Yuanzhi, etc., The resources and treatment in the film industry are far better than those obtained after leaving the nest. Especially "My Rival Son-in-law", which also achieved a good result of 17.427 million Hong Kong dollars that year, is definitely her masterpiece in the Hong Kong film industry.
Therefore, Tang Shiyong's statement that she developed better after leaving TVB after leaving the nest and took off directly in the film industry is a completely unfounded fallacy, and the TVB period is her highest moment in the film industry. To be honest, I can understand the attitude and reasons why some local entertainment media hate TVB, but it is very inappropriate to completely ignore the facts, people step on the mud on the soles of their feet when they stay in TVB, and blow up after leaving TVB, is it too outrageous? In my opinion, it is better to seek truth from facts when reporting, and it is not too late for people to be on the hot search without mentioning TVB.