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In Episode 4 of "The Invisible Squad", Baby Joe reunites with former student Zheng Jiajia, and this encounter leads to a series of disturbing events. Jia Jia told Baby Joe about her recent experience, she felt as if she was entangled in some terrible force, but Baby Qiao did not take it seriously, blaming it all on the pressure of work. However, in the end, Tang Shiyong's negligence indirectly caused Jia Jia to suffer innocent injuries, all of which made people feel unworthy of Tang Shiyong.
This plot arrangement seems to have repeatedly fallen on Tang Shiyong, constantly causing dissatisfaction among the audience. If you go back some time, Su Yi in "White Strongman 2" was also criticized for being too contrived and acting like a virgin. In particular, the episode of the pregnancy miscarriage and Tang Ming's breakup was criticized as selfish and unreasonable.
In another work "Iron Fist Heroes", although Tang Shiyong is controversial because of the problem of fighting, there are also problems with the script related to it. At the end, Tang Shiyong's character is controlled by Lu Xiangdong and forced to kill people everywhere, such a plot is obviously forcibly set up to create conflict, turning the role that should be a strong heroine into a plot tool. This kind of script arrangement can easily damage the actor's favorability in the minds of the audience.
However, Tang Shiyong is no longer the actor at the peak of her former appearance, no longer the pure and invincible sister in "Forensic Pioneer" and "When the Clover Meets the Fingertips". But her performance from Tang Shiyong to Aunt Tang, although her youth is no longer there, but she has faded her childishness and presented a mature royal sister style, a change that also makes the audience love.
Like Shao Meiqi, Tang Shiyong cannot escape the inevitable imprint of years for middle-aged actresses. However, compared with other actors, Tang Shiyong's traces of age are not obvious, and she presents a stable and mature temperament. This characteristic allows her to completely suppress Chen Ying in a few minutes of cameo appearance in "Beautiful Battlefield". Although Chen Ying also began to mature her image later, she lacked the precipitation of Aunt Tang's years and could not be compared with it.
Unfortunately, Tang Shiyong has left TVB, and at the end of the Five Little Flowers era a few years ago, she was promoted to the second female of "The Woman Who Doesn't Know How to Be Coquettish" and won the honor behind the scenes. This honor also made her bear the title of "Queen of Water" for many years. Today, although Tang Shiyong's appearance is still impressive and her acting skills are becoming more and more mature, the question is why has she been arranged to appear in those unsatisfactory scripts?
There are works like "Super Messenger", and the emotional drama with Chen Zhanpeng is touching, if there are more such works, maybe Tang Shiyong will not choose to leave. Today, TVB has failed to retain Tang Shiyong, and the lineup of middle-aged actresses is even weaker, and the lack of actors like her is indeed a big loss.
In short, although Tang Shiyong has passed the peak of her appearance, her mature charm is still attractive. However, it is a pity that she has been plagued by a problematic script. I hope that more scripts will highlight her acting skills and charm in the future, so that she can continue to shine on the screen.
Revelation:
When discussing the story of Baby Qiao and Zheng Jiajia, in episode 4 of "The Invisible Team", we can get some important revelations. First of all, this episode reminds us to pay attention to the feelings of the people around us and not to trivialize their troubles. Jia Jia obviously feels entangled in something terrible, but Aunt Q only blames this on work pressure, an attitude that can lead to ignoring the real problem.
Secondly, Tang Shiyong's negligence in the plot leads to Jia Jia's innocent victimization, which also reflects the importance of responsibility. Everyone needs to be responsible for their actions in work and life, otherwise they may harm others.
Another revelation was about the importance of the script. The quality of the script directly affects the performance of the actors and the acceptance of the audience. Tang Shiyong has been criticized for the problem of the script, which suggests that screenwriters should be more nuanced when creating characters to avoid unreasonable or unsatisfactory plots in characters.
Summary:
When discussing Tang Shiyong's performance in different episodes, we see the development and challenges of her acting career. Tang Shiyong's role has developed from a pure and invincible sister professional to a mature royal sister-style role, and her acting skills have also been improved. Although her appearance is no longer at its peak, she has successfully created a mature and stable character image that the audience likes.
However, Tang Shiyong also faced the problem of the quality of the script, which manifested itself in some of her works. Sometimes, the characters' behavior and plot design are not reasonable enough, which may affect the audience's acceptance. This emphasizes the responsibility of the screenwriter when creating the characters and story, which requires more deep thought and meticulous processing to avoid unreasonable plots.
In addition, Tang Shiyong's role choice also had an impact on her acting career. Some episodes may upset viewers, while others will be popular. For example, the emotional scene with Chen Zhanpeng in "Super Messenger" is loved by the audience, which shows that choosing the right script and role is crucial to the development of actors.
Finally, Tang Shiyong has come out of the shadow behind the water, and her acting skills are becoming more and more mature, and she is no longer evaluated purely by her appearance. Her growth and progress are worthy of recognition, and for middle-aged actresses, her departure from the nest may make the field even more disconnected. In the future, we hope to see more excellent scripts and opportunities to give middle-aged actresses the opportunity to show themselves so that they can continue to succeed in the show business.
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