According to the Internet, cross talk artist Guo Degang asked Jiang Kun three questions, which caused heated discussions. One question is, how many young people have you cultivated after you have been the chairman of the music association for ten years, and which one has you cultivated; the second question is which team of cross talk has grown up with your help or support; and the third question is which endangered genres of music that you have saved or copied so that they have something to eat.
Guo Degang's merciless "soul torture" can be described as sonorous and powerful. I don't know how Jiang Kun felt after hearing it, he may have to stir up layers of "waves" in his heart, which is very uncomfortable. Everyone knows that Guo Degang and Jiang Kun don't deal with each other, basically there is no intersection, some just "scold" each other in the air, you say that my cross talk is three vulgarities, and you want to be opposed; I said that you are rubbing my WiFi and brushing up on your sense of existence. Jiang and Guo are public and reasonable, and mother-in-law says that mother-in-law is reasonable, and the tip of the needle is against Maimang, and they do not give in to each other.
Now, let's analyze Guo Degang's "three questions". A few years ago, Jiang Kun spent a huge amount of money to build a Jiang Kun "Laughing Theater" in Yixing City, Jiangsu Province, aiming to cultivate new talents and promote traditional culture. At the time of laying the foundation, Jiang Kun came to cut the ribbon in person, which was noisy with gongs and drums, and there were crowds of people. So far, Jiang Kun has retired for the elderly, and there is still no news about "Laughing Theater", is it "stillborn"? Some say that the capital chain is broken, and some say that Jiang Kun is the "hands-off shopkeeper" and doesn't care, all kinds of rumors are rampant, making outsiders guess the reason. It's really, I don't see a rookie, but I don't know how to laugh. What's even more excessive is that when Jiang Kun was in the leadership position, he still ignored those grassroots artists who came out of small theaters and were popular with the audience, desperately suppressed, and was extremely jealous. Therefore, Guo Degang asked Jiang Kun how many newcomers he had cultivated, and it was estimated that he would not be able to answer if he wanted to.
Guo Degang's "second question" indirectly slapped Jiang Kun's face and made him embarrassed. With the rise of cross talk, cross talk teams have sprung up in various places, and some clubs, after hard work, have made a lot of money and kept their jobs, but they have not been praised by the leaders of the Chinese Music Association; However, the Chinese Music Association led by Jiang Kun was indifferent in the face of the unsustainable club, without guidance and encouragement. It seems that such a bleak situation is irrelevant to these officials who talk about it at work and watch Douyin after work, which is chilling.
Guo Degang's "three questions" even ridiculed Jiang Kun for "dreaming of music once in ten years, and only when he wakes up will he know that everything is empty", he has done nothing on the "stage", and some are just arrogant boasting and ethereal dreams. Faced with the loss of some folk songs. When Jiang Kun was in power, he did not hold a meeting to study how to excavate, organize and inherit matters, but ignored it, causing it to disappear and leave regrets. It can be said that the loss of some local music genres is difficult for the China Music Association to blame.
Guo Degang's three "questions" Jiang Kun, I didn't see the painting, I only heard other people's dictation, whether it was true or not, I don't know. But according to Guo Degang's character, he can ask such sharp questions. But it wasn't Guo Degang who asked, it's not too important. It is generally believed that these three questions are good and wonderful, and they ask the problem. Let's just sit back and wait for Jiang Kun, Comrade Jiang can give a convincing statement!