Fan Wei and Lin Jiachuan, two names that are hot in the entertainment industry.
They each interpret the role of a labor prisoner who has just been released from prison in the new play.
The acting skills are varied, eye-opening, and a textbook model of performance.
The two perfectly interpret the two states of the prisoner, which can be said to be exactly the same as in reality.
One is an ordinary honest person, and the other is an arrogant and domineering criminal.
In the new film "Morning Clouds and Twilight Rain", Mr. Fan plays "Lao Qin", a farmer who was sentenced to 27 years in prison for manslaughter.
When Lao Qin was first released from prison, he held back the panic in his heart and stiffened all over.
Like a frightened little animal, but still trying to pretend to be well-behaved and honest, for fear of annoying people.
Every subtle expression and every small movement of his voice speaks of fear and discomfort in this strange and familiar world.
Mr. Fan's acting skills can be described as appropriate, depicting Lao Qin's inner struggle vividly.
The textbook-like layering of the performance is breathtaking.
And Lin Jiachuan played "Tang Xiaolong" in "Hurricane", a gangster in the market and a labor prisoner who had just been released from prison.
is different from Mr. Fan's exaggerated level, Lin Jiachuan's performance seems to be more natural, without any trace.
He uses extremely hidden facial changes and subtle movement adjustments to express the character's emotional ups and downs very naturally.
Lin Jiachuan seems to have disappeared into this role, and even his own sense of existence is very weak, and it is the role that dominates the performance.
This kind of "non-me" acting realm can be described as unattainable.
The two have very different performance styles, and Mr. Fan pays attention to the emotional contrast of ups and downs, and portrays the psychology of the characters thoroughly.
And Lin Jiachuan is a hidden edge, so that every moment of the character comes from life, both of which can be described as models of acting skills.
What is convincing is that through their own style interpretation, they have made this typical ex-prisoner have a three-dimensional sense and a vivid heart.
It is no longer a single label or impression, but a flesh-and-blood, plump and three-dimensional "person".
When everyone thought that Mr. Fan's performance was superb enough, Lin Jiachuan's silent acting skills gave us a new shock.
The two ways of acting are like two acting textbooks, which are refreshing and eye-opening.
They document how the same character can be portrayed as a three-dimensional entity in different stylistic ways, rather than just labels or concepts.
Maybe many actors can play exaggerated performances, but there are very few who really perform silently.
Lin Jiachuan is a leader in this field, and he uses his performance to tell everyone.
Acting skills are not only in the way of being outward, but also in the introverted There may be endless possibilities.
This kind of intrinsic, hidden performance strength also requires a strong ability to control.
Whether it is the clarity of the external level or the silent moisturizing inside, Mr. Fan and Lin Jiachuan showed us what a textbook performance is.
These two "textbooks" provide valuable learning materials for the development of acting skills, and also let us see the infinite charm of actors' mature acting skills.
In their own way, they enrich the connotation of the characters and inject the fresh breath of life into the movie.
Perhaps for new actors, it is easier to get started with being good at exaggerated performances.
However, in order to achieve hidden and natural acting skills, it takes a long time to accumulate and continuously improve acting skills.
From the performances of Mr. Fan and Lin Jiachuan, it can be seen that the two have different interpretations of their roles.
The creation of a character is three-dimensional and multi-faceted, as if we have different facets.
Such a character can be brought into it by the audience and empathize with the emotions of the characters.
Judging whether the character's behavior is reasonable or not, and what does it have to do with the advancement of the plot.
The development and extension of this possibility will also promote the road of acting in Chinese films.
It is also the soul of an actor, acting is not only the foundation of an actor, but also the essence of the entertainment industry.