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Recently, the high-profile spy war drama "Harbin 1944" finally met the audience, but the response after the broadcast was not satisfactory, and it was unexpectedly widely criticized by the audience.
The lineup of this drama can be called luxurious, with experienced director Zhang Li teamed up with talented screenwriter Wang Xiaogun.
Zhang Li once created "Ming Dynasty 1566" with a score of 9.8, and Wang Xiaogun worked closely with the Noon Sunshine team, especially in the theme of spy warfare. With such a strong creative team, it is hard for anyone to resist.
However, it is a pity that Qin Hao not only received a poor-quality script, but worse, he also met a partner who was not very good.
It was originally regarded as a new classic of spy war dramas, but why did it end up like this? Let's explore the reasons behind it.
The coherence and logic of the plot make the audience cry out for low intelligence! Is this a drama for the elderly who take a slow beat?
is especially dissatisfied with the fact that in the play, Guan Xue (played by Yang Mi) disguises herself as an underground worker with a fancy dress and heavy makeup.
Not only that, but the connector in the play easily recognized her identity with just the traces of a watch, and this kind of plot processing seems too sloppy and difficult for the audience to accept.
The actors' performances have also become the target of public criticism, especially the leading actor Yang Mi. was compared with Wang Ou.
Viewers pointed out that her performance in the play focused too much on showing a sexy external image, and failed to fully explore and express the deep inner emotions of the characters.
This superficial way of acting makes the audience feel more like watching a fashion blockbuster than a spy war drama that is deeply rooted in the hearts of the people. The production team was also implicated as a result.
The audience believes that the director and screenwriter are unable to build the plot and shape the characters. The plot of the whole play is bland, the characters are thin, and they lack depth and layering.
This seems to reflect the fact that the production team has neglected the core of the plot and the fullness of the characters while pursuing visual effects and topicality.
The failure of "Harbin 1944" has brought profound reflection to the industry. This is not only a warning to the production team and actors, but also a reminder to the entire film and television industry.
While pursuing high ratings and network traffic, it is necessary to pay attention to the quality of the script and the depth of the actors' performances. Only in this way can we create excellent works that can truly move people's hearts.
As a dinner drama that is deeply loved by the audience, spy war dramas need more rigorous and refined plot logic. Otherwise, what is the difference between those anti-Japanese dramas before Gen?
Only by constantly digging deep into the historical background and portraying colorful characters and intricate plot development can we meet the increasing aesthetic needs of the audience.
The encounter with "Harbin 1944" may be a turning point, prompting the industry as a whole to pay more attention to the quality and depth of the work.
I hope that future spy war dramas can take this as a reference, continue to innovate, and bring more wonderful and profound works to the audience.