The whole network has been opened to protect rights and carry plagiarism reports
Recently, the casting of CCTV's new drama "Faint Fire" has aroused widespread heated discussions in the entertainment industry. 38-year-old Tong Yao and 28-year-old Zhang Xincheng were arranged to stage a sister-brother relationship with a ten-year age difference, and this combination undoubtedly brought a strong visual impact to the audience.
And the discussion about the drama of "sister and brother love" has also caused a lot of waves inside and outside the entertainment industry.
In fact, this is not the first time that the entertainment industry has tried "sister and brother love". As early as many years ago, stars such as Jiang Wenli and Zhang Xiaofei had cooperated with young actors in similar plots.
However, such drama is always accompanied by controversy and doubt. Some people believe that the age difference is too large, making the emotional line between the characters seem too far-fetched and unconvincing.
And some people believe that as long as the actors' acting skills are in place and the plot is reasonable, the age difference is not a problem.
There is nothing wrong with the drama of "sister and brother love" itself. In real life, age differences are not the only factor that affects the development of relationships.
However, in film and television dramas, the screenwriter and director must handle this relationship carefully to ensure that it meets the needs of the characters and the plot. If it is just a mechanical setting of "sister and brother love" in order to create a topic, then the audience's disgust is inevitable.
The audience's expectation for film and television dramas is not only to watch a lively scene, but also to find resonance in the work and feel the warmth and truth of human nature.
Therefore, when the relationship between the characters in the work is too abrupt and far from real life, the audience will naturally respond with strong opposition. This reflects that there are certain problems in the entertainment industry's creative approach.
Under the trend of marketization, in order to capture the eyeballs, some practitioners often have a fluke mentality, trying to make up for the shortcomings of the works themselves through hype.
However, this approach often falls short of the desired effect. The audience's eyes are bright, and they are able to distinguish which ones are genuinely high-quality works and which ones are hype just to attract attention.
Therefore, this kind of opportunistic approach is not only difficult to gain word-of-mouth and ratings, but also damages the image of the star, and even affects the image of the entire industry.
In fact, excellent film and television drama creation requires a sense of responsibility. Choreographers should adhere to the principles of artistic creation, maintain the intrinsic artistic value of their works, and not easily compromise with the pressure of the market.
Actors should also maintain professionalism, not just for the sake of traffic, but to choose works with depth and connotation, and shape the characters through superb acting skills, so that the audience can feel the truth and charm of the characters.
While markets and capital are important, they cannot override the independence of creation. Creators should maintain their love and pursuit of art, pay attention to real problems in real life, and show the brilliance of human nature through delicate portrayals and in-depth thinking.
Only in this way can we create film and television works with real depth and connotation, and win the recognition and love of the audience.
At present, China's film and television content is booming, and the horizon is becoming more and more broad. The audience's aesthetic has also become more mature and diverse, and they pay more attention to the quality and connotation of the work.
Simple traffic shaping and hype no longer work, and what the audience needs is a work that is truly in-depth and thoughtful.
Therefore, industry players must remain rational and not be tempted by the short-term interests of the market. It is necessary to adhere to the value orientation, pay attention to real problems in real life, and convey positive energy and positive values through film and television works.
The choreographer must have a sense of responsibility, reject vulgar gimmicks and hype, and touch the hearts of the audience with sincere emotions and in-depth thinking.
Actors should also choose high-quality works, interpret the role with superb acting skills, and let the audience feel the truth and emotion of the character.
Only by returning to the content itself can Chinese film and television creation be reborn. Let's look forward to the emergence of more film and television dramas with rich connotations, distinctive personalities, and real and moving in the future, showing the complexity and surging of this era.