#以书之名#
Tang poems and Song lyrics, like a golden treasure house, once opened, will be brilliant, glowing. Stepping inside, you feel like you are in a golden hall surrounded by lifelike statues of poets. Wang Wei sang in the mountains and forests, Wang Bo made a preface to King Teng in high spirits, Lu You carried his hands behind his back, sighed about state affairs, and Su Shi splashed ink to watch the river flowing. With the sound of drums, a statue of a poet in white seems to be resurrected, he holds the sword of the green lotus, drunk and hazy, singing "I am born to be useful, and my daughter will come back when I am gone", which makes people's hearts surge.
This poet is Li Bai, who is like a bright pearl in the literary world. He wrote more than 1,000 poems in his life, and more than 1,000 poems have been handed down to future generations. Although his poems do not directly talk about feelings and national affairs, they reveal sincere emotions and love for the land of the Tang Dynasty everywhere. He has been drinking gold bottles of sake all his life, and although his career is not smooth, his golden talent will never fade.
When Emperor Tang Ming and Yang Guifei were watching peonies by the Agarwood Pavilion, Li Bai was summoned to compose poems. He staggered to the Son of Heaven drunk, sprinkled his face with water, and without any combing, he wrote down three songs of "Qingping Tune" with a pen. One of them is just 28 words, and it writes the beauty of the concubine, boasting people without revealing traces, which can be called the most "flirtatious" poem in history.
The clouds want to dress and the flowers want to look, and the spring breeze blows Revlon.
If it weren't for the jade mountain, it would meet Yaotai under the moon.
Remarks: threshold (jiàn)
The clouds yearn for the beauty of the clothes, the flowers yearn for the beauty of the face, the spring breeze blows the railing, and the dewdrops embellish the colors, which shows its intensity. Such a heavenly and beautiful country, if it is not the fairy scenery in the jade mountain, it is an encounter under the yaotai. This poem is the stroke of genius after Li Baijiu, the words are beautiful, and the sentences are brilliant. The first time I read it, it is like a spring breeze blowing on my face, and my heart is relaxed, and when I taste it again, I am dizzy and full of flowers. The poet skillfully uses peony as a metaphor for Yang Guifei, compares clouds to neon clothes, and flowers set off its alluring posture. The anthropomorphic technique depicts the thoughts of clouds and flowers vividly, which is wonderful. The second sentence describes the spring breeze and the dewdrops add color, which is a metaphor for Yang Guifei's natural beauty and graceful appearance.
The last two sentences use fairyland imagery such as jade mountain, yaotai, and moonlight to outline an unearthly fairy image. Under the poet's pen, Yang Guifei is like a fairy from Yaotai in Yushan. This poem uses rhetorical techniques such as personification, metaphor, and exaggeration, and only 28 characters are like a snake dancing, showing the beauty to the fullest, elegant and vivid. After thousands of years, I still feel that the aftertaste is long, and if a man gives this poem to a woman, I am afraid that no one can not help but be moved.