Huaishang is happy to meet the old people of Liangzhou
[Tang] Wei Yingwu
Jiang Han was once a guest, and every time he got drunk, he returned.
After the floating clouds parted, the water flowed for ten years.
The laughter is as old as ever, and Xiao Shu's temples have been spotted.
He returned to the north, Huaishang to Akiyama.
The poem was written in the autumn of the fifth year of the Great Calendar (770). Wei Yingwu returned to Jingluo from Yangzhou to the north, passing through Huaishang, and met the old man of Liangzhou who had been absent for ten years. Huaishang, in the area of present-day Huaiyin, Jiangsu. Although the title is called "happy", it vividly conveys the poet's mixed feelings when he encounters the old in another country.
The gist of the poem: In the past, we used to live together in the Jianghan area, and every time we met, we always had to gather and drink and get drunk. After parting, we drifted like floating clouds, and the ten years have passed away in a flash like a surging river. Now that they meet again, they are still talking and laughing with each other, and the joy is still the same, but the temples have tended to be gray and sparse. You asked me why I still didn't return to my hometown, just because I lingered in the autumn mountain mangroves on this Huai.
The first couplet of the whole poem describes the friendship between the guests in the past and the drunkenness, which is enough to imagine the two wanderers living in a foreign land, who resonate and fall in love at first sight because of the sympathy of the same fate. After a farewell, after a farewell, ten years later, during which people gathered and dispersed, each other was separated, tossing and turning, and time passed away like flowing water in this ten-year career that seemed to be drifting in the clouds. The "laughter" sentence is appropriate to the poem title "happy meeting", but "as old" and "spotted" people, both see the old friend after the farewell of the relationship is still harmonious, but also quite express the ten years of the years, the vicissitudes of the world of the deep sigh, it can be seen that the two sides in the heart of the joy of the mixed feelings, and each other in the past ten years, all the thousands of words, are condensed in such two concise and clear poems. The tail couplet ends with questions and answers, saying that the reason for not returning is the autumn mountain mangrove tree in Huaishang, which has the effect of closing the love of the scene, which is quite affectionate and far-reaching, swaying. Qing man Huang Shucan commented on the clouds: "I like to meet the old people, and I will talk about the old travel companions." And ten years of flowing water, two temples and spots, to put it bluntly. Naihuai is on the autumn mountain, Judah is in love, the love is sincere, and it is gloomy. (Notes on Tang Poems)
Farewell to Gangnam
【Tang】Han Hao
The line to the south of the Yangtze River suddenly met, and the pear leaves of the Jiangguan Tang were red.
A smile is a thing of the past, and a half-hearted look at each other seems to be a declining man.
The moon in Guanshan is bright and the breeze rises, and others are sent back to the wilderness.
It is probably easy to grow old when it is affectionate, and it is unbearable to have a few roads in the west and east.
The poem is the author's farewell work when he meets old friends on the occasion of a trip to Jiangnan in autumn, and after a half-hearted and hurried meeting, he immediately travels separately.
The gist of the poem: When traveling in the south of the Yangtze River, I suddenly met with my old friend who I hadn't seen for many years, and in late autumn, the tangtang pear leaves in the riverside pavilion had turned red. Under a smile, they sighed together that the past was like yesterday, and after being half-drunk, they looked at each other, and they had already changed from the old high-spirited young man to the half-old man. The moonlight of Guanshan has become more and more bright, the breeze has been rising, and when it is time to send friends back, the ferry in the desert has long been empty. Probably the amorous people in this world are the easiest to grow old, and they can't bear this divergent path and are about to go their separate ways.
The whole poem expresses a kind of parting feelings when they meet their old acquaintances in a foreign country and then go their separate ways, the truth of its meaning, the sincerity of its feelings, and the deep touching. The first couplet points out the author's unexpected encounter with friends on a trip to Jiangnan. The word "suddenly" shows the excitement and surprise of reuniting in a foreign land after a long absence. And "Ye Zhenghong" not only writes the sequence of the festival, it is late autumn, but also sets off the unique atmosphere of the old people who will face each other soon after they meet. The jaw couplet seems to narrate the meeting with a straight pen, but in the middle of a smile contains a deep melancholy personnel emotion and the vicissitudes of the world, the more his feelings are earnest, the more difficult it is to see the parting. From the neck couplet, it turns into the rendering of the farewell theme. The moon is bright and the wind is clear, it is late at night, the old man returns, and what is left to the poet is only the empty ferry in the wilderness, and the endless loss and sorrow in his heart are not difficult to imagine. The most touching part of the whole poem is in the last couplet, which not only closes the theme, but also sublimates the parting scene of the old friend into the most common life feeling, especially for an amorous person like the poet, the inseparable friendship of the old friend at the time of parting is expressed so truly that it is unbearable to point out the direction in which they will go and say a cherished word. The thousands of turns of sorrow and the delicacy and sincerity of emotions are unique in the farewell poems of the late Tang Dynasty.
Gift to the Eight Guards
【Tang】Du Fu
Life is not seen, and it is like a participant.
Tonight and night, a total of this lamp candlelight.
When the young can be strong, the sideburns are already gray.
Visiting the old half as a ghost, exclaiming hot intestines.
Yan knows for 20 years, and he is back in the Gentleman's Hall.
Xi Beijun was unmarried, and his children suddenly went on a trip.
Yiran respected my father and asked me where I came from.
The question and answer is not over, driving away the wine syrup.
The night rain cuts the spring leeks, and the yellow sorghum is freshly cooked.
The Lord said that the meeting was difficult, and it was tiring in one fell swoop.
Shizhen is not drunk, and the feeling is deliberately long.
Tomorrow Mountains and Two Mountains.
Wei Ba, whose name is not known, is called by ranking, and he feels his old friendship. It can be seen from the poem that Wei Ba is Du Fu's old friend, who lives in poverty and has no intention of pursuing a career in office, and the two have been separated for more than 20 years. In the spring of the second year of the Qianyuan Dynasty (759), Du Fu joined the army as the Sigong of Huazhou, and on the way back to Huazhou from Luoyang, he passed by the residence of Weiba, and then visited his old friends. The poem is a faithful record of this old meeting scene, which is simple but deeply moving.
The gist of the poem: The situation that is difficult to see each other in life is often like the rise and fall between the stars and the stars. There are a few more nights like today, and the two of us can finally be together by the same candlelight. The years of youth have geometry, and in the blink of an eye we have gray sideburns. When I asked about the recent situation of my old relatives and friends, half of them had passed away, and I was amazed, and my inner pain was like being burned. Where would you have thought that twenty years later, you would be able to come back to your home again. In the past, you were not married when you were separated, but now you are surrounded by children and are on your knees. They saluted my father's friends and asked me where I had come from. Before they could finish speaking, the children were rushed by their father to prepare wine and dinner. Braving the night rain, the fresh leeks were cut, and the freshly cooked yellow rice in the pot was fragrant and sweet. The host felt that it was not easy to get together this time, and raised the wine cup and drank ten glasses in succession. I didn't feel drunk even after drinking ten cups, and I felt that my old friend was so affectionate. Tomorrow will be separated by the mountains again, the vicissitudes of the world, I don't know when to meet.
When this poem was written, it had been more than three years since "Yu Yang Mo came agitatedly", and Du Fu was nearly half a hundred years old, and he had long been accustomed to the hardships and sufferings of being a widow and a young man. The poet who has gone through the vicissitudes of the world also feels more deeply about the flow and change of personal destiny in the chaotic era and the life encounters that are easy and difficult. Therefore, how could he not be impressed by the reunion with his old Wei Ba in this situation? The reunion was certainly joyful, but in fact, Du Fu felt even more frightened and sad in his heart, because from the moment they met, what awaited them was the separation of the next day. With the vastness of the world, it is difficult to predict, whether there will be a chance to meet, and when will it be? The poet's nostalgia and reluctance have overflowed into words. It is difficult to be affectionate if it is not for close relatives and friends, which shows the different affection between this pair of old friends who have been separated for 20 years. What's even more commendable is that at this time, Du Fu was a subordinate, and Wei Ba was even less famous, and it was even difficult to verify his name, but perhaps it was this kind of friendship between ordinary people that more vividly reflected the epitome of real life in the changing times.
Du Fu is a true lover. The poet can express the most ordinary emotions in the world in a simple, deep, and homely narration so earnestly and appropriately, meticulously, and with a thousand turns, and thus give birth to the most common emotional experience in the minds of later readers in the dual dimensions of human feelings and world feelings.
Gift Huang Luzhi
[Song] Xu Ji
I don't see the old people, but I see the old people's hearts.
Forget to ask where the boat lives, and come to the west city at night.
Xu Jinian is a little older than the valley, but he is very interested in Huang Zhicai's learning. Huang Tingjian once visited Xu Ji by boat on the way, hurriedly recounted, and then left. The poem was sent by Xu after his death.
The gist of the poem: I haven't seen my old friend for a long time, and my longing is deep. Once I saw you come to meet, I immediately felt bright. I just want to say goodbye, and I forget to ask you where you are mooring. This deep longing has turned into a wisp of dreams, haunting this West City all night.
The poem is a gift after the reunion and separation, but it can always tightly hold on to the word "love". The first two sentences are connected with "not seeing" and "seeing", not seeing Misi, seeing is clear, and truly conveying the general feeling of reunion of old friends in the world after a long absence. The last two sentences are written about lovesickness after separation, especially the portrayal of the typical detail of "forgetting to ask where to live", which more vividly depicts the infinite cherishment of each other for this moment of meeting. The last sentence uses exaggerated and illusory techniques to extend the feelings after parting, in order to trace the traces of the departure of friends in the dream, and the rhyme is long and deeply moving. The whole poem is compact, the words are concise, although it is a short chapter, it is deep and long, and it has accumulated a very rich and rich emotional connotation in the simple and simple depiction of the gathering and scattering scene, so it has long been valued by later generations. The Qing dynasty Pan Deyu said: "There are few short chapters, and the meaning of the quality is deep in the ink." The gentleman tried to show the scholar and said: "For the words are unlearned and delicate, they must be muddy and ancient." This chapter is near. "A Thousand Song People's Quatrains" is selected, there is a purpose!" ("Yangyizhai Poems" Volume 6) Lin Changyi said: "This poem has a profound atmosphere, and it is a quatrain." ("Haitianqin Reflections" Volume 1)
Yangzhou Feng Li Twelve
[Ming] Yuan Kai
When he met his son, he was a young man, and the wine of Dongwu City was like a river.
Now how much do you know about the white hair, and Yangzhou is sleeping together in the wind and rain.
The gist of the poem: When I first met you, you and I were still teenagers, drinking wine in Suzhou City. Now I don't know how much gray hair has been born, and I sleep together in the stormy night of Yangzhou City, and talk about my life.
The language of this poem is sparse and sincere, and it is sad and touching to write about a reunion with a friend who sighs the vicissitudes of life. The first two sentences are reminiscences, writing about the strength and arrogance of the two when they first met. With only the three words "wine is like a river", there is the momentum of Du Fu's "Song of the Eight Immortals in Drinking" and "drinking like a long whale sucking a hundred rivers", which directly expresses the unique wild and uninhibited in the young era. And it also means that the first place of acquaintance is "Suzhou". Suzhou was a commercial metropolis in the southeast at the end of the Yuan Dynasty and was extremely prosperous, but later Zhu Yuanzhang and Zhang Shicheng repeatedly fought over this place, causing it to wither in the early Ming Dynasty. The prosperity of Suzhou City reflects the splendid youth of the poet and his friends, and now when I think back again, it is inevitable that I will feel like a world away. The last two sentences write about reunion, how many years have elapsed between them, and how many vicissitudes of life, the poet does not mention anything, only how much has happened to each other, and the endless emotion has been all in it, which makes people sigh endlessly. "Sleeping together" and "wine like a river" echo each other from afar, and the old relationship between the two in their twilight years is self-evident. Compared with the heroism of the early years, there is a bit of warmth in it. This poem is only 28 words, but it contains rich emotional connotations. The poet writes in a void and intercepts two pictures in his life, forming a sharp contrast, and taking the feeling of endless vicissitudes into it, which is very infectious.
The hotel is at the University of Lee
[Ming] Xu Xi
Even to Xinfeng City, the old people respect the wine and sing sadly.
Don't cry for ten years, and don't cry more.
This poem is about the past and the present that comes from a chance reunion with a friend at the hotel.
The gist of the poem: I happened to pass by Xinfeng's restaurant and met an old friend drinking and singing there. I have shed too many tears in the ten years of parting, but I didn't expect to shed more tears when we met at this time.
The first two sentences of the poem write about the accident of reunion, the picture is vivid, and the feelings are desolate. Xinfeng in the first sentence was originally a newly built city built by Han Gaozu near Chang'an to comfort his father's homesickness in imitation of his hometown Feng County. Because it is near the capital, it is often used as the synonym of the Beijing restaurant. And Ma Zhou, a famous minister in the Tang Dynasty, was worried about wine in Xinfeng's hotel before he became an official, so Xinfeng Wine Market also has the implication that Huai Cai is not encountered. The poet uses "Xinfeng" in the poem, which not only points out the place of the meeting, but also establishes the mood of the meeting. The sad song of the deceased also has a taste of generosity, sadness and spirit. The last two sentences constitute an unexpected twist, which greatly enhances the artistic conception of the whole poem. The previous tear was the tears of friends after separation, I thought I could break tears into laughter when I reunited, but I didn't expect to shed more tears. This kind of tears may reveal the sorrow of the withering friends, or the bitterness of not encountering talents, or the helplessness of national affairs, and many feelings may flow in these tears, giving readers unlimited space for imagination, and raising the feelings of the whole poem to a boiling point.
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